The Peculiarity of British Post-war Reconstruction? Part II

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1940s, 1950s

I’m honoured today to feature the second post of Catherine’s Flinn’s analysis of post-war European reconstruction. A Fellow of the Royal Historical Society, Dr Catherine Flinn is author of the book Rebuilding Britain’s Blitzed Cities: Hopeful Dreams, Stark Realities, published by Bloomsbury. She particularly looks at the built environment through the lens of politics and economics, as well as social and cultural influences – broadly via national controls and policies, plus locally through micro-histories. She holds multiple degrees in architecture, landscape and history.

In the first part of this two-part post, I talked about European post-war reconstruction and the contrasts between Britain and the continent, describing some examples in Poland and Germany specifically. As many people realise, in Britain very few – if any – rebuilt city centres have embodied similar ideals to the historic idioms repeated in a number of European cities. So it is reasonable to ask why. How did people in post-war Britain see their cities? That is, what priorities were important to the various actors involved in rebuilding blitzed city centres?

Plymouth after the air raids of March/April 1941

In this post I will discuss the way people thought about reconstruction in Britain – from owners to planners to local authorities – and how modernist ideas prevailed, contrasting ideologically (and often practically) with Continental examples. Post-war British versions of ideal cities were strikingly different to today’s visions of ideal cities.

Planning for Reconstruction, Architectural Press, 1944

During the Second World War, in part as a way of promoting hope and positive attitudes to the war’s end, many British cities began planning as early as 1940. (1) Cities like Coventry and Portsmouth commissioned plans for their post-war reconstruction several years before the last bombs fell. The plans made were in general strikingly modern, futuristic, and vehicle-focused. In certain cases they included the rebuilding of major monuments or churches – for example Coventry rebuilt its cathedral (albeit in a new modern version), Portsmouth partly focused on the rebuilding of its damaged Guildhall, while in London the House of Commons and Inns of Court were rebuilt – but these are all individual buildings. Strikingly, I have found no archival evidence to suggest any plans made kept original street lines or that historic appearances were ever intended to be reconstructed.

Government ministers told city officials to ‘plan boldly’ and they did. (2) In general, the plans made were often influenced by local politics: Labour-majority councils often made very modern comprehensive plans, while Conservative-led councils – unsurprisingly perhaps – advocated less sweeping change. Still, all councils were concerned with a few major issues: traffic flow, housing or slum clearance, and commercial redevelopment. City centre streets were inadequately narrow for cars and lorries, as well as increasingly overcrowded. Space was also prioritised for parking. Councils clearly found that medieval street forms were not conducive to the large vehicles of the mid-twentieth century.

Queen’s House and the Triangle Trust buildings, Hull © Catherine Flinn

Across the board, however, the strongest objections to the plans being made were rarely about loss of heritage or history. Almost all objections to post-war plans were simply property owners who did not want to move or face further major disruption to their businesses, or homes. The story in British blitzed cities was one of conflict among city officials, businesses, and residents about how to ‘improve’ the city. Further, there was often conflict between city officials and the planning ministry who – particularly after the implementation of the 1947 Town and Country Planning Act – often disagreed about what should be done in each city.

There were also significant problems created by shortages of steel and labour, as well as severe restrictions on what kind of building investment was allowed in the first seven post-war years. Furthermore, since central government was barely able to assist financially with rebuilding (in fact only helping with loans in redevelopment areas), the priorities of the blitzed cities also turned to increasing rateable value.

This photograph of Portsmouth city centre (the Guildhall is centre right) was taken in 1950

Finally, when reconstruction and redevelopment did happen in Britain, it took place very slowly and in a piecemeal fashion. It was more than ten years after the major bombing raids before any real work began on city centre reconstruction in Britain – whereas in Europe, many cities had rebuilt much of their centres by 1953. (3) This was not surprising: reconstruction priorities in Britain were initially focused completely on industry (i.e. the economy) and housing. City centres were treated as an afterthought, despite wartime promises.

Beyond those larger capital investment issues, government publications also reveal a great deal about aesthetic priorities in Britain. Much was written in Whitehall around guidelines for reconstruction. The planning ministry, transportation ministry, health officials and others all highlighted a car-centred approach to planning and design. (4)  It cannot be stressed enough how much vehicular flow and parking were emphasised.  

Liverpool: proposed inner ring road, 1946 © Liverpool Records Office

In every discussion of reconstruction in city archives, it was assumed that street layouts would change. It was taken for granted that vehicles should take precedence and that many old street patterns would be laid out anew because people would enter city centres by car and park there. Planning ideals were far from being either environmentally or – in today’s terms – aesthetically friendly in the 1940s or 50s. To residents, businesses, and local authorities vehicle circulation was clearly of great importance. City plans often expressed the belief that the bombing had created the potential to make cities function better, even if it meant making huge infrastructure changes.

Rationing – particularly of steel – impacted speed, cost, and appearance. Additionally, shortages often forced the use of other materials such as reinforced concrete. In fact, the planning ministry actively encouraged the use of reinforced concrete over structural steel. (5) Oddly, there was a marked lack of discussion of the issues of materials shortages, or even innovations, in the architectural press. (6) And there was not just an effort to save steel, enforced by the shortages and rationing, but also a rising enthusiasm for new technologies. (8) Building styles in city centre reconstruction were influenced both by this increasing interest in technology and the growth in popularity (from before the war) of modernist architecture. (7)

The new Broadgate, Coventry, as envisaged by City Architect Donald Gibson in 1941.

The Precinct, Coventry, undated postcard

Modern styles mainly developed in Europe, spreading to Britain in the 1930s. After the war these newer styles continued to flourish within the architectural profession, though this time in their own particularly British form. (8) In urban areas this modernism was composed of straight lines: a box-like style with a smooth facade, though often embellished with sparse neo-classical details. The taste for modernism was enthusiastically adopted by local authorities who controlled much of the appearance of new buildings as well. Archival records such as city council minutes and municipal journals for local authorities show an over-riding sense of an embrace of modernity and a wish to be seen as a forward-thinking, rather than stuck in the past. (9)

Another key factor at play were those paying for the buildings: property developers. Developers were increasingly the primary builders in blitzed cities, and their motives were often driven more by profit than aesthetic concerns. Owner-occupiers generally showed careful concern about their building’s appearance but developers were far more interested in lettable space. And city officials usually had complementary motives, given their desire to make up huge losses in rateable income caused by the wartime damage. (10)

Finally, on the issue of saving historic places: while there were certainly complaints about pulling down individual historic buildings, none of the archival material yields any discussion of rebuilding any streetscapes or historic districts as they had been.

One rare example was in Exeter where a Ministry of Works representative noted that the area around Dix’s Fields was listed as Grade II and should be preserved, even where only facades remained. But the City of Exeter acquired these properties after a legal battle and tore them down. (11)  In some cases – as in Liverpool for example – some firms rebuilt nearly the same design as existed on their pre-war sites, but in all cases substantial portions of the buildings remained, and the decision not to demolish and build new was also due to the slowness of approvals and the fact that steel allocations for ‘repair’ were easier to procure.

This lack of concern for historic value does not reflect the intense pressure for preservation which came in more than ten years after reconstruction hit its peak. (16) There were notable campaigners for historic preservation, such as John Betjeman, but until the later 1960s such discussion was confined to the sidelines. Unusually, while perhaps German and Polish officials foresaw the potential for tourism in ‘historic’ towns, local authorities and city councils in Britain did not seem to see any importance in this prospective value.

From Thomas Sharp, Exeter Phoenix. A Plan for Rebuilding (Exeter, 1946)

Princesshay, Exeter, 1955

And while we see that some European examples of ‘historic’ reconstruction came much later than the 1950s, in places like Germany there was an emphasis put on domestic tourism from just after the war. (12) In British blitzed cities – with some exceptions such as Bath, Canterbury and York, where most historic buildings had survived the ‘Baedeker’ raids – the lack of attention to character and particularly potential tourism meant a great revenue loss to the redeveloped cities when ‘heritage’ took off in the 1970s. How Britain saw itself in the late 1940s and 1950s, and how it would see itself ten or twenty years on, were very different phenomena indeed. (13)

A rhetoric of blame has persisted since the 1980s in Britain when discussing post-war reconstruction. Many have insisted that the responsibility for the results lies exclusively with planners and architects. (14) But as Sunand Prasad, a former president of the Royal Institute of British Architects (RIBA), has said: (15)

[There was] certainly a deal of naïve utopianism in the planning and architecture of the post-war decades, and maybe that period can be described as a gigantic and failed experiment … But it’s not idealism – laudable or foolish or otherwise – that shapes modern cities, it’s their political economy.

With the benefit of hindsight, we can see that for all the good intentions our confidence in professional knowledge was much greater than our real understanding of how it would all work… In the second half of the 20^th century, we thought we were replacing trial and error with science.

Donald Gibson, ‘City Architect ”Ultimate Plan’ for the city centre, drawn by Percy Johnson-Marshall. Buildings retained are shown black and new buildings to be built in phases shown red (and cross-hatched), brown and grey. © Percy Johnson-Marshall collection; Edinburgh University

If only this awareness of context could replace the criticism of the purely visual. Numerous factors had profound effects on post-war developments. All of the plans and many of the buildings could be considered experimental. There was no knowledge of whether a plan such as Abercrombie’s Plymouth or Hull would work successfully, even if implemented. In fact, in Plymouth the separation of uses advocated by the plan proved to be unsuccessful in large part, creating spaces that were too segregated. (16) And in Coventry: (17)

[the] scheme seems to have failed simultaneously in several ways: it was grounded on assumptions about the city’s growth and the social behavior of its residents that were not reliable, it buried a past that still had psychological value to local communities, and it imposed a highly integrated urban aesthetic that owed more to fashion than to pragmatism.

Blaming the planners and architects does not take into account the myriad of issues faced between drawing board and completion, much less the whims of clients and local authorities. And there was a strong belief in 1940s and 50s Britain that planners were experts and this technocratic knowledge was somehow ‘right’. More importantly, critics fail to acknowledge the key role that the post-war political economy played in the results of city centre reconstruction.

Cover illustration for W Dobson Chapman, Towards a New Macclesfield: A Suggestion for a New Town Centre (1944)

Some suggestions as to the bigger differences to Europe might include the contrasting experiences of war reflecting on decisions in rebuilding. Or perhaps economic pressures contributed to choices made. Consider too that Poland was invaded and occupied by Nazi Germany. The loss of a sense of self and of culture among the Polish people was infinitely worse than most other parts of Europe. Poles might have seen rebuilding in a historic idiom to be a way of recreating memories, giving them back a sense of place obliterated during the war. And with Germany it may well be about an initial turn to modernism as a way to escape past sins and yet the further from the war the more we see a desire to rebuild historically and reclaim what might be thought of as a heritage buried or missing.

It might be considered ironic that – as noted in last week’s post – Poland and Czechoslovakia were visited by Lewis Silkin, the UK’s post-war planning minister, who went with a team to look at European reconstruction. In his report back to the cabinet Silkin stated:

On the whole, we are far in advance of Poland in town and country planning, and the Town and Country Planning Act, 1947, is much more revolutionary in its method of dealing with land problems than anything that has happened in Poland. Polish planners definitely recognise our superiority and look to us to give them a lead.

Were his comments stemming from a sense of British (post-Empire?) superiority, or perhaps more simply an over-riding ideology among planning professionals that modern was somehow ‘better’? Today cities such as Plymouth, Portsmouth or Southampton are less tourist-friendly than Gdansk, most likely due to the ‘feel’ of these cities. (18)

Fougasse cartoon, Punch, 11 August 1943

Officials in European cities were not free of the conflict of issues similar to those in Britain’s cities – no city reached 100 percent consensus on an approach to reconstruction. But generally rebuilding in many continental European cities seems to have benefited from less internal conflict and a greater consensus on historicism.  Ironically, Britain revels in its history and the heritage industry thrives still today. But it was late in coming. Protection of monuments and buildings has been ongoing, but it is the protection of the feel of a place that is perhaps lacking. Today, British planning has an inclusive sense of history that is often taken for granted, but very little of this was present when it came time to plan for blitz reconstruction. So while the ‘peculiarity’ of British reconstruction was perhaps in not saving more historic buildings or streetscapes, such plans were not considered peculiar at the time but truly forward-looking and excitingly modern.

Footnotes

(1) Some, such as Coventry, had started before the war. See P. Larkham and K. Lilley, Planning the ‘City of Tomorrow’: British Reconstruction Planning, 1939-1952: an annotated bibliography (Pickering, 2001)

(2) J. Reith, then Minister for Works and Buildings, House of Lords Debates ‘Post-War Reconstruction’, HL Deb 17 Jul 41 vol 119 cc844-80 (879).

(3) See my book or article: C. Flinn Rebuilding Britain’s Blitzed Cities (Bloomsbury, 2019); ‘”The City of Our Dreams”? The Political and Economic Realities of Rebuilding Britain’s Blitzed Cities, 1945–54’, Twentieth Century British History, (2012) 23 (2): 221-245. doi: 10.1093/tcbh/hwr009. 

