ECP Monson: A Thoughtful and Proudly Municipal Architect

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1920s, 1930s, Bethnal Green, Islington, Pre-1914

I’m very pleased to feature another guest post from Andrew Parnell who wrote an earlier post on Charles Dickens House in Bethnal Green. Andrew is a walking tour guide with Footprints of London and East London on Foot who leads walks on architecture and housing history in Tower Hamlets. These include walks in Bethnal Green which take in buildings designed by ECP Monson. More information and tickets for Andrew’s walks can be obtained from the Footprints of London website. 

The architect Edward Charles Philip Monson (1872-1941) designed over 25 London housing estates in the first half of the twentieth century. He worked in private practice but dedicated his life to public building, the overwhelming majority of it housing. In a period when housing provision for the less-well-off grew from its 19^th century philanthropic beginnings to the inter-war surge in local authority building, he worked for a variety of housebuilding bodies which reflect that progression.

ECP Monson

Monson remains relatively unsung in architectural circles, his work overshadowed by that of more celebrated, sometimes flamboyant, figures who came to prominence later in the century. His practice – in partnership with his brother Harry and son John – has been described as ‘capable, prolific but perhaps rather stolid.’ That may be true, but his work can also be seen as highly accomplished, adapting stylistically to changing trends and tastes whilst placing residents’ needs – practical and psychological – before architectural display.

After starting off professionally working in the practice of his architect father, Monson set up in his own right in 1904. Among his early commissions were several of the early estates built by the William Sutton Trust, a philanthropic body founded in 1900 with a huge monetary endowment by a wealthy benefactor. It joined a group of similar housing bodies formed by wealthy individuals in the mould of the Peabody Trust which had been operating since the mid-19^th century. The estates Monson designed were ‘grand and impressive places,’ in a relatively mellow, decorated style which distinguished the Sutton Trust’s work from that of the other philanthropic bodies which were variously criticised as ‘barrack-like’, ‘cliff-like’ and ‘prison-like.’ At the Sutton Estate in Chelsea, completed in 1913, for example, he used rustication, stone wreaths, swags and Corinthian colonnades to add ‘liveliness’ to the massive five-storey blocks. According to one resident, ‘the pointing [of the estate] was said to be so perfect that people used to come specially to see it.’

Sutton Estate, Chelsea

An attempt by the current owner to demolish most of the century-old Chelsea estate’s buildings was fended off by residents and others in 2018 on the basis not only of their architectural but also of their historical significance as early examples of large-scale social housing. That case brought to light another, much earlier conflict which arose around the time the estate was built between the Sutton Trust and the London County Council (LCC) which was then the ‘new kid on the block’ in the housebuilding world. The LCC criticised what it saw as the low level of spending, and the consequent basicness of the accommodation, created by the Trust which was operating under the financial constraints of a ‘no-profit’ approach. The fledgling local authority had levelled this criticism at the work of other philanthropic bodies – which it saw as competitors – and it was referred to in the recent case by the would-be demolishers to question the merits of the estate’s design.  

Sutton Estate, Chelsea, rear view

The argument failed when the context of the tension between the LCC and the philanthropic bodies was taken into account. The housing Monson designed for the Trust may have been very simple but it was intended to be affordable: by keeping building costs down, rents could be kept down. Ironically, the LCC in its first great housing project – the Boundary Estate in Bethnal Green – found itself obliged by financial pressures to charge high rents to recover its relatively lavish expenditure on building the estate with the result that the new buildings were occupied not by residents of the slums they replaced but by more affluent tenants. The Chelsea Sutton Estate, whatever its limitations, continues to provide 383 badly-needed social housing units (compared with 237 which the proposed redevelopment would have included).

After World War I, the rate of house-building by London’s Metropolitan Boroughs increased substantially, boosted by the introduction of housing subsidies and other measures contained in the Housing Act 1919. Monson attached himself to the Metropolitan Boroughs in two areas: Bethnal Green and nearby Stepney, both later absorbed into the London Borough of Tower Hamlets, in London’s East End; and Finsbury and next-door Islington, which later merged to become the single London Borough of Islington, in North London. He would go on to design a stream of estates for these councils in the 1920s and 30s.

One of Monson’s early projects for Bethnal Green, which was known as the Parmiter Estate during construction, gave rise to an amusing controversy when, as it was nearing completion in 1927, the left-wing (part-Communist) council voted to call it the Lenin Estate.

At the Parmiter Estate, Monson’s style had moved on from the gigantic blocks of the philanthropic period to a version of the neo-Georgian style widely used by the LCC and other local authorities by that time: simple, orderly and well-proportioned with windows taller than they are wide. However, at Parmiter Monson added decorative flourishes, such as venetian windows in the gables, which were uncharacteristic of this ‘house style.’ This may have reflected the Bethnal Green council’s desire to make a splash with the first estate to be designed by its ‘own’ architect. A splash it certainly made, with right-wing newspapers expressing outrage at the extravagance of ‘luxury’ flats built with public money by a left-wing council.

Parmiter Estate, Bethnal Green

In fact, during his career Monson adopted, or showed touches, of a variety of styles, reflecting latest trends, but sometimes seeming to jump back and forth across time, perhaps reflecting his clients’ preferences, or what they thought residents would prefer, or his own perception of what would be appropriate. As well as Neo-Georgian, the labels Queen Anne (itself a sort of potpourri of past styles), Arts and Crafts, Edwardian Renaissance/Baroque, Art Deco and Modernist have been used in relation to his various works.

For example, later in Bethnal Green he produced the Delta Estate (1936-7), a gem of a building which, with elegant curved-ended balconies and semi-circular concrete door canopies, discreetly adopts elements of the Art Deco-influenced style, used by other local boroughs in the 1930s, which they sometimes called ‘Moderne’ (everything sounds better in French!). Delta has what the architectural bible Pevsner calls ‘jazzy Expressionist brickwork’ over the doorways.

Brickwork and balconies on the Delta Estate, Bethnal Green

Lively brickwork can also be seen in another of Monson’s Bethnal Green projects, the Digby and Butler Estates (1936 and 1938), which, like the Delta Estate, have the wide windows (wider than they are tall) characteristic of the 1930s.  

The Butler Estate, Bethnal Green

However, another of his Bethnal Green works of the 1930s, Claredale House (1931-32), has windows which would look more at home in the old neo-Georgian style and even features a high brick archway entrance which seems to hark right back to the huge, stern archways found in some philanthropic blocks of earlier decades.  

Arches at the Sutton and Claredale Estates

In Bethnal Green and the other boroughs he was associated with, Monson worked for some radical councils implementing a huge social programme of public housebuilding. But from the limited information we have, it is hard to imagine he was a socialist firebrand. His photo shows him with big moustache, pince-nez spectacles and wing collar, looking every inch the Edwardian bank manager or solicitor. His curriculum vitae lists memberships of just about every relevant professional body, to many of which he devoted copious amounts of time voluntarily in committee and executive work, including as President of the Institute of Structural Engineers. A keen and senior member of the Territorial Army, he was also, as his father had been, a prominent Freemason.  

Whatever we may think of these associations, it should not detract from the fact that his professional life was overwhelmingly focused on what contemporaries referred to as ‘the Housing of the Working Classes.’ The output of estates by his small firm would have done credit to the whole architects’ department of a local authority.

Islington was the area where Monson was most prolific. His work there shows a variation and progression of styles, as in the East End. But there is one estate which, for me, represents an epitome or culmination of Monson’s work. The Brecknock Road Estate (1938-9) was recently added to Islington’s Local List of Historical Assets. It was nominated as being:

an evocative example of a thoughtful and proudly municipal conception of modern architecture.

By this late stage of his life and career, Monson had visited Europe and seen how some designers of mass housing there (for example in the Weimar Republic and ‘Red Vienna’) were adopting a modernist approach. At Brecknock Road, Monson used this style, but in a characteristically restrained manner. By this time, he may well have been working with his brother and son who continued the practice under his name after his death.  