(4) Ministry of Town and Country Planning, The Redevelopment of Central Areas (London, 1947). Cmd. 9559 Report of the Ministry of Housing and Local Government for the Period 1950/51 to 1954 (London, 1955). Also see J. Punter, ‘A History of Aesthetic Control: Part 1, 1909-1953: The Control of the External Appearance of Development in England and Wales’, The Town Planning Review,57, 4, (1986): 351-81; J. Punter, ‘Design’ in J.B. Cullingworth, British Planning: 50 Years of Urban and Regional Planning (London, 1999). Also, the slightly later publication by the MHLG, Town Centres: Approach to Renewal (London, 1962). 

(5) See E Marples in HC Deb 10 April 1952 vol 498 cc2987-3003, ‘Blitzed Areas (Reconstruction)’, col 3003. This was reiterated in a letter to officials of blitzed cities: ‘wherever possible reinforced concrete or load-bearing walls should be used in preference to steel frames’. Liverpool Record Office: PWRSC Min Book, letter MHLG to Town Clerk, 24 Nov 52, para 6. (Clearly a form letter sent to all blitzed cities.) The largest single item in the investment programme for the Ministry of Works in 1949-52 was the cement industry at £10.5 million, see TNA: CAB 134/449 [IPC (WP) (48) 220] 21 Dec 48, item 3.

(6) One rare example is the transcript of an RIBA meeting of the ‘Architectural Science Board’ in 1947, published in its journal soon afterwards: G. Grenfell Baines, ‘Substitute Materials and Their Influence on Design.’ RIBA Journal (1948), 108-113. Also see, ‘Changes In Materials And Construction Methods’, W. A. Allen, which describes some of the reasons for development of prefabrication and usage of concrete and other materials in the postwar period, in The Times, 3 Jul 61, p xv.  

(7) See Nick Hayes, ‘Prefabricating stories: innovation in systems technology after the Second World War’ History of Technology v25 (2004) , 7-28, who discusses the significance of the period’s reliance on the ‘authority’ of science and technology, 24.

(8) W. Whyte, ‘The Englishness of English Architecture: Modernism and the Making of a National International Style, 1927–1957’, Journal of British Studies 48:2 (2009) 441-65; E. Darling, Re-Forming Britain: Narratives of Modernity before Reconstruction (London, 2007). 

(9) See Flinn, Rebuilding Britain’s Blitzed Cities, Ch 6.

(10) The well-known architect and planner Professor William Holford spoke in 1966 of the lack of ‘individual achievement and distinction’ in the architecture of post-war reconstruction. Noting that he thought the importance of the property developer had been underestimated.  He felt that in post-war speculative office blocks design was only incidental to the procedure of getting funding, consents and approvals and licenses. University of Liverpool Archives (ULA): D147/LA7/9/1, Papers of William Graham, Baron Holford of Kemp Town. Guildhall seminars notes, 7 Jun 66.

(11) TNA: HLG 79/171 memo (no author, no date but ca 1951). In many cities there were certainly a few buildings that were repaired and almost rebuilt where enough of the original remained to do so, but this was rare in the cities attempting to implement new plans.

The cartoon image to the left is by F Beamiss and was published in Express & Echo, 1959

(12) A. Confino, Chapter 14 ‘Dissonance Normality and the Historical Method: Why Did Some Germans Think of Tourism after May 8, 1945?’ in R. Bessel and D. Schumann, Life after Death: Approaches to a Cultural and Social History during the 1940s and 1950s (Cambridge, 2003), 323-347. Also see J. Hagen, ‘Rebuilding the Middle Ages after the Second World War: The Cultural Politics of Reconstruction in Rothenburg ob der Tauber, Germany’, Journal of Historical Geography, 31:1 (2005), 94-112, and A. Confino, ‘Traveling as a Culture of Remembrance: Traces of National Socialism in West Germany, 1945-1960’, History & Memory 12:2 (2000), 92-121.

(13) See for example, Something Done: British Achievement 1945-47, by the Office of Information (London, 1947).  

(14) For example, a famous quote from Margaret Thatcher: ‘All too often, the planners cut the heart out of our cities. They swept aside the familiar city centres that had grown up over the centuries’. M. Thatcher, Conservative Party Conference speech, 9 October 1987 in R. Harris (ed.), The Collected Speeches of Margaret Thatcher (London, 1997), 286-7.

(15) Sunand Prasad, ‘The Past Sure is Tense’ 18 Octobe 2010, BBC Radio 3 ‘The Essay’ series.

(16) J. Gould, ‘Architecture and the Plan for Plymouth: The Legacy of a British City.’ Architectural Review 221 (2007): 78-83. ‘The insistence of single use within the shopping centre was and is damaging and it is extraordinary that this theoretical idea that has so much influence on a city’s character persisted for so long.’ 

(17) J. Calame, ‘Post-war Reconstruction: Concerns, Models and Approaches’ (2005). Roger Williams University, The Center for Macro Projects and Diplomacy, Macro Center Working Papers. Paper 20. Volume 6, Spring 2005: Post-Conflict Reconstruction: Reconnecting Sites Nations Cultures, p 22-24.

(18)  The National Archives: CAB 129/22 [CP (47) 343, 31 December 1947, ‘Impressions of a Recent Visit to Poland and Czechoslovakia’.   

Visualisation of the shopping centre of Chipping Ongar New Town as proposed in Patrick Abercrombie, Greater London Plan (1944). Ongar wasn’t built; in 1947 Harlow New Town was designated as a near alternative.

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The Peculiarity of British Post-war Reconstruction? Part I

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1940s, 1950s

I’m very pleased to feature this new guest post – the first instalment of a two-parter – by Catherine Flinn. A Fellow of the Royal Historical Society, Dr Catherine Flinn is author of the book Rebuilding Britain’s Blitzed Cities: Hopeful Dreams, Stark Realities, published by Bloomsbury. She particularly looks at the built environment through the lens of politics and economics, as well as social and cultural influences – broadly via national controls and policies, plus locally through micro-histories. She holds multiple degrees in architecture, landscape and history.

Recently on social media someone posted a photo of Münster, Germany, with this comment: ‘The more I read about post-war European architecture, the more I realise how peculiar was Britain’s approach to post-war reconstruction’. An interesting word choice, ‘peculiar’ – it means strange or odd or unusual. But was it? To be fair, I understand where they were coming from. Overwhelmingly, reconstruction in Britain after 1945 was modernist in style. Historic remnants and even substantial remains of medieval and Georgian and Victorian buildings were often pulled down and replaced with architecture that people today love to hate. But was that ‘peculiar’? I’m going to explain why I would not use that term, but also offer an explanation for why Britain’s rebuilding was so very different from many European examples that are much admired today.

Custom House, Hanover Street and the surrounding bomb damaged area, Liverpool, 1946, EAW001911 © Britain from Above

I have heard people ask over and over why architects, planners, local authorities and even property owners didn’t think to rebuild the old medieval core of Coventry, or restore the lovely feel of Dix’s Fields in Exeter, or why there were such drastic changes made to the core of Plymouth. Why did Britain so clearly go for modernist architecture and ignore the historic? As luck would have it, the Germans happily missed many key targets in their Baedeker raids which began in 1942 – the reprisals for the bombing of Lübeck when the Luftwaffe targeted historic cathedral cities such as Bath, Canterbury and Norwich. And a fair number of historic buildings – the Inner Temple in London as well as Portsmouth’s town hall come to mind – were actually restored to their original appearance. But those examples are few and far between amongst the vast amount of city centre reconstruction that took place in the 1950s. (1)

Like pretty much all history, the answers are complex. This post will answer some questions people often ask me about British and European reconstruction, in two parts. In this first part, I will talk about the contrasts between Britain and the Continent, describing some examples in Poland and Germany specifically. In Part II to come, I will discuss the logistics of British reconstruction and pose some answers as to why it was so extensively modernist in nature. Looking at some of the prevailing ideologies in rebuilding British cities, we will see some reasons why they are so very different from historically compelling European examples.

As we know, most bombed city centres in Britain were rebuilt in a mid-twentieth century modernist ideal. By contrast, in parts of Germany – as well as Belgium, the Netherlands and Poland – many cities we know today to have been mostly damaged or destroyed by Allied bombing show off a strong sense of pre-war history. (2)

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Here we will look at that stark contrast: what took place in a number of European cities where whole sections of historic streetscape were reconstructed either in an historic idiom or as recreations of 1939 – or even earlier – streetscapes. Today we value and appreciate the historicism in those European cities and they attract a huge amount of tourism with consequent added economic value.

There is a clear and striking difference in local post-war priorities seen in several examples of reconstruction in Europe. Particularly in Poland, and much later in Germany, a number of cities have been ‘resurrected’, or perhaps ‘reproduced’ – that is, they were constructed in large part to look as they had before the war. Several cities gave great attention to the past by rebuilding in a thoroughly historic idiom, re-creating versions – if not some exact copies – of what had been destroyed by Allied bombing. Britain’s post-war Minister of Town and Country Planning Lewis Silkin visited Poland and called the reconstruction of Warsaw ‘an almost superhuman task’.(3)

The Old Town Market Square of Warsaw © Guillaume Speurt and made available in Wikimedia Commons

In the Polish cities of Warsaw and Gdansk in particular we can find a completely different method, timeline and prioritisation of reconstruction values to those in Britain. Warsaw suffered massive damage as a result of Nazi bombing in the September campaign of 1939. However, the 1944 Warsaw Uprising against the Nazi occupier ultimately gave rise to even more far-reaching destruction. After the rising was crushed, the Nazis methodically dynamited swathes of the capital. (4)  Following the war, Warsaw officials took the decision to reconstruct large areas particularly the Old Town: the historic core of the city was rebuilt in its pre-war form – slightly modified – and is now a UNESCO World Heritage site. While apparently controversial the decision was also made to replicate a central portion of the city as it would have looked in the eighteenth century. The first phase of the reconstruction of the Old Town was completed on 22 July 1953. (5) An unconfirmed rumour found in my research adds that one good reason for replacing buildings and streets as they were in Warsaw would have been the reduced cost of not changing infrastructure (gas, water, etc) or building all new foundations.

Gdansk Old Town panorama

Another Polish example is Gdansk, or Danzig. In 1945 authorities inherited a city which was almost completely destroyed and they were additionally faced with tens of thousands of refugees and a severe shortage of available housing. An overriding concern for many residents was a very strong desire not to rebuild the Danzig of the interwar Free City or the German/Prussian Empire which had developed since the last time the Poles had governed the city in 1772. (6)

In the end a ‘passionate argument’ was settled with the compromise that a part of the central area of the old town was rebuilt in a style that reflected more closely the Gdansk of 1772 rather than the Danzig of 1939. (7) That is, Gdansk was rebuilt with pro-Polish designs, avoiding the Germanic influences of the 19th century. Birthplace of the Solidarity movement, it’s now a major tourist destination. This example shows us that cultural and spatial identity – often lost or suppressed during the war – was a key factor in restoring and rebuilding occupied places. Some Polish cities clearly prioritised reconstructing with a sense of place, something we will see was not really true in Britain.

Prinzipalmarkt, Münster © Dietmar Rabich and made available in Wikimedia Commons

Shifting attention to Germany we find more of the same but also some big differences. A few West German cities – Nuremberg, Rothenburg, Münster and Freiburg for example – took a similar approach to Warsaw. But in general German reconstruction encompasses a large mixture of building styles and each German city adopted a different approach to post-war reconstruction. In 2010, the magazine Der Spiegel published a series on reconstruction called ‘Out of the Ashes’, and its (nationalistic) tagline says this: (8)

Germany’s rebirth following the annihilation of World War II is nothing short of a miracle. But the country’s reconstruction was not without controversy and it resulted in cities filled with modernist buildings which have not aged well. Now, a new wave of construction is underway coupled with a new desire to rebuild the old.

Luther Memorial and ruins of the Frauenkirche, Dresden, 1945 © Bundesarchiv (Bild_183-60015-0002)

The most notable example of (East) German reconstruction is the city of Dresden, today a popular tourist destination. Notorious for being very heavily bombed by the Allies near the end of the war, it was certainly considered one of World War Two’s most devastated cities. But visiting Dresden today one finds a city that would be recognisable to eighteenth century travellers. A British tourist website claims that it has ‘spires, domes and breath-taking baroque stonework – with an artistic life that … puts most capital cities to shame.’ (9) The site goes on to add that ‘So culturally important, and stunningly beautiful, is this German gem that the United Nations has declared a lovely great chunk of it a UNESCO World Heritage Site – giving it the same protection as the Pyramids of Giza and the Taj Mahal’.

Frauenkirche, Dresden, 2011 © Weyf and made available in Wikimedia Commons

Dresden gives a stark contrast to a city such as Coventry, also very heavily bombed, where the core was redeveloped in a modern idiom and the cathedral famously recreated anew, also in a very modern style. The differences between Coventry and Dresden today clearly juxtapose the ideologies around reconstruction that I will be discussing further. One of the star attractions in Dresden is the Frauenkirche. Reduced to a shell in 1945, the church was left in ruins, supposedly as an anti-war statement, by the East German government.