The Brecknock Estate, Islington

Modernism at Brecknock Road can be seen in the rectangular balconies which now have 90 degree corners (no curves) and in corner windows at 90 and 135 degree angles in the two-faceted and three-faceted bay windows. The horizontality of long balconies and rows of windows is cut through by the vertical lines created by the bay windows and rubbish chute ‘chimneys.’ But this modernism is tailored to its context. The estate – comprising 225 flats in 16 perimeter blocks around two internal courtyards – makes a virtue of the sloping topography and irregular shape of the site. The blocks have stepped rooflines and their arrangement is not entirely symmetrical, so they occupy the space ‘in a relaxed way.’ The slate roofs are not flat – as strict modernism would dictate – but slightly pitched to match the Victorian roofs of surrounding streets. Between the blocks are glimpses into the attractively planted sloping courtyards. The outward-facing sides of the blocks are predominantly red brick punctuated by the white rendered balconies. The inward-facing sides are predominantly white and pale green, producing a light, airy feel.  

Brecknock Estate, Islington, rear view

Altogether this creates an environment in which you feel that people can live comfortably. One resident and (art) critic has written that the blocks are not monolithic but each ‘is a knowable community,’ and the lack of grand and large-scale effects mean residents can ‘feel more entitled to be there.’ It has a ‘sense of refuge and quiet.’ For an architect of social housing, those comments, coming from a resident of one of his estates, could be seen as the highest praise, an accolade as satisfying as a Grade I listing.

Monson’s work now stands in the shade – physical and critical – of that of more radical individuals with perhaps greater socialist credentials such as Denys Lasdun (whose Keeling House of 1957 in Bethnal Green towers over Monson’s Claredale House across the road) and the emigres from eastern Europe Berthold Lubetkin and Ernő Goldfinger. But Monson’s comparatively quiet, gentle and sensitive approach, expertly using changing styles but without letting any design imperative stand before the wellbeing and contentment of residents, could be said to have produced housing that has stood the test of time and fulfilled its primary function at least as well.

Sources

Royal Institute of British Architects, Biographical Files: Edward Charles Philip Monson and Edward Monson (father)

‘E. C. P. Monson, English Architect’, The Structural Engineer, October 1932, p 413

P. L. Garside, The Conduct of Philanthropy: William Sutton Trust 1900 – 2000 (Athlone Press, 2000)

Letter from The Victorian Society to The Planning Inspectorate re: William Sutton Estate, Cale Street and Ixworth Place, London, 28 March 2018

Ian Hunt, ‘Modernism for sociable living’, Journal of Islington Archaeology & History Society, Spring 2013, Vol 3, No.1

London Borough of Islington Planning Committee Recommendation, Brecknock Road Estate, 4 December 2012

P. Garside and T. Hinchcliffe, ‘E. C. P. Monson in Islington: local authority housing in 1919-65’,  London Architect, October 1982, pp 8-9

Modernism in Metro-Land, In House – Part 4: Islington, April 2017

Book Review: Seán Damer, Scheming: A Social History of Glasgow Council Housing, 1919–1956

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1920s, 1930s, 1940s

Seán Damer, Scheming: A Social History of Glasgow Council Housing, 1919–1956 (Edinburgh University Press, October 2018)

In 1919, Glasgow, with a population surpassing one million, was the ‘Second City of the Empire’. It was also, by some distance, Britain’s most densely settled and poorly housed city; two thirds of its people lived in two rooms or less; one fifth in ‘single ends’, a single room.  The Council estimated that 57,000 new homes were needed immediately. In the event, some 54,289 council homes were built by 1939.

Seán Damer’s book is a vital guide to the new estates – called ‘schemes’ in Scotland, hence the title – built between the wars and those built in the decade after 1945. It’s a deeply engaged social and political history, of interest not only to Glaswegians but to anyone seeking a critical understanding of council housing, its successes, failures and complexities.

Mosspark, 1927 © Britain from Above (SPW019519)

Damer begins his story with Mosspark, built a couple of miles to the south-west of the city centre on land purchased as far back as 1909; its plans approved in April 1919. It was not the first of Glasgow’s post-war housing schemes but it was by far the most prestigious.