But the church always had grassroots support for rebuilding and after the fall of the Berlin Wall a 15-year reconstruction project began, which was completed in 2005. Since the consecration of the new building, more than 18 million people have visited the restored Frauenkirche – and ‘with 280 couples married and around 800 people baptized the church is finding it hard to keep up with demand.’ (10) An Al Murray television programme on Germany visited Dresden and focused on the ‘historic’ city (parts of which were much more recently rebuilt, from post-war modern back to a version of the pre-war city). Murray compared it to Britain: (11)

It seems strange to us, but this is what Germany feels it needs to do. It has to claim back that artistic heritage lost during the war by building the old anew. … In comparison, Coventry has hardly had the same five-star restorative treatment.

The city of Berlin is another major tourist destination today, though in fairness its attractiveness now is strikingly different to its draw for tourists before 1989. Berlin has a mixture of reconstructed ‘historic’ sites and modern new institutions. As the 2010 Der Spiegel piece comments: (12)

Berlin, in particular, demonstrates relatively consistently that the upheavals and scars of the past should not be papered over by a yearning for the (supposedly) ‘good old days’. Instead, as is the case with the Memorial to the Murdered Jews of Europe, even the sins of the past can be confessed, and one’s own history can be commented on.

Berlin attracts about eight million visitors a year from around the world and it is claimed this is due to the ability to ‘experience contemporary history – both the good and the bad – more immediately here than anywhere else in Germany’. Berlin’s reconstruction has been ongoing since the end of the Second World War, and while the first wave of rebuilding began to slow down in the 1970s, the 1989 fall of the Berlin Wall triggered a renewed spate of construction.

In a theme that reappears in many places and different cities, the Der Spiegel writers also claim that in Germany ‘the aim is to undo past mistakes made due to urgency and an obsession with modernization’. They add that in the twenty-first century city planners and residents aim to rid themselves of the ‘principle of pure functionality that was spawned by necessity’. Ideology in 1940s and 1950s planning is replaced with more historicism but mainly cautious renovation and, in some cases, rebuilding. They admit too that new ideologies are often characterized by a ‘growing nostalgia and yearning for history, tradition, focal points and urban centres that provide orientation and a sense of identity within the metropolitan morass’. (13) In other words, historical city centres draw both tourism and local business interest.

In the post-war era, particularly the immediate post-war period, European cities had an unprecedented amount of reconstruction to contemplate. The resulting architecture of rebuilding and local street patterns were carried out in either historic idioms or even literal reconstructions in many cities and towns, though not all. Yet by contrast, British cities did not do the same.

Compared to these Polish and German examples, British reconstruction has been pretty exclusively modern. So why did most British cities ignore so much heritage and particularly the feel of the old narrow historic streets that today we find so interesting? The potential reasons are numerous and complex. Any answers, as such, involve complications not just of funding, labour, rationing and ownership, but conflicting priorities, varying agendas and more. In the next post I will discuss the way people thought about reconstruction in Britain – from owners to planners to local authorities – and suggest how and why modernist ideas prevailed.

Footnotes

(1) Note that no rebuilding actually started before 1952 and most happened much later

(2) For further reading: Jörn Düwel and Niels Gutschow (eds.), A Blessing in Disguise: War and Town Planning in Europe, 1940-45 (Berlin, 2013); J.M. Diefendorf, In the Wake of War: The Reconstruction of German Cities after World War II (Oxford, 1993); also his Rebuilding Europe’s Bombed Cities (Basingstoke, 1990); S.V. Ward, Planning the Twentieth-Century City: The Advanced Capitalist World (Chicester, 2002); A.M. Tung, Preserving the World’s Great Cities: The Destruction and Renewal of the Historic Metropolis. (New York, 2001); S. Essex, and M. Brayshay, ‘Boldness Diminished? The Post-War Battle to Replan a Bomb-Damaged Provincial City.’ Urban History 35:3 (2008) 437-61; J. Hasegawa, ‘The reconstruction of Portsmouth in the 1940s’, Contemporary British History 14 (2000) 45-62; N. Tiratsoo, Reconstruction, Affluence and Labour Politics: Coventry 1945-1960 (London, 1990)

(3) Minister Silkin made a trip to Poland and Czechoslovakia to view reconstruction in 1947, reporting back to the Cabinet. National Archives UK (TNA): CAB 129/22 [CP (47) 343, 31 Dec 47, ‘Impressions of a Recent Visit to Poland and Czechoslovakia’. 

(4) A. Jozefacka, ‘Rebuilding Warsaw: Conflicting Visions of a Capital City, 1916—1956’, unpublished PhD dissertation, New York University, 2011 (abstract); also A. Tung, Preserving the World’s Great Cities, for Warsaw: 73-95. On re-using street patterns for large cost savings, see M. Niemczyk, ‘City Profile: Warsaw’ (Warszawa). Cities 15:4 (August 1998), 301-311.

(5) Ibid. Also ‘Warsaw Old Town marks 60 years since phoenix-like reconstruction’, 18.07.2013 10:19 

(6) Note that borders in continental Europe changed fairly constantly for several centuries up to 1945.

(7) Jacek Friedrich, Chapter 5 (pp 115-128) ‘Polish and German Heritage in Danzig/Gdansk’, in M. Rampley ed. Heritage, Ideology, and Identity in Central and Eastern Europe: Contested Pasts, Contested Presents. Woodbridge, 2012

(8) R. Leick, M. Schreiber and H. Stoldt, ‘Out of the Ashes: A New Look at Germany’s Postwar Reconstruction’ Der Spiegel, 10 August 2010.

(9) Tim Hughes, Travel Reviews, Oxford Mail, 18 February 2009  

(10) ‘Commemoration of the destruction of Dresden’s Frauenkirche’ Deutsche Welle 11.02.15

(11) A. Murray, ‘Al Murray’s German Adventure’, Part 2, air date 8 December 2010, BBC Four. Also see ‘A German Phoenix’, Economist 327:7808 (24 Apr 93), 91, and Diefendorf, Rebuilding.

(12) Der Spiegel, ‘Out of the Ashes’ 

(13) Ibid. However, they add, ‘Almost seven decades after the end of World War II, Germany is once again [beset] by the emotional questions of what’s worth keeping and which of its lost icons are worth rebuilding.’

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The New Architecture Movement Digital Archive

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1970s, 1980s

In 1983, Andrew Saint argued that the New Architecture Movement (NAM): (1)

has consistently been the only pressure group within architectural politics in Britain to grasp issues beyond the scope of self-interest, and to combine its suggestions for reform with some deeper understanding of the relation between architects, the construction industry and the general public.

The organisation had been founded in November 1975 at its Harrogate National Congress; its goals: (2)

to channel effectively the collective action of architectural and allied workers in order to bring about radical changes in the practice of architecture. NAM seeks to restore control over their environment to ordinary people, and social responsibility and accountability to the work of architects. In particular, it seeks to fundamentally change the existing system of patronage, the power structure in architecture dominated by architects who are principles, both in private and public practice, and powerful corporate and bureaucratic clients. NAM seeks not only to challenge the existing relationship of architect to client and user, but also the existing relations between employer and worker, to restore a voice both to those who provide the labour for architecture and those who use its products.

A cartoon featured in Issue 1 of Slate, March 1977

This month, a unique collection of documents from this significant activist movement that challenged the established order of architectural practice both in the private and public sectors goes online. In the mid-1970s NAM gave a voice to progressive and inclusive initiatives that encouraged people to promote social change and greater equality through their work in the built environment. The launch of NAM’s archive provides both a new resource for historical research and also a challenge to present and future generations in the field to reinterpret and apply NAM’s radical ideas to current issues.

NAM brought together young idealistic architects, engineers and planners from across the UK seeking ways to reform working practices and the planning and development process. In an intensely productive period from 1975-80 the movement ran workshops, campaigns and seminars on a range of issues – professional education and governance, workplace structures, feminism, public sector design, worker unionisation – to create an alternative vision that put the priorities of people and communities ahead of developers, corporations and officials.

Slate cover, July/August 1978

Generously funded by a Paul Mellon Centre Digital Project Grant, the archive brings together previously unavailable historical documents held by former members that give a comprehensive picture of NAM’s aims, actions and achievements. It also provides an insight into the workings of activist groups in the 1970s, a period when many young people came together to advance the idealism of the 1960s and find practical and effective ways to promote social change. Key items include the NAM Handbook, which captures the essence of the movement’s objectives, structure and activities, and a complete set of the movement’s lively magazine SLATE. With its provocative alternative graphics, SLATE encapsulates the collective energy of 1970s grassroots activism.

A graphic from Slate, issue 13 (not dated)

In 1980 the New Architecture Movement members moved on to develop their ideas, both in groups such as Matrix Feminist Design Co-operative and the Public Design Service, and also in the professional practice of individual former members. Between 1979 – 1985, Haringey Council Architects Department implemented a number of pioneering features from the NAM Public Design Service proposals, many of which went on to become adopted more widely. More recently there has been a renewed interest in the causes and issues that NAM championed in discourse, exhibitions and articles, and it is hoped the archive’s launch will further stimulate debate and fresh ideas to meet the critical challenges in the built environment today. (3)

NAM’s digital archive is available at http://newarchitecturemovement.org. The website is managed by MayDay Rooms, which also houses the physical archive which is freely accessible at the MayDay Rooms’ offices. (4)

The archive will be launched at the Bartlett School of Architecture, London on Saturday 26th November 2022. The NAM archive steering group and former members will gather to mark the occasion. Contact email: namdigitalarchive@gmail.com.

Notes

(1) Andrew Saint, The Image of the Architect, Yale University Press

(2) Introduction, NAM Handbook, 1978/1979

(3) See, for example, How we live now: reimagining spaces with Matrix Feminist Design Co-operative and People’s Plan for the Royal Docks exhibit, part of the Jessie Brennan’s Making Space project.

(4) The MayDay Rooms has a growing collection that includes materials documenting social struggles, resistance campaigns and the expression of marginalised and oppressed groups and houses the physical archive and manages the online version. They are located at 88 Fleet Street, London and are open 11-6pm Wednesday to Friday.

The Victoria Centre, Nottingham: ‘a city within a city’

Tags

1960s, 1970s

I’m very pleased to feature this new guest post by Martin Shepherd on a significant but neglected scheme. Martin is currently a student on the MA in Architectural History programme at the Bartlett School of Architecture, University College London. He was formerly an NHS hospital pharmacist with a career in clinical practice and management.

An extended essay on the development of the Victoria Centre will be published in the Journal of Historic Buildings and Places in Spring 2023.

In 2022 the Victoria Centre in Nottingham celebrated fifty years since it opened. Throughout this time, it has occupied a pre-eminent place in the urban infrastructure of the city, comprising both a large-scale high rise social housing development and the city’s primary retail location. It continues to occupy a dominant position in the urban grain of the city, a feature that is reflected in its assertive place on the municipal skyline.

The Victoria Centre has an intriguing architectural and social history which echoes many comparable but better known, and celebrated examples of urban megastructure that sought to bring together aspects of living, work and recreation into unified structures.

Introduction

For many of Nottingham’s residents and visitors, the architectural character of the city is most visibly and forcefully characterised by its two large planned indoor shopping facilities – the Victoria Centre (Fig.1) and the Broad Marsh. 

Figure 1: Victoria Centre from Milton Street looking East. Source: Author

For the Victoria Centre, the fiftieth anniversary of its completion in 2022, comes at a time when the reputations of social housing and shopping developments of the same age (whose design was possibly driven by similar modernist architectural and social ambitions) are being positively re-appraised (for example Trellick Tower, Dawson’s Heights and of greatest relevance the Brunswick Centre, all in London). I suggest that now is an appropriate time to re-consider this little researched and overlooked example of a modernist integrated urban retail and social housing development.  Reassuringly in his recent comprehensive survey of modern British architecture, Owen Hatherley echoes this view, describing the centre’s housing as an ‘an image of ruthless modernity’ which he claims is rivalled only by Park Hill in Sheffield. (1) Fifty years after it opened perhaps the Victoria Centre’s time has come.  

Origins

Figure 2: Victoria Station in 1930. Source: Wikimedia Commons

Figure 3: Indicative Victoria Centre development site. Source:  Inspire Nottinghamshire Archive CA/PL//2/185/300/8/64

Nottingham Victoria station (Fig.2), located just to the north of the city centre, opened in 1900 and closed in 1967. The 20-acre site (Fig.3) was purchased from the owners British Rail by Capital and Counties Property Company Limited. (2) Working with architects Arthur Swift and Partners (3), a scheme was presented to Nottingham city planners in August 1964 for the re-development of the station site with a ‘comprehensive development comprising shops, offices, warehouses, entertainments including sports facilities, theatre and cinemas, public houses, hotel, market and ancillary accommodation etc., in association with residential, bus station and car parking’.(4)

The lead architect for the scheme was Peter Winchester.(5) His modernist ambitions for the site were largely predicated both on its overall size and the depth of the railway cutting and the possibilities which this combination offered: (6)

By servicing shops and all facilities from underground and by producing a 20-acre traffic free area in the heart of a busy city. A city scheme will serve as a shopping, working, living and leisure and recreational centre… a city within a city.

Arthur Swift emphasised the explicit connection between the scheme and the recently published Buchanan report which had advocated the separation of car traffic and pedestrians,(7) and highlighted the integrated nature of the scheme, combining retail, commercial and residential/social elements:

We are fortunate in that the station has been closed, leaving us with a hole in the ground – which means that we can really practice Buchanan – put cars down there … This must be a new city centre – this is a complete entity; we have provided every amenity … Most city centres fail because they have ignored residential accommodation, sporting facilities. We have provided every amenity that the public require.

Elsewhere Swift reported his enthusiasm for the integrated nature of the scheme in particular the housing element: (8)

I am extremely happy that eventually my recommendations to include a number of flats on the roof of the scheme were accepted.

Compromise and Completion

Work on the centre commenced in September 1968, and the opening ceremony was performed in April 1972 by Conservative Environment Minister Geoffrey Rippon.

In stark contrast to the original plans, the final building showed significant changes with much of the ‘civic’ content being lost including the concert hall, public plazas, sports facility, and swimming and Turkish baths, leaving a two-storey shopping mall and an imposing five-slab-block residential complex of varying heights (seven to twenty-three storeys) –along with the intended 3,000 space underground car parking and bus station.

Records from the city planning committee show that the submission may have prompted thoughts of the need to abandon its previous laissez faire approach, in favour of the adoption of integrated urban planning for the city.  Approval for the scheme was granted based on a significant reduction in the allocation of retail space from 644,000 sq ft to 385,000 sq ft. This was ‘to ensure that the amount of floor space devoted to each of the various uses proposed is not excessive, having regard to the size of the site, and the needs of the city, and having regard to the existing and likely provision for shops elsewhere in the city’.  In this latter point the Council was clearly minded of its commitments to the planned Broad Marsh development to which it gave approval in December 1965.

Local architects argued however that the developers had held too great a sway in determining the final content of the centre in light of the city corporation having ‘no detailed development plan for the city’. They noted the profound downgrading of the scheme, ‘from the earliest proposals to the present ones we have seen a steady process of elimination of the recreational and entertainment facilities.(9)

Figure 4: Victoria Centre main entrance 1973. Source: picturenottingham.co.uk

Images of the newly completed centre show a unified structure encompassing all three elements – housing, retail and offices (Fig. 4). Despite the original aspiration for the centre to be woven into the urban fabric, there is a strong sense that this has not been fulfilled and that it sits somewhat awkwardly in the context of the surrounding areas.

Victoria Centre Municipal Housing

Paradoxically none of the published reviews of the Victoria Centre at the time of its opening made any mention of the municipal housing elements included in the scheme (Fig.5).

Figure 5: Victoria Centre Residential blocks looking South. Source: Author

Despite the somewhat hands-off approach that was adopted by city planners to the original development, there was subsequently a clear commitment to retain a social housing element in the final scheme, and it is the inclusion of this feature that sets the Victoria Centre apart from other British city centre development projects of the same era. It is in part a demonstration of the level of commitment evident in the city to support the expansion of municipal housing. Between the wars, 17,095 council houses were built, more dwellings per head of population than most cities outside Nottingham.(10)

By the 1960s the city had embarked upon the development of high-rise solutions to its social housing challenges, driven in part by government subsidy. The construction of the Victoria Centre flats clearly forms part of this approach. And yet the aspirations of Winchester in his vision of a wholly integrated structure were clearly not realised. The operation and development of the retail facility were undertaken entirely in isolation to the housing. In this respect there are strong parallels to be drawn with the history of Patrick Hodgkinson’s Brunswick Centre which was completed in the same year as the Victoria Centre.  While the original intention had been for the Brunswick Centre housing to be offered for private sale, the changes in the economic make-up of the scheme during the late 1960s led to the housing being taken over by Camden Council. The disconnection between the housing elements and the recently gentrified retail aspects at the Brunswick Centre echo strongly the conditions found at the Victoria Centre. 

Figure 6: Victoria Centre residential internal corridor. Source: Author

Figure 7: Victoria Centre two-bedroom flat internal view. Source: Author, courtesy Andrew Ellis

Externally, the high-density, austere housing development of 463 flats at the Victoria Centre is either largely invisible from the surrounding streets, or dominantly present.  The flats are all single height and aspect, accessed from narrow internal corridors and limited to one- or two-bedrooms, therefore catering for a limited  range of occupants.(11) The internal ‘street’ has no natural light and neighbours are largely oblivious to one another.  Moreover, the corridors are angled at times, obscuring the view behind corners (Fig.6).  The conditions are minimal and lacking in architectural as well as social interest. There is no provision of private outdoor space or direct access to shared outdoor space at the Victoria Centre (Figs 7 and 8), although in Winchester’s original proposals there was the intention to include such external spaces for the residents, but these were not fully realised. The only external space that can be accessed by residents is a fourth-floor roof deck with a small community garden and a number of large, raised planters that could be used to create green space but they are undeveloped (Fig. 9).

Figure 8: Plan of Victoria Centre Flat two-bedroom. Source: Inspire Nottinghamshire Archive CA/PL/2/185/300/8/64

Figure 9: Victoria Centre fourth storey roof terrace. Source: Author

The flats can be accessed only through the shopping centre itself, with six lifts designated ‘residents only’ that are situated adjacent to those used by shoppers entering the centre from the car parks below. The selection of potential tenants is determined by an ‘allocation’ policy ‘because of the location of the flats and sensitivities around its city centre location’. The policy limits access to the flats based on a number of criteria including age restrictions on children under sixteen years. The original occupants of the flats would have been allocated from council housing lists.  Right to buy arrangements were suspended by the council in 2017 since the remaining life of the lease was less than fifty years, having originally been ninety-nine years at the time of construction.

Figure 10: Victoria Centre Main Entrance. Source: Author

Since its opening the centre has undergone several refurbishments, the most recent of which was completed in 2015. This included substantial, unsympathetic changes to the main and Milton Street entrances which have regrettably damaged the cohesion of the centre frontages (Fig.10). The application of coloured pebbledash render to the housing blocks in 1994 has similarly had a detrimental effect on the visual unity of the building (Fig.11), while the application of mirrored solar film to the windows of the flats means that there is no external perception of life going on within the tower blocks. The original sections of the proposed residential blocks (Fig.12) suggest an internal corridor positioned every two storeys with a subsequent ‘scissor’ design for the flats which could have provided maisonettes with dual aspects.

Figure 11: Victoria Centre flats showing coloured pebbledash render added in 1994. Source: Author

Figure 12: Section through original Victoria Centre proposal 1964. Source: Inspire  Nottinghamshire Archive CA/PL/2/300/64

Conclusion

The architectural roots of the Victoria Centre are firmly embedded in the modern movement of the mid-1950s and its ambitions for the urban renewal of British cities. The development was however ultimately a product of opportunism and a misplaced belief in the capacity of a private developer to successfully achieve such renewal without a high degree of publicly-led planning and oversight.  Although the utopian ambitions of the Centre’s designers were seriously compromised, there can be no doubt that the Centre has been and remains highly successful not only as the principal focus for Nottingham’s major retailers for the last fifty years, but more significantly as a rare example of a popular, high density, high rise municipal housing development in a city centre.  Furthermore, in the context of architectural history, it is an overlooked example of hybrid modern architecture that transcended mere urban regeneration by its fostering of city living for council tenants. It deserves to be placed alongside better known and celebrated examples of such structures. 

At the time of its fiftieth anniversary however there is a need for particular reflection on the future of the housing element of the Victoria Centre. While the shopping mall is in a process of re-invention in response to post-pandemic consumer behaviour, the restrictive spatial ordering of the housing seems unlikely to meet the needs of the council tenants of the future: the lack of easily accessible exterior space is particularly problematic.  There is also clearly a case to be made for research into the experiences of those living in the Centre. While there have been modest, largely cosmetic improvements made to the flats, the limitations are clear and without further intervention to upgrade them, the Centre, notwithstanding the warm appreciation of Owen Hatherley, risks becoming just another example of the nation’s deteriorating stock of social housing.

martin.shepherd.21@ucl.ac.uk

Notes

(1) Owen Hatherley, Modern Buildings in Britain: A Gazetteer, (London, 2021), 352-354.

(2) Capital and Counties were at the time also involved in the development of the modernist Eldon Square shopping centre in Newcastle. It is the current owner of the Covent Garden Estate, London.

(3) Formed in 1953 the practice had offices in London, Dublin and Edinburgh. In addition to the Nottingham centre the practice, undertook large scale work on Hastings Civic Centre (1967-69) and  Ballymum New Town, Dublin (1965-68) in largely Brutalist styles. Swift spent three years at the Nottingham University School of Art and Architecture, followed by a short time with the city engineer’s department. Victoria Centre Takes Shape Bulletin No 4 (October 1969), Capital and Counties Properties Ltd.

(4) Planning Application Capital and Counties Properties Ltd – Nottinghamshire Archives CA/PL/2/264/7/72.

(5) Following the award of his Diploma in 1958, Winchester had worked for the following two years as one of the ‘young Turks’ in Basil Spence’s practice at a time when Spence was working on the ‘science city’ development for the University of Nottingham, and so may have had some familiarity with the city from that time: Peter Winchester, presentation recorded at the symposium Sir Basil Spence re-viewed: the architect and his office, held at the Old Blue Coat School, Coventry (29 August 2008). Peter Winchester (warwick.ac.uk) Accessed April 5 2022

(6) P. Winchester, ‘Nottingham Centre’ in ‘World Architecture Volume 2’, ed. J Donat, (London,1965), 65.

(7) Ministry of Transport, Traffic in Towns: a study of the long-term problem of traffic in urban areas (Buchanan Report), (London,1963).

(8) ‘Victoria Centre Takes Shape Bulletin 4’, October 1969, Capital and Counties Property Ltd.

(9) ‘Nottingham Victoria Centre’, Architecture East Midlands.

(10) Chris Matthews, Homes and Places: A History of Nottingham’s Council Houses (Nottingham, 2019), 25.

 

Speke, Liverpool, Part II: Reflections on Time Spent

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Speke

I’m pleased to feature another guest post from Tom, a past resident of Speke. It’s a follow-up to his earlier article, Growing up on the Speke Estate, Liverpool: a personal perspective, which, with almost 13,000 views, has been one of the most read and, in some ways, most controversial of the posts featured in this blog. The article reflects a personal experience and interpretation but seems to me an important contribution to our understanding of one of the country’s most significant ‘peripheral estates’. 

In August 2017, I submitted a posting to Municipal Dreams in response to two MD articles on the Liverpool suburb of Speke in April and May 2017.

As stated in the introduction to my posting, it was a personal perspective on my time spent growing up in Speke, from 1954 (aged 2) to 1974, giving my views on the Speke estate and what I perceived as its shortcomings. I spoke for myself alone but to judge from the volume of comments, I had resonated, not to say touched a nerve, with many current and former residents. My thanks to all who contributed.

Some agreed with my bleak analysis, but several comments took a contrary view. An increasing number of people had fond memories of Speke and disagreed with my findings. I found it no coincidence that most of those who had fond memories of Speke had lived in the more established, pre-war built part of the estate.

Aerial view showing west end of Speke, looking south c. 1970 © Liverpool Echo

The photograph above shows the first section of the estate to be built, pre-1939. Centre left are The Crescent shops, now the site of Bargain Booze. The rough land to the right is the site of the demolished, post-war ‘pre-fabs’ (temporary, wooden, pre-fabricated housing), now the site of the Dymchurch Estate.

Confusingly for a pre-estate hamlet of only ‘400 souls’, old Speke was in two locations. One part was on the site of The Crescent shops, with Speke Town proper a short way to the west, under what is now the junction of Speke Hall Avenue and Speke Boulevard, approximately Dobbies’ car park. (1)

North Central Speke (looking north) with newly constructed Ford Motor car factory top of picture. Aero films A108780 c. 1963 © Historic England Archive, Aerofilms Collection.

The aerial photograph above shows the part of Speke of my teenage years in the 1960s. By the 1990s, half of what you see would no longer exist. The schools would be demolished, along with all the low-rise flats, centre left. The new Morrisons shopping precinct would replace the park and flats, top left. The road between the estate and the factory, Speke Boulevard (still referred to as Ford’s Road), eventually would be hidden behind a forest of planted bushes and trees.

The sprawling car factory of Fords (now Jaguar/Land Rover) replaced the 1950s’ farmland of my childhood years. It was in my teenage years that I found reasons to leave Speke and couldn’t wait to move out. It wasn’t the absence of childhood memories but the restricting isolation: anything I wanted to do was a bus ride away.

Perceptions differ, and I realise that some people may not have felt so isolated. My intention, then and now, is not to persuade people one way or the other but to confront what I perceived as problems in Speke’s construction: namely, Speke as a post-Second World War answer to a pre-Second World War problem.

The story of the Speke estate cannot be written without reference to the 1939-1945, Second World War: Speke’s design and planning was pre-war but its main construction was post-war. This had consequences.

Speke as a housing estate was planned and designed in the 1930s, but the full story of its origin dates back to Liverpool’s housing problems of the 1800s, if not earlier.

Figure 1. Liverpool District Total Population (2)

This one graph illustrates Liverpool’s population totals more eloquently than any page of statistics. In the century 1800 to 1900, Liverpool experienced a precipitous, seven-fold population increase, culminating in a 1930s’ peak of over 850,000 inhabitants, followed by an equally precipitous population decline to the year 2000.