Mosspark’s plan clearly shows the influence of garden suburb ideals

Built under the generous terms of Christopher Addison’s 1919 Housing Act, this was a scheme which fulfilled Tudor Walters ideals with generous landscaping and a density of around nine houses per acre. The homes themselves were of similar quality; cottage homes, almost two-thirds of which were (in Scottish parlance) ‘four-’ or ‘five-apartment’ houses containing three or more bedrooms.

An early image of Mosspark

The homes – as was typical of ‘Addison houses’ – were expensive to build (at around £1150 each) and had high rents to match.  The rents were sufficient themselves to bar the average workingman but the latter’s exclusion was ensured by the zealous gatekeeping of those in the council responsible for housing allocations. As one resident later recalled:

This place was full of professionals – teachers, government officers, and Corporation workers. Everybody knew that you had to be earning £5 per week to get a house.

The average wage for a skilled worker stood then at £3 a week and in the mid-1920s council records show professional, skilled white-collar and white-collar workers formed around three-quarters of heads of household.

This was, then, a self-consciously affluent and ‘respectable’ community; one, in Damer’s words, ‘with more than a hint of the ‘unco guid’ [excessive self-righteousness] which can be the hallmark of the Scots Presbyterian’.  The church, bowling club and tenants’ association formed the pillars of that community and helped ensure the solid Tory affiliations of its earlier years.

An early image of Hamiltonhill

Damer goes on to discuss Hamiltonhill, an unusual scheme built under a slum clearance provision of the little-known 1921 Housing Act, but the thrust of his analysis is provided by the two succeeding chapters, examining the West Drumoyne and Blackhill schemes.

By the mid-1920s, Glasgow’s powerful labour movement – whose organisation and agitation had, of course, been essential to the ‘Moderate’ (Tory) controlled council’s willingness to build in the first place – was protesting the Corporation’s failure to provide council housing for the average working-class householder, many still living in appalling conditions in the inner city.

West Drumoyne shops and housing

West Drumoyne, built under the terms of the 1924 Housing Act (championed by local son, Labour’s Minister of Health and Housing, John Wheatley), was the Moderates’ response – and a defeat for the Independent Labour Party (ILP). The ILP had wanted cottage homes; the eventual scheme offered two- and three-storey tenements at a density of over 26 houses per acre. The latter – rightly or wrongly – became stigmatised as slum clearance housing though, in practice, West Drumoyne comprised overwhelmingly skilled and semi-skilled workers, many working in the Govan shipyards.

An image from Blackhill in 1976 capturing some of the raucous self-entertainment that Damer describes © The Herald

Blackhill, on the other hand, was explicitly built as a slum clearance estate. Approved in 1933, it was a product of the 1930 and 1935 Housing Acts which targeted for the first time slum clearance and rehousing.  It won’t be a surprise to learn that its design reflected its origins – early housing comprised tenement blocks and, another distinctively Scottish form, ‘four-in-a-block’ tenement blocks (four flats under a hipped roof block of more or less cottage appearance).  Almost a half of heads of household were classified as labourers and average wages were £2 a week though many more were unemployed.

Such social divisions, often reflected in a similarly differentiated quality of housing, could be found in estates across Britain but, as Damer charts with rigour and some anger, Glasgow Corporation took it a stage further.  This was a rigid three-tier system: ‘Ordinary’ schemes built under the 1919 and 1923 Acts; ‘Intermediate’ schemes built under the 1924 Act; and ‘Slum Clearance and Rehousing’ schemes built under the legislation of the 1930s.

The prejudice of housing officials – in their judgments about who ‘deserved’ higher quality housing and in their allocation of such housing  ensured – as Damer argues, that:

any council tenant in Glasgow could tell at a glance into which category a housing scheme fell, and to which category he or she could aspire.

The stigma attached to slum clearance estates affected Blackhill in particular, built on cheap land adjacent to a gas works and chemical plant, geographically isolated; even its name contained its own ‘black mark’.

Prestwick Street, Craigbank, 2004

Whilst, in principle, post-Second World War schemes – Damer discusses Craigbank, in the huge new peripheral Pollok estate, and South Pollok – were intended to supersede such rigid social segregation, the so-called ‘New Ordinary’ estates were little more than a re-branding of the former ‘Intermediate’ category. Meanwhile, allocations policies ensured that Craigbank catered for the better-off working class and South Pollok for the least well-off. They soon acquired corresponding reputations.