The nineteenth-century growth in Liverpool was double the national average for England and Wales. The total population for England and Wales in 1801 was 8.87 million. The 1901 census gave a population of 32,526,075: approximately a three and a half-fold increase.

Liverpool’s population growth was attributable to three main factors: the Industrial Revolution, its expansion as a port to cater for the Lancashire cotton industry, and the influx of the Irish. These factors may not be exclusive but the total population figures speak for themselves.

In a post-Irish potato famine, twenty-year period from 1860 to 1880, there was a rapid population increase of 250,000 on an existing total of 400,000: an increase that inevitably would have led to severe overcrowding. This was followed in the 1890s by another thirty-year growth spurt of nearly 200,000, taking Liverpool to its peak 1931 population total of 855,688. (3)

the Irish population of Liverpool, always large, was enormously increased by the inrush of immigrants after the Potato Famine of 1845–9; over 90,000 entered the town in the first three months of 1846, and nearly 300,000 in the twelve months following July 1847. Most of these subsequently emigrated to America, but many thousands, unable to find the passage money, remained to swell the misery of Liverpool slums.  

By the 1930s, Liverpool’s housing planners were confronting the inevitable: the city population was approaching, if not already at, critical density. (4)

Behold the ‘Garden City Movement’; Sir Ebenezer Howard’s answer to overcrowded, city-centre slums. Ebenezer Howard (1850-1928), published a book in 1898, To-morrow: A Peaceful Path To Reform, reprinted in 1902 as Garden Cities of To-morrow, in which he detailed his philosophy for healthy urban living. (5)

Ebenezer Howard had no training in town planning, nor did he claim to have. His vision for urban living owed more to his Victorian sense of civic duty and the concept of philanthropic housing. The central tenet of Howard’s thinking was that city people would prefer to live surrounded by countryside and that purpose-built, self-contained satellite towns would fulfil the needs of both city and country. This ideology was influential for generations and produced Letchworth and Welwyn Garden Cities among others.

In 1930s’ Liverpool, the Garden City Movement found an advocate in Lancelot Keay, Liverpool Director of Housing and a knighthood for his efforts. A new development was planned for Speke, as a ‘satellite town’, ‘when complete’, for ‘22,000 people’. Old Speke, a farming community for a thousand years, would be erased from history. (6)

Figure 2. To-morrow: A Peaceful Path To Reform (1898) – Ebenezer Howard

‘Group of Slumless, Smokeless Cities’ © Town and Country Planning Association

‘Group of Slumless, Smokeless Cities’ is a collection of circles on a hexagonal frame depicting a ‘central city’, with a proposed population of 58,000, surrounded by six smaller circles, two of which are for lesser populations of 32,000 each. The other circles are for ‘allotments’ and unspecified, potential population centres.

Six sections of land, or ‘wards’, between the inner and outer circles, are designated as follows; ‘New Forests, Large Farms, Reservoir and Waterfall, Insane Asylum, Home for Inebriates, and Home for Waifs’. Make of that what you will.

The six smaller circles in the Howard plan were the solutions to Sir Ebenezer’s aversion to sprawling suburban metropolises. Howard reasoned that once a city had reached a given capacity, then any increase should be accommodated in self-contained satellite towns; that is, the smaller circles surrounding the larger central circle but set within their own countryside.

The origin of the Speke estate was as one such ‘self-contained satellite town’.

Speke Estate, Scheme No 1, Proposed Development, Sept 1936 © Liverpool Record Office

This September 1936 drawing authorised by Keay is the first in a series of plans, culminating in Speke’s eventual development. Speke ‘Scheme No 1’ displays all the hallmarks of a Howard ‘satellite town’. It’s not quite circular but satellite towns were never intended to be circular, that was only diagrammatic.

Speke ‘Scheme No 1’ exhibits the requisite, satellite town elements of a 50-yards wide perimeter dual carriageway with designated bus stops, and a 100-yards-wide central main boulevard with grass median. The interior is a gridiron of repeated rectangular blocks. The flat terrain of South Liverpool complemented the Howard ideal: no undue changes in elevation to interfere with the planned uniformity.

At the left of the central boulevard by the upside down ‘y’, is the pre-existing Church of All Saints, built in 1872-5. Despite its age and link to old Speke, the church was deemed, ‘not of such importance as to be made the focal point of the new development’, and subsequent plans were amended so that the church was relegated to Speke’s edge.

Speke Estate preliminary layout March 1937 © Liverpool Record Office

This ‘preliminary layout’ above, dated March 1937, six months after the September 1936 ‘Scheme No 1’ plan, veers away from the circular design and begins to approximate the finished layout of the estate. The original perimeter road has morphed into a ‘New Arterial Road’ (now known as Speke Boulevard), taking traffic away from Liverpool, on the left, to Widnes, right.

The left and middle circles on the New Arterial Road represent roundabout junctions with Speke Hall Avenue and Western Avenue respectively and locate approximately with the top two roundabouts on the September 1936 plan. The roundabouts have long gone but the junctions still exist.

The third right-hand circle on the New Arterial Road was intended as a roundabout junction with Eastern Avenue but this never materialised. Top of the page, crossing the map from east to west, is a railway line that curves up at the left-hand edge as it heads off north to Liverpool centre, seven miles away. North of the Western Avenue roundabout, a road crosses the railway line at Speke Station, a station that had closed only in 1930 and easily could have been reopened. (7)

Speke Estate preliminary layout March 1937 © Liverpool Record Office

Another preliminary layout, also from March 1937, shows the estate extending eastwards: over a mile long, and half a mile wide. From the two March 1937 plans, there are a number of features redolent of Garden City thinking which would not make it to the final August 1937 layout. The huge interior roundabouts, in Western and Eastern Avenues, joined by the equally wide Central Avenue/Central Way, would be replaced by more modest, utilitarian affairs.

Speke Estate preliminary layout Aug 1937 © Liverpool Record Office

This August 1937 layout, less than a year after the ‘Garden City’ inspired original plan, is a good approximation to the size and shape of the post-war, 1950s estate. The Western, Eastern and Central Avenues, so dominant on earlier plans, are now reduced to much more moderate scales. The New Arterial Road (Speke Boulevard) only made it as far as the middle circle, Western Avenue, and would not extend eastwards until the Fords car factory was built in the early 1960s. The Eastern Avenue connection was never built.

The pre-Second World War section of the estate, the Western Avenue end, adhered to some of the pre-estate road system and incorporated what it could of old Speke.  Post-war sections of central and eastern Speke weren’t concerned with such details: not one tree or hedgerow line remained to link the estate to old Speke’s thousand-year farming history.

The original gridiron format dominates the central section with only the far eastern end showing any deviation from rectangular sub-divisions. The large circular road system in the centre of the plan would be redesigned to form an east-west rectangle incorporating The Parade, the main shopping precinct (demolished in the early 1990s).

Below this circular system, a road runs south from the estate to a promenade on the River Mersey. This shoreline extravaganza, a grand example of pre-war Garden City idealism, didn’t make it to post-war austerity.

In 1950s’ Britain, the schoolboy mantra was that ‘England had won the war’. Germany was indeed defeated but that defeat came at a cost, and that cost was America’s involvement. The price of America’s involvement was ‘Lend Lease’, a programme in which Britain was obliged to sell off its overseas assets. At war’s end, Britain no longer had an income to rely on. ‘England’ had ‘won’ the war, but Britain was bankrupt. (8)

On the post-war Speke estate, houses were built, but everything else was on hold; schools, shops, churches, libraries, civic buildings, factories, community centres, etc.

Speke: City Architect’s Department JL Berbiers, July 1946 (Looking NW) © Liverpool Record Office

This magnificent 1946 aerial perspective drawing by JL Berbiers shows the estate as it soon would become in the 1950s. Drawn one year after the war, it is noticeable for its post-war pragmatism of (imagined) factories on the outskirts versus pre-war optimism of (absent) ludicrously wide boulevards in the interior.

The New Arterial Road/Speke Boulevard can be made out just north of the estate (above), along with two roundabout junctions. The right hand, Eastern Avenue junction was never built, leaving the left Western Avenue junction as the main entry and exit point, connecting the whole estate to Liverpool City centre and beyond.

Speke Industrial Estate and environs, 1952 (EAW047295) © Britain from Above.  Looking northwest, the Speke Estate lies to the bottom left.

Centre frame in the image above is the pre-1946 constructed Western Avenue/Speke Boulevard roundabout, with Western Avenue running to the left (south) and Speke Boulevard, a single carriageway at this time, running to the top left (west). The road running to the top right (north) is Woodend Avenue which crosses the railway line at Speke station, half a mile from the estate.

From the outset, this one junction would be the main entry and exit point for the whole estate which had a peak population of 26,000. (9)  The relocated Liverpool Airport in the 1980s took traffic westwards to the Speke Hall Avenue roundabout, just visible top left. The new shopping precinct in the 1990s gave Speke an extra access point east of Western Avenue but all the traffic from Speke converged on Speke Boulevard, the main arterial route from Liverpool to points south and east.

In Figure 2 above, Ebenezer Howard’s inclusion of Inter-Municipal Canals and Railways was quaint 19^th century utopianism but from his plans, and writings it is clear that Howard understood one aspect of urban living: transport links.

In his compulsive manner, Howard detailed distances and times travelled by various means of transport. He understood that satellite towns had to be interconnected with each other and the main central city.  ‘Satellite’ did not equate with isolated.

In the August 1937 preliminary, but eventual, layout of Speke (above), Keay approved the plan that resulted in Speke having only one main exit and entry point at Western Avenue/Speke Boulevard.

Speke Boulevard, looking west, 1950s  © www.liverpoolpicturebook.com

The photograph above shows Speke Boulevard looking west as an original single lane, viewed from the Western Avenue roundabout: Speke estate left, Evans Medical Ltd, right.

Speke Boulevard initially stopped at the Western Avenue roundabout, and wouldn’t continue eastwards until the Ford Motor car plant was built in the early 1960s: the Eastern Avenue junction was never built. Additionally, the estate, on average, is over a mile away from Speke railway station, a station that had closed only recently but would have connected Speke with Liverpool City centre. Speke’s infrastructure was lacking from the day the estate was built.

In the half-century between the 1902 reprint of Ebenezer Howard’s book and the 1950s’ construction of the Speke estate, Britain had endured two world wars and the Great Depression of the 1920s/30s.

Expectations had moved on from such adversities but the blueprint for the creation of the post-WW2 Speke estate was a remnant of nineteenth-century utopianism. Lancelot Keay had failed to adapt his housing policy to the changing anticipations of a post-war world. Keay was assumptive in thinking that nineteenth-century idealism would transpose into the twentieth century. The Speke of Keay’s approval was not a ‘self-contained satellite town’ in the countryside: it was an isolated council housing estate set in farmland.

The ‘self-contained’ requirements of employment and leisure were slow to appear, if at all. Many thousands of people needed to work and socialise on an estate that barely catered for either. Initially there weren’t even any public houses in Speke: Liverpool Corporation excluded them from the estate. Breweries had to build their pubs on the outside of the perimeter road, namely The Fox, The Pegasus and The Dove & Olive Branch. The Pegasus and The Dove & Olive Branch have since been demolished.

The cottage industries that Howard contemplated in his 1902 plans were insufficient for twentieth-century needs. An uprooted labour force, transposed from the city centre to a satellite estate with poor transport links, needed a large workforce employer in close proximity. Speke would have to wait until 1963 for the Ford Motor car plant to be built: the new factory simultaneously eradicating a quarter of the surrounding ‘countryside’.

In that same year, 1963, Harold Wilson (Prime Minister 1964-1970) gave his ‘white heat of technology’ speech, in which he warned that to prosper, a ‘new Britain’ would need to be forged in the ‘white heat’ of scientific revolution. (10) Speke would struggle to find its relevance in the second half of the twentieth century.  Speke’s failings were, and are, its isolation. The Speke estate was built in the wrong place.

The author of the Pevsner Architectural Guide, Lancashire: Liverpool and the Southwest’ is blunt in his assessment:

But by the 1960s it was clear that Keay’s ‘adventure’ had failed. Although he claimed Speke as a prototype New Town, in reality, it was an isolated, working-class suburb. There was no private housing, no trams (prohibited across runway approaches) [tram routes ended at Garston], the railway station never opened, and even the scaled-down shopping and public amenities were not completed until the 1960s.

The writing continues, in uncomplimentary style: ‘Speke is a vast housing estate of great monotony, so exploration is only for the committed’. (11)  

This book was published in 2006. One can only assume that the writer of such condescension was not acquainted with Speke of the 1950s, ’60s, or ’70s. He would have had a fuller understanding of the term, ‘great monotony’.

Ganworth Road (looking north), April 1953 (to the left) and Central Way looking east, April 1953. © Liverpool Record Office

The photographs above of Speke’s signature low-rise blocks of flats were taken in 1953 from the same corner, looking north and east. Identical blocks of flats occupied huge swathes of central Speke. Of 6000 dwellings in Speke, 1270 were flats.(9) Built in the 1950s, virtually all the flats would be demolished by the 1980s.

Speke residents of the past thirty years or so may not realise that early Speke was as devoid of trees as the photographs above show. The ‘garden’ in Garden City was lost in construction. Speke was an island of buildings in a sea of farmland. There were pockets of woodland outside the estate but Central and Eastern Speke were barren.

I am the same age as the post-war estate, and spent the 1960s trying to equate teenage life with Speke’s impoverished isolation. Time spent has granted me every entitlement to be critical of the failings in Speke’s construction as I saw them.

Some people came to terms with Speke and happily remain there. I wish them well. I didn’t, and left. Speke and I failed to bond in my teenage years. Yes, my childhood was idyllic, playing in surrounding farms and woodland but adolescence uncovered Speke’s deficiencies.

The requirements for Speke as a ‘self-contained satellite town’ surrounded by countryside were never met: circumstances dictated otherwise. Speke defaulted to a residential island, set in a sea of encroaching industry. The farmlands surrounding Speke, ‘some of the best wheat growing land in the hundred’, (12) were replaced by factories and distribution warehouses. The need for local employment replaced the given of countryside. Garden City ideology gave way to economic necessity and the countryside succumbed to industrial development.

An isolated Speke is mutating into a Dormitory Estate, a sleepy, detached suburb for Liverpool commuters lucky enough to have found inexpensive property within the city limits. Developers have seized upon defunct school playing fields to be converted into mini-housing estates: houses and plot sizes considerably smaller than neighbouring original properties but one and a half times the asking price.

The last time I visited Speke, I flew into Manchester Airport (the runway at Liverpool’s John Lennon Airport isn’t long enough for transatlantic flights), walked to the connecting railway station, and took a train to Liverpool South Parkway. At South Parkway I waited an hour for a bus to Speke (Morrisons): two of the displayed twenty-minute service simply failed to turn up. I enquired at ‘Information’, only to be told that they were a railway station and weren’t responsible for bus schedules. Some things haven’t changed in seventy years: Speke is still an end of the road housing estate with poor transport links.

The ‘New Arterial Road’, Speke Boulevard, does ‘connect’ with Speke, but it takes people past, and away from the estate. No one drives through Speke, they never did. Post-1980s, there are so many planted trees and bushes on Speke Boulevard that people driving past don’t see the estate or even know it’s there.

Figure 3. Proposed Eastern Access Transport Corridor (2018)  

Speke Estate with the airport runway, south © Liverpool John Lennon Airport Master Plan to 2050

The heavy line in the map above is Speke Boulevard, locally Ford’s Road but officially the A561. The blue line is the proposed Eastern Access Transport Corridor connecting the A561 with the airport. A to B would be a new road with the remainder a rebuild of the existing Hale Road. The blue area is Green Belt farmland.

The Eastern Access Transport Corridor map is taken from the 2017 Consultation Draft of the Liverpool John Lennon Airport Master Plan to 2050. This proposed corridor will be primarily an airport link road with the A561 but would serve a double function, alleviating the commercial traffic congestion on Speke Boulevard from the Estuary Business Park, west of the estate.

This intended airport relief road is only one of several ‘improvements’ sought for the airport by owners Peel Holdings. The Peel Holdings’ Master Plan for the airport proposes an extended runway for long-haul flights, double the passenger handling to 11 million per annum by 2050, and ‘to grow cargo throughput by 20,000–25,000 tonnes per annum over the period of the master plan’. ‘Up to 20 percent of revenue on a long-haul service can be generated from air freight.’ (13)

The Speke estate, the once-upon-a-time ‘satellite town surrounded by countryside’, is being choked by industry and losing the fight. Airport and commercial traffic pollution is replacing the ‘Garden City’ fresh air, with the remaining farmland sought for airport development by the Peel Holdings juggernaut. (14)

The Speke of my childhood, the ‘satellite town’ of the 1950s, was enclosed almost entirely in farmland. I have aged to see three-quarters of that surrounding farmland disappear to industry which leaves the question: How much of the remaining countryside, if any, will survive me?

Oglet Farmland, south of Speke © Lynne Moneypenny: Save Oglet Shore & Greenbelt

The photograph above shows farmland at Oglet, part of the last remaining countryside south of the Speke estate, squeezed in between the airport runway and the River Mersey and sought for airport expansion by owners Peel Holdings.

The question remains: How much longer does the ‘countryside’ have before it succumbs to tarmac and concrete?

tomspeke@yahoo.ca 

Note

Special thanks to the Liverpool Record Office for supplying many of the images in this post and allowing their reproduction.

Sources

(1) The Archi UK website here links to an 1894 Ordnance Survey 6 inch to 1 mile map of the Speke area. The slider top-left superimposes a current map of the same location.

(2) A Vision of Britain through Time, Liverpool District Total Population

(3) William Farrer and J Brownbill (eds), ‘Liverpool: Trade, population and geographical growth‘, in A History of the County of Lancaster: Volume 4, (London, 1911)

(4) The population density, and housing shortage problems would be compounded by war time bomb damage, and the post war ‘baby boom’ population explosion.

(5) A key extract of Howard’s Garden Cities of To-morrow is provided on this Cornell University webpage.

(6) George Mercer, ‘Speke as a New Town: An Experimental Industrial Study’, The Town Planning Review, vol 24, no 3, October 1953

(7) Disused Stations: Speke

(8) See Professor Stephen Ambrose, ‘From War to Peace’ in The World at War (Thames TV, originally broadcast in 1974: on Lendlease at 13:51 and Britain’s cost, 17:15. [This 22-minute film is mandatory viewing for anyone wishing to understand the geo-political legacy of the Second World War, as viewed from the early 1970s.]

(9) City of Liverpool, Tenants’ Handbook, undated c1962

(10) Wilson’s speech to the 1963 Labour Party Conference in Scarborough has been re-created by Manchester’s People’s History Museum and can be viewed on this Guardian webpage.

(11) Richard Pollard, Nikolaus Pevsner, Lancashire: Liverpool and the Southwest (Yale University Press, 2006)

(12) William Farrer and J Brownbill (eds), ‘Townships: Speke’, in A History of the County of Lancaster: Volume 3 (Victoria County History, 1907)

(13) Liverpool John Lennon Airport, Master Plan to 2050, Consultation Draft June 2017

(14) Guy Shrubsole, ‘Who owns the country? The secretive companies hoarding England’s land’, The Guardian, 19 April 2019

Kirkby, Liverpool, Part I: ‘a tremendous achievement’?

Tags

1950s, 1960s, Kirkby

For those of a certain age, Kirkby is probably most associated with Z Cars, a BBC police drama that first aired in 1962.  The programme was set in the fictitious ‘Newtown’ but the town bore an uncomfortable resemblance to Kirkby, described by Troy Kennedy Martin, one of the show’s screenwriters, as: (1)

one of the black spots of England, an overspill New Town from the slums of Liverpool, where 50,000 displaced and truculent Merseysiders carry out a continuous war against authority and where crime and adolescent terror incubate.

Kirkby was not an officially designated New Town – though it was sometimes given the name and bore some superficial resemblance to that post-war Government programme – and, as you read on, you can judge for yourself how far it deserved Martin’s caustic characterisation. This post, at least, will attempt a balanced verdict but it’s fair to say that execution fell some way short of ambition.

The cover of the booklet published to celebrate the official opening of Kirkby’s 10,000th new home.

Kirkby’s origins lay in the late 1920s as it became clear to Liverpool’s politicians that the city needed to move away from its dependence on the docks and allied employment. The City Council developed two new industrial estates in response, one at Speke (along with its associated satellite town), the other at Aintree.

‘The Kirkby Industrial Estate around Newstet Road, 1952’ © Britain from Above, EAW046998. This image shows the estate in its early years very much reflecting its Ordnance Factory origins.

A third was planned at Kirkby, six miles north-west of the city centre, but shelved due to the war. In the event the war would give its own boost to such planning when the Kirkby Ordnance Factory was established in 1938 as the UK prepared for conflict. It grew at peak to comprise around 1000 buildings and employ a (mainly female) workforce of some 23,000.

Ordnance Factory housing with sloping roofs on Spinney Close © David Long and made available through a Creative Commons licence

The Government built around 200 houses too for key workers, principally designed by Arthur W Kenyon – standard family homes but distinguished in some cases (such as those on Spinney Close) by their modernist-style sloping roofs and, in most, by flat roofs. As Kenyon recalled, the latter ‘were dictated by war emergency; timber was not available for sloping roofs’. He did, however, provide each home with a brick shed large enough to ‘satisfy the shed addict’. The homes were transferred to the local authority after the war and those on the Park Estate near the station now have pitched roofs (2)

The Ordnance Factory closed in March 1946; its land acquired by the Council to form the new Kirkby Industrial Estate, intended as the employment hub of the major housing development to follow.  In conjunction with the local planning authority, Lancashire County Council, and the Ministry of Town and Country Planning, the Council moved quickly to finalise its proposals and a Town Map covering 2800 acres (including the trading estate) was approved in July 1949.

Town Map, as featured in Kirkby: the Story of a Great Achievement (1961)

The plan provided for three roughly equal neighbourhoods – anodynely named Southdene, Westvale and Northwood – grouped around a town centre with open ground between the westerly and south-easterly neighbourhoods occupied by schools and playing fields. Whiston Rural District Council, in whose land the scheme lay, gave planning approval for Southdene, the first element in the proposals, in November and preparatory work began early in the following year.

The Mayor of Liverpool, Alderman Albert Morrow, officially opens the first house in Southdene in 1952

The first housing contract– with the locally based Unit Construction Company – for 647 homes was signed in March 1952 and, at a rate of three per week, 116 had been completed by December.

Further contracts with Unit Construction brought the 1000th house in October 1953, the 5000th in 1956 and the 10,000th in September 1961, the latter marked in an opening ceremony attended by Henry Brook, Minister of Housing and Local Government, and Liverpool’s Lord Mayor. The occasion seemed to merit a little justifiable hype: (3)

The completion of ten thousand dwellings on a single estate for a single authority by a single firm of contractors, accomplished in a remarkably short period of nine years, is by any standards a tremendous achievement.

In the longer term, that achievement might be questioned but at the time numbers counted. A 1955 housing survey of the city revealed that of near 205,000 homes in Liverpool, 61,247 were unfit and only suitable for demolition and a further 61,247 required extensive repair or demolition – in total, some 43 percent of total housing stock. (4)

New housing in Southdene

Peak housing production in Kirkby – 1700 homes completed in the year – was reached in 1957 and the town’s population was projected to reach 74,000 by 1971.  All this leads to the obvious question: what was the quality of the environment and infrastructure provided in this breakneck expansion? (5)

This 1951 plan of part of Southdene (the bottom right of the Town Map above) shows Bradbury’s curving streetscapes as well as – with its combined primary school and community centre and nursery school – some of the efforts made to include community facilities.

Ronald Bradbury, having previously held a similar position in Glasgow, was appointed Liverpool’s City Architect and Director of Housing, aged 40, in 1946. He moved away from the more formal Beaux-Arts designs of his illustrious predecessor Lancelot Keay, making Kirkby’s overall layout ‘informal by founding it on existing roads, contours and natural features’. (6)

Hargate Walk, Northwood

The housing, in the town’s early years, was almost wholly low-rise, generally undistinguished but pleasant and functional and, of course, in terms of space and facilities, vastly better than the slum housing from which most new residents had moved. Bradbury himself provided a precise summary in the 1961 commemorative brochure: of the 10,000 homes built to date, some 5817 were two- to four-bed, two-storey houses; 1197 were one-bed flats for elderly people placed in two-storey blocks; 2166 were two- and three-bed flats in three-storey blocks.; and 688 were three-bed maisonettes in four-storey blocks. (7)

Maisonettes on Moss Lawn Road, Southdene

Four eleven-storey blocks of one- and two-bed flats in Gaywood Green approved in 1961 marked the beginnings of high-rise development in Kirkby. Fourteen tower blocks had been erected by 1967: two further 11-storey blocks at Cherrywood Heights and eight 15-storey blocks at Kirkby Northwood.  In the mid- to late-sixties, three 15-storey blocks were added at Quarry Green Heights and two, more modest seven-storey blocks at Whitefield Square.

Mercer Heights blocks, Mercer Avenue, Westvale, 1987 © Tower Block, University of Edinburgh

Quarry Green Heights, Northwood, 1987 © Tower Block, University of Edinburgh

As a result of Kirkby’s suburban setting and plentiful land, this was, by Liverpool standards (by 1981 half of the city’s council homes were flats), a relatively small incursion. All the blocks in Kirkby were built – you guessed it – by the Unit Construction Company but, although the firm became the UK licensee of the French Camus form of system building in 1962, those in Kirkby seem to have been constructed of in-situ reinforced concrete frames with brick and concrete panel infilling. (8)

Whitefield Square, Westvale, 1987 © Tower Block, University of Edinburgh

Liverpool Builds, the Corporation’s celebratory account of its housing programme published in 1967, also emphasised the 914 homes built for owner occupation in the town on ‘three very substantial areas of ground set aside by the Housing Committee for that purpose as part of its policy of housing diversification on the estate’. That ‘mixed community’ was not, however, the reality or certainly not the reputation of Kirkby.