Cowcaddens – the area of Glasgow from which many of the residents of Hamiltonhill moved

It’s worth pointing out, however – not as a form of special pleading but as a simple record of fact – that the new tenants, both interwar and post-war, were, overwhelmingly, delighted with their new council homes. South Pollok, later labelled by some outsiders as ‘the White Man’s Grave’, built (badly) in 1947-48 and demolished in 1973, still represented in housing terms a huge step up:

It was like heaven! It was like a palace, even without anything in it … We’d got this lovely, lovely house. Well it was lovely to me! When I got into that big empty house and the weans were running up and doon mad and – it was just like walking into Buckingham Palace because I had a bath!

For Damer, as he states in his introduction, ‘­the story of council housing in Glasgow is the story of class-struggle’. Damer feels that the Glasgow working class itself – as a potentially unified political force – was splintered by these imposed divisions. Depending on their political perspective perhaps, others will come to their own conclusion as to whether it was actively splintered or just splintered in the first place.  It’s undeniable, at least, that the story was shaped by class divisions and class prejudices; in particular, by the bigotry directed towards the so-called slum working class by politicians and officials.

Those attitudes were reflected in the rigorous policing of the new estates by the council’s Resident Factors, female housing inspectors and public health nurses – a troika dedicated to ensuring decent, respectable and sanitary living particularly among poorer residents not trusted to behave well.

A real strength of Damer’s book is its rich anecdotal record gathered from interviews conducted with residents in the late 1980s and early 1990s. And it’s clear, for all the disrespect addressed to officialdom, there was a strong sense – at least in hindsight – that this supervision had helped create a respectability (self-policed as well as imposed) that had been lost in more recent years.

That record – and Damer’s sympathetic eye – also creates a vivid picture of community on the various estates. If Mosspark is treated somewhat caustically, the ‘lower’ working-class estates are painted empathetically and the variety of informal means of working-class self-help and neighbourliness delineated in some detail – from the ‘menodges’ (local savings clubs), to various forms of money-lending, to ‘nicking’ as a form of resource redistribution.

Damer’s summary of Blackhill can stand for his broader perspective. It was, he says:

an impoverished, largely unskilled, manual working-class community characterised by a variety of familial and social survival strategies, including elaborate collective self-help mechanisms largely organised by women, and thieving, largely organised by men … It was a tough place, where one had to be tough to survive. But the real violence was that of poverty, which Blackhill tenants combated with humour, imagination and resilience.

And one interviewee, recalling the role of his mother on the estate, can speak to that matriarchy:

My mother came from Ayrshire, a very, very hard-working woman. Tremendous intelligence but no skills. When I say no skills – no skills that she could work with but was respected in the community, she was the one who helped people through a birth, was sent for – in those days when a child was not well they gave them a mustard bath – she was the sort of local witch doctor. She was unbelievable. Her organisational sense was unbelievable for somebody that was supposed to be semi-literate.

Much of this finds echoes in estates across Britain – the inter- and intra-class divisions, the role of officialdom, the means of getting by in often hostile circumstance.

Blackhill, 1986 after redevelopment in the 1970s; image Alex Glass

But Glasgow was council housing writ large. By the mid-1970s, almost seven in ten of its population lived in ‘Corporation housing’; the City Council was the largest public sector landlord in western Europe and in many ways a problematic one.  Damer does not shy away from addressing this issue and his final chapter asks ‘Why was Glasgow’s council housing so dire?’.

You can read his answer for yourself but the sheer inhumanity of existing conditions and a drive to alleviate them which all too often emphasised quantity over quality, the legacy and persistence of prejudiced attitudes towards poorer residents, and the divisions that the latter caused all played their part.

I recommend the book not only as rich and challenging account of council housing built at scale in one of our major cities but as a significant contribution towards our wider understanding of how to build badly and how to build well.

Purchase and publication details can be found on the Edinburgh University Press website. 

Note

For a good account of Glasgow’s later housing history, you can read Gerry Mooney’s guest posts on this blog, Glasgow Housing in Historical Context and Failed Post-War Visions?.