It was not a New Town in the sense that it was developed by a Development Corporation with full resources and powers to do so but the Council aspired to create something similar, as Bradbury claimed: (9)

From the outset the Liverpool City Council was fully alive to the fact that Kirkby was not merely a new housing estate but that they were creating a “new town” which must have all the essential facilities and amenities such an entity required.

Doctor’s surgery, Brook Hey Drive, Northwood

Health facilities and new schools were built, of course – 32 schools and twelve doctors’ surgeries and three dental clinics by 1965. The Town Map also set aside sites for 15 churches and chapels across the new town in addition to the nineteenth-century St Chad’s parish church retained centrally. Places of worship were always an apparent planning priority but post-war local government managed also to largely shed its aversion to the demon drink: at Kirkby, the Council planned twelve public houses plus a central residential hotel. Lancashire County Council provided a library, courts and the emergency services.  A privately developed shopping centre and three neighbourhood retail centres completed the ensemble.

That infrastructure and an allegedly growing ‘civic consciousness’ ensured that the Kirkby parish of the Whiston Rural District was created an Urban District in 1958. The Council’s Civic Centre, designed by Jackson and Edmonds, was completed in 1969. Later, in 1974, Kirkby was absorbed into the new Knowsley Metropolitan Borough Council which, in turn, became a part of the Liverpool City Region in 2014.

The Tenterhook with Ranshaw Court to the rear, Tower Hill © John Wakefield

It was Kirkby Urban District Council which was responsible for the last extensive phase of the town’s housing development: the Tower Hill district, north of the Liverpool-Manchester Victoria railway line, built from the late 1960s and intended to house some 10,000 second generation residents. Its homes were mostly low-rise terraced housing and maisonettes but included a number of seven-storey maisonette blocks. The latter, built by Unit and in this case using the Camus system, were poorly constructed and soon revealed multiple flaws. Demolition of seven was agreed as early as 1980.

Ranshaw Court demolition, February 1989

That might come to seem portentous but in 1961, its principal planner, Liverpool’s City Architect and Director of Housing, Ronald Bradbury, could claim proudly and perhaps justifiably that: (10)

Kirby is now a well-established and thriving community but it is not possible … in print to convey the spirit of Kirkby or the enthusiasm which has gone into its creation … There has been created in a remarkably short period a feeling of “belonging” and pride in the New Kirkby.

Of course, the true test of such assertion lay in the sentiments of the town’s new residents and in its longer-term evolution. Alan Martin, now 65, arrived in Kirby from inner-city Liverpool in 1957: (11)

Living in a terrace house in Walton, it was a chance to have a brand new council house and a fresh start. I’ve got very little memories of not living in Kirkby as a kid. Everything was being built in front of us, like the fire station, the market, the police station. It was a great place to be. There were buildings sites and there were also open spaces. It was an adventure for most kids

Jeff Morris, 66, recalls arriving in Kirkby from Everton in 1958:

It was good. My mum and dad thought this was the great new world that came but they did have some doubts when they moved in and had talks about moving back to Liverpool. But when St Kevin’s school opened my dad went to go see it and saw all science labs and facilities. He knew if we stayed we’d get a good education.

Sociological studies of the time largely echo such sentiments. NH Rankin’s ‘Social adjustment in a North-West New Town’, published in 1963, found that 40 percent of new residents were pleased to move to Kirkby from their inner-city slum clearance properties and 22 percent had wanted to move but not necessarily to Kirkby. It was true, however, that a large number – 29 percent – had not wished to move to the new town. (12)

Delaware Crescent, Westvale

Interestingly, after relocation, around three-quarters wished to stay. The big plus was, of course, the new homes and few missed the allegedly close-knit community of the slum quarters lionised by some contemporary sociologists: Rankin found that ‘the influence of the close-knit matrilocal lifestyle is of lesser importance than the attainment of better housing’. Nevertheless, a significant proportion did want to move away – flats were particularly unpopular – and over half of households, in Rankin’s words, ‘expressed some reservation about the “kinds of people” they preferred to mix with in Kirkby’.

Kennelwood Avenue, Northwood

This latter concern was echoed in another early survey by a resident (‘a machinists’ wife with two daughters’) who declared that ‘they should have put the roughs in flats and the respectable ones in houses to look after gardens’. John Barron Mays, like Rankin a Liverpool University academic, also published his research in 1963.

Mays was caustic regarding the town’s situation and overall design: (13)

On the drearily flat, wet plain of South-West Lancashire, it repeats many of the less pleasing features of similar developments elsewhere. There are the usual long avenues of similar houses, some taller buildings and blocks but little architectural elegance. An atmosphere of organised anonymity prevails throughout its length and breadth; a new, raw, hardly-lived-in place, unsoftened by time and unrelieved by local colour.

His further commentary, based on resident testimony, was gentler but marked by its faint praise. He found in general ‘a reluctant acceptance by residents of their new situation’. Certainly most ‘did not seem to be unduly isolated’; only 29 percent found their Kirkby neighbours less friendly than those of the inner city. Many disliked living in multi-storey blocks of flats even while, at this stage, most blocks only reached four storeys. ‘For the majority of ex-inner city slumdwellers the new estate is desirable or at least adequate’. ‘In the end’, Mays hoped, ‘the long trek from the dingy, cramped back-streets of central Liverpool [would be] a step toward a happier and fuller life’.

We’ll assess that judgement in next week’s post.

Sources

(1) Quoted in Asa Briggs, The History of Broadcasting in the United Kingdom: 1955-1974. Competition, Volume 1; Volume 5 (Oxford University Press, 1995)

(2) Quoted in Finn Jensen, Modernist Semis and Terraces in England (Routledge, 2016)

(3) Ronald Bradbury, Kirkby: the Story of a Great Achievement (Unit Construction Company, 1961)

(4) Ronald Bradbury, ‘Post-War Housing in Liverpool’, The Town Planning Review, Vol 27, No. 3 October 1956

(5) ‘Kirkby as Proposed New Town’, Liverpool Echo, 25 September 1957

(6) Richard Pollard, Nikolaus Pevsner, Joseph Sharples, Lancashire: Liverpool and the Southwest (Yale University Press, 2006)

(7) Bradbury Kirkby: the Story of a Great Achievement

(8) Stefan Muthesius and Miles Glendinning, Towers for the Welfare State (The Scottish Centre for Conservation Studies, 2017) and the Tower Block UK website of the University of Edinburgh.

(9) Bradbury, ‘Post-War Housing in Liverpool’

(10) Ronald Bradbury, ‘Development at Kirkby by The City of Liverpool’, Official Architecture and Planning, vol 24, no 10, November 1961

(11) Quoted in Jess Molyneux, ‘Kirkby’s transformation from sleepy rural town to “the great new world”’, Liverpool Echo, 26 April 2020

(12) Quoted in Mark Clapson, Invincible Green Suburbs, Brave New Towns: Social Change and Urban Dispersal in Postwar England (Manchester University Press, 1998)

(13) Mays’ analysis, ‘New Hope in Newtown’, appeared in New Society, 22 August 1963. It is quoted in David Kynaston, Modernity Britain: A Shake of the Dice, 1959-62, Book 2 (Bloomsbury Publishing, 2014)

The Woodchurch Estate, Birkenhead II: ‘Not a mere assemblage of houses’

Tags

1940s, 1950s, 1960s, 1980s

Last week’s post looked at the controversy surrounding rival plans – one a more traditional cottage suburb submitted by Borough Engineer Bertie Robinson, the other an ostensibly more visionary re-imagining of community life proposed by the architect Sir Charles Reilly – for Birkenhead’s Woodchurch Estate.  The former had been preferred by the Conservative majority on the Council and they had appointed the Liverpool architect Herbert James Rowse to ‘to draw up designs for the houses to be erected on the estate’. (1)

This plaque is placed at the main entrance to the estate on the side wall of a house on Ackers Road

To general surprise, Rowse, perhaps unwilling to work within the confines of a scheme suggested by the Borough Engineer, perhaps seeking some third way compromise, returned to the drawing board and, in January 1945, submitted an entirely new scheme.  Labour pressed for reconsideration of Reilly’s plans but in March 1945, the Council – dividing again on party lines – endorsed those of Rowse. Building of the estate, after a twenty-year gestation, finally began in 1946.

Rowse’s 1945 plan from Architecture and Building News, 1950

Whilst he eschewed the social engineering proposed by Reilly, Rowse’s own proposals reflected the spirit and ambition of the time: (2)

The Woodchurch Estate is not a mere assemblage of houses placed on a plot ground in the maximum possible density and monotonous regularity of layout and pattern, after the manner of the vast unplanned and uncontrolled suburban development of the inter-war years: it is the architectural setting of a fully developed sociological conception of a community of people living within a defined neighbourhood, having a conscious identity of its own and equipped for the maximum possibilities of the full intercourse of such a community. The comprehensive character of this project makes it of outstanding interest.

For Rowse, the fulfilment of these promises lay in the layout, facilities and housing forms of his new estate.

The overall plan was ‘developed on the basis of the natural topographical features of the site’ with:

Every effort … made in the planning of the Estate to provide prospects of the attractive rural surroundings from every possible point and to allow the maximum amount of rural character to permeate the estate by means of planted green closes, forecourts, quadrangles, recreation spaces and allotment gardens.

Broad parkways divided the estate whilst a central square provided ‘for the social life of the community’ with shops, baths and assembly hall, community centre, cinema, library and clinic:

In contrast to the familiar monotony of streets or their suburban counterpart, the estate will present varied internal prospects of groupings of terraces and small blocks amidst trees and green spaces, having the general character of a contemporary version of the traditional English village scene.

For the 2500 houses of the estate, Rowse proposed brick of ‘good, common quality’ with ‘architectural interest … achieved by the application of lime-wash, pigmented in a range of quiet tones of yellow, blue, pink and grey, alternating with white’.  His interest extended to their interiors – those of the first homes completed being ‘decorated in warm ivory shade on the walls and a pale shade of blue on the ceilings’.  Criticism of this colour scheme led to a uniform white being applied externally by the early 1950s.

Rowse’s illustrations of Woodchurch housing from Architecture and Building News, 1950

The estate’s early housing reflects Rowse’s ambitions though, on a cold January day such as when I visited, those broad parkways can seem rather bleak.

Shops on Hoole Road © Rept0n1x and made available through a Creative Commons licence

Rowse’s supervision of the scheme was superseded by that of new Borough Architect TA Brittain in 1952 who, in Pevsner’s astringent words, ‘continued building to inferior standards of design’.  The volume dislikes the estate’s early neo-Georgian-style shopfronts but reserves its greatest disdain for the Hoole Road shops, once planned as a centrepiece of Rowse’s central parkway. (3)

This early image closely resembles the 1000th house on the estate, opened in 1953

The estate’s 1000^th home, no. 84 Common Field Road, was officially opened by local MP Percy Collick in 1953 – a gabled, tile-hung, arts and crafts-inspired design, clearly a legacy of Rowse’s tenure.

Early photographs of the estate

Later housing was plainer but the biggest departure from Rowse’s founding vision were the two 14-storey tower blocks – Grasswood Gardens and Ferny Brow Gardens – built in 1960 on New Hey Road; the architect, ironically was HJ Rowse. (4)  By the end of the decade, three 14-storey blocks were added, built by Wimpey – Leamington, Lynmouth and Lucerne Gardens, at the Upton end of the estate.

Leamington, Lynmouth and Lucerne Gardens, photographed in 1987 from the Tower Block website

Typically, for all the preceding rhetoric, even the most basic community facilities were slow to appear: the first shops in 1953, a health clinic in 1954, and the first local library (at first housed in the new secondary modern school) in 1959. A community centre followed in 1965.

St Michael and All Angels, January 2019

Church congregations met in private houses or local halls until the Methodist church opened in 1958 and the Roman Catholic St Michaels and All Angels in 1965. The latter was worth waiting for, at least with an impressive modernist design (by Richard O’Mahony), planned liturgically – in Vatican II style – to focus attention on the central altar and – in landscape terms – to provide a fitting climax to New Hey and Home Farm Roads.

 

Home Farm Road, January 2019

All this, however, was some way away from the promises of Rowse, let alone Reilly, and that post-war vision of planned community.  Later academic studies of the estate allow us to examine the community which did emerge. They present a mixed picture, both reflecting and challenging standard interpretations.

The new residents were predominantly young families. A points system determined priority, favouring ex-servicemen, established residency and size of family. Additional points were awarded to those living in unfit accommodation. They were also judged by their ability to pay the rent though this was often a struggle: an average rent for a three-bed home amounted to £1.40 whilst local wages ranged from £3.50 for an unskilled male worker to £5 and above for semi-skilled and skilled workers. In the struggle to make ends meets, cookers were often bought from the Gas Board and furniture from Sturla’s department store on the ‘never-never’ (hire purchase). (5)

Ganney Meadows Road, January 2019

In support of the Wilmott and Young narrative of ‘missing mum’ (or, more academically, missing inner-city matrilocal kinship networks), there were the many young women who trekked back on an almost daily basis from this peripheral estate to their parents. Some walked, some struggled with their Silver Cross prams (‘normally second-hand, mind’) on an inadequate bus service. One young mother with school-age children cycled to the Mount Estate – where her parents now lived – every day at 10am, having got up at 6am to clean the house and prepare evening meals. (5)

But there were others pleased to place some distance between themselves and family:

One male interviewee explained how he and his wife were glad to get away from his mother-in-law because ‘she was jealous of my wife’ and he described how the friction caused by the situation had put a strain on other family relationships.

As for community – or, more properly, neighbourliness – that was found informally, often in the revival of established friendships:

There was a knock at the door. When I went to the door there was [name] standin’ there with a tray an’ a pot of tea. We just couldn’t believe it when we saw each other’s faces. We’d lived in adjacent roads up near Bidston, had been good friends … childhood friends for many years … before the war an’ she was my next-door neighbour! I couldn’t believe it, it was like bein’ with family

Given that many people moved to Woodchurch at the same time from similar areas of central Birkenhead, these connections are not surprising, and, in due course, family links might also be resurrected as parents or siblings also moved to the estate.

Home Farm Road, January 2019

The much vaunted ‘spirit of a New Britain’ (discussed in last week’s post) seems absent but perhaps lived on in attenuated form:

It wasn’t just the fact that we were all from Birkenhead, we’d all been through more or less the same experiences … been in the same kind of housing … lost loved ones or our homes during the war. We were just glad to be alive an’ we weren’t goin’ to shut the door on a neighbour who needed a hand … where we came from it wasn’t the done thing.

But few came to look on the community centre as a centre of social life, still less civic engagement as had been hoped by post-war planners: a ‘number of the interviewees recalled that they only went there for Bingo “on a Tuesday night” or “when someone was havin’ a “do”.

In the end, ‘community’ developed very largely without the benign assistance of planners and politicians and, with hindsight, the would-be social engineering of the latter, however idealistic in motive, appears mechanistic in practice.  Real lives were led domestically, within the interstices of home, family and friendship, with little reference to formal institutions and with little desire to think or act more politically or civically.

New Hey Road, January 2019

Meanwhile, older traditions of heavy-handed council paternalism lived on – though typically enforced by women housing  officers raised on the Octavia Hill tradition.  Miss Crook was clearly the local exemplar:

I mean, everyone I’ve spoken to about it remembers the way she used to check the beds – the sheets, the blankets an’ that – she’d run her fingers over surfaces to check for dust, an’ the look on her face if she found any! It was like ‘Not dusted today then, dear?’ … Well, she did congratulate me on the standard of cleanliness, but by the time she’d finished doin’ her rounds I was ready to explode. But we just had to put up an’ shut up. Y’didn’t argue with authority at that time.

Respectability and responsible tenancy were thus rigorously policed in these early years.

For all that, Woodchurch, in some eyes, developed a bad reputation.  As early as 1952, a local newspaper article was headlined ‘Vandalism Sweeps Woodchurch Estate. £500 damage to bulldozer’. (The combination of many young children living on what were, in effect, huge building sites made such reports quite common across the country, in fact.)

Home Farm Road, January 2019

But as estates, such as Woodchurch, grew older, perceptions of them changed.  Press reports of crime on the estate in 1969 led the police to come to its defence: ‘The incidence of crime and disturbances on the estate is no more serious than in several other areas of the town … isolated incidents had been taken out of context’. (7)

By the 1980s, however, as unemployment and, in particular, youth unemployment rocketed, there were real problems.  Woodchurch (and even more notoriously, Birkenhead’s Ford Estate) became known as centres of heroin addiction: by 1983, it was claimed nine percent of 16-24 year-olds on the estates were taking the drug. ‘Woodyboy’ recalls the era: (8)

By the time my year finished our ‘O’ levels at Woody High in ’83 we well and truly knew what was going on around us. It seemed like everyone’s big brother or sister was a smackhead. They were the kids we remembered from primary school who were only a few years older. We knew kids in our year that had tried mushies or were into glue, but this was a whole different ball game.

The estate also became associated with wider problems of gang violence and antisocial behaviour.

Three ages of housing with Brackendale House to the rear, January 2019

From this time, there have been concerted efforts to raise the estate.  In Birkenhead, tower blocks were seen as one cause of this new social malaise and the new Borough of Wirral (formed in 1974) had been the first in Europe to demolish some of its blocks – beginning with the central Oak and Eldon Gardens towers in 1979. On the Woodchurch Estate, the two New Hey Road blocks were converted to housing for elderly people and renamed in 1984.  Now, only one – Brackendale – remains.  Leamington, Lynmouth and Lucerne Gardens have also been demolished.

Today, the worst social problems of Woodchurch are over and, to this outsider, the estate looked generally well-maintained and cared for, and attractive in its older parts where Rowse’s vision was more fully implemented.  It’s a council estate which means in modern Britain it houses disproportionately a poorer population and unemployment levels remain high. Four areas of the estate are among the ten percent most deprived in the country. (9)

There are some who would blame council housing for that. For me, it’s a manifestation of what has been done to council housing and its community.  Whilst the Woodchurch Estate itself was one small part of the ‘New Britain’ to emerge after 1945, a wider element of that promise was full employment and reduced inequality. That is a promise betrayed and we have asked council estates and their residents to carry the burden of that betrayal.

Ganney Meadows Road, January 2019

One early resident of the estate recalls it:

as being as good as any private housing … people didn’t realise it was a council estate … it was peaceful too in the early days. It was a good place to live and a good place to bring up the children.

That, I’m sure, remains true for many today.

Sources

Kenn Taylor, who was raised on the estate, has also written interestingly on its history and significance in The Memory of a Hope.

(1) Margaret H Taylor, ‘Creating a Municipal Gemeinschaft? Disputations of Community’, Manchester Metropolitan University MPhil, 2013.

(2) HJ Rowse, ‘Woodchurch estate, Birkenhead; Architect: H. J. Rowse’, Architect and Building News, October 14, 1950. The quotations which follow are drawn from this source.

(3) Nikolaus Pevsner, Edward Hubbard, Cheshire (1978)

(4) Tower Block (University of Edinburgh), Woodchurch: Contract 23

(5) Taylor, ‘Creating a Municipal Gemeinschaft’

(6) As argued in Young and Wilmott,  Family and Kinship in East London (1957). Woodchurch analysis drawn from Lilian Potter, ‘National Tensions in the Post War Planning of Local Authority Housing and ‘The Woodchurch Controversy’, University of Liverpool PhD, 1998. The quotations and later detail are drawn from Taylor, as is the following quotation.

(7) ‘Police Speak Up For Woodchurch Estate’, Liverpool Echo, 23 July 1969

(8) SevenStreets, ‘Smack City: Thirty Years of Hurt’ (ND, c2013). The statistic is drawn from the article; the testimony from comments below.

(9) Wirral Council Public Health Intelligence Team, Indices of Multiple Deprivation for Wirral 2015 (November 2015)

The Woodchurch Estate, Birkenhead I: ‘Repercussions over the Empire’

Tags

1920s, 1940s

If you’re not from Merseyside, you probably haven’t heard of Birkenhead’s Woodchurch Estate but in 1944 it featured in a Picture Post article which, it was claimed, ‘had repercussions over the Empire’. (1)  That might have been an exaggeration but for a time conflicting ideas around the estate’s design dominated not only local politics but generated fierce debate in wider planning and political circles.  This post examines that controversy.

First, some background because there had been little previously to suggest that Birkenhead would merit such prominence in housing policy.  Unlike its neighbour Liverpool (which had built the first council housing in the country and pursued grandiose housing schemes in the interwar period), Birkenhead’s housing efforts had been modest.

It had grown as a docks and shipbuilding town from the early nineteenth century; from around 200 inhabitants in 1820 to 77,435 when incorporated as a borough in 1877.  Eleven years later and 22,000 inhabitants larger, it became a County Borough.

The Dock Cottages

That rapid growth had created appalling housing conditions for Birkenhead’s working-class population. The Queen’s Buildings (better known locally as the ‘Dock Cottages’ or just the ‘Blocks’), constructed in 1846 and financed by the major local employer John Laird, had been one early effort to ameliorate such conditions – 350 dwellings in four-storey blocks; built to the ‘Scotch’ plan (Laird hailed from Greenock) and claimed to be the first multi-storey tenements in England. Despite their compact design and dense layout, the flats themselves – equipped with a cold-water supply, gas burner, two iron bedsteads and a WC – were advanced for their day.

The 1917 plans for the Gilbrook Estate

The later council, for its part, proceeded more cautiously, clearing some 388 unfit houses but building just 18 cottages and 88 tenements to replace them by 1910. (2)  Its first major housebuilding scheme – the Gilbrook Estate in Prenton, north Birkenhead – was planned in 1917 but completed, to modified design, after the war.  The Council also purchased and renovated the Dock Cottages to let as council housing in the 1920s.

Vaughan Street, Gilbrook Estate, January 2019. (It was snowing!)

Arkle Road, Gilbrook Estate, January 2019

The ideological preferences of the Conservative-controlled council –  or perhaps an early version of the current preference for ‘mixed communities’ – were shown by the development of the Tranmere Hall Estate in the 1920s where, unusually, 400 of the homes were built for sale, available for purchase from the Council under the advantageous terms offered by the Small Dwellings Act.

When it came to the purchase of an area of farmland in the centre of the Wirral peninsula beyond the then boundaries of the Borough – what would become the Woodchurch Estate – in 1926, the Council was even more ambitious. There was a suggestion that the area could be developed along Garden City lines (though without self-governance) with land sold to developers on a leasehold basis and revenues accruing to the local authority.  Meanwhile, the Council approached one of the most prominent architects and planners of the day, TH Mawson, a lecturer at Liverpool’s prestigious School of Civic Design, elected president of the Town Planning Institute in 1923.

Mawson’s first recommendations were made in 1927; a more complete illustrated and typewritten report in 1929. He promised: (3)

a scheme that shall be of benefit … to posterity – aesthetically, hygienically, practically and in every way … the nicest and most tasteful of its kind in the Kingdom.

It was a plan explicitly referencing the arts and crafts ideals of William Morris and Raymond Unwin and the principles of the 1918 Tudor Walters Report.  Mawson talked of wide grass verges and tree-lined streets, even the ‘somewhat unusual step’ of planting roses instead of trees along some of the best streets. As to the housing itself, it reflected the usual reality of a ‘mixed community’ – large houses for the wealthy, lesser versions for the middle class, and small, terraced homes (at council rent) for the working class though he suggested the latter be built around ‘little town squares’ to avoid monotony.

I could write more but the formal adoption of Mawson’s plans was deferred and then, at some point in the mid-1930s, quietly abandoned. That controversy I teased you with is yet to come though the ideas raised here around ‘community’ would be central to later discussion.

Elsewhere, planning continued.  By 1939, land for what became the Mount Estate in Prenton had been purchased and Borough Engineer Bertie Robinson drew up plans for a garden suburb of some 502 homes.  War would delay their implementation but the Corporation had built around 4500 council homes by the outbreak of war in 1939.

Birkenhead suffered heavily from that war; 2079 houses were destroyed by bombing and 26,000 seriously damaged. Some 3464 people lost their lives.  But planning for better tomorrow began early. In 1944, Bertie Robinson unveiled new plans for the Woodchurch Estate. At around the same time, the Council appointed Professor Charles Reilly as a planning consultant with a brief to produce an outline plan for post-war Birkenhead as a whole. Reilly had been Professor of Architecture at the University of Liverpool from 1904 to his retirement in 1933; a charismatic figure, better known as an influential educator than as practitioner.

Robinson’s 1944 plan for the Estate

Robinson published details of his scheme in The Builder in November 1944. He first described the site in the Fender Valley: 457 acres of which the large municipally-owned Arrowe Park, containing golf course, bowling greens and football pitches, would be retained and the ‘attractive suburb’ of Upton conserved. So far as the residential areas were concerned, he proposed ‘a garden city for the purpose of housing on the basis of a neighbourhood unit’. (4)

A model of Robinson’s Woodchurch proposals from The Builder

In terms of layout, he planned two 100-foot boulevards in the form of a cross in a central square – these had given, he claimed, ‘the scheme the title of the “Green Cross”’ – and a 60-foot boulevard from which the estate’s service roads would radiate. These should be laid out on ‘attractive lines with grass verges, shrubs, trees and gradual curves’.  There would be little encouragement to traffic ‘other than that serving the estate itself’.

The estate as a whole was conceived as containing 2540 homes, serving a population of around 10,800 – a range of two, three, four and five-bedroom houses ‘suitable for north or south aspect’ built in ‘blocks of two, up to terraces of eight’ and set back to ‘varying building lines’.

With a central and two subsidiary shopping areas and provision for 156 shops in all, a public hall and community centre, 22.5 acres of allotments, ten schools and a ‘Young People’s College’, and plentiful open space, it was an ambitious and considered scheme which reflected contemporary planning ideas around community-focused design to improve on the widely criticised form and character of the interwar cottage suburbs.

Sir Charles Reilly, a 1943 portrait by Howard Coster © National Portrait Gallery and made available through a Creative Commons licence

Enter Reilly. He described: (5)

not liking very much the look of this layout which was on ordinary garden suburb lines … I suggested to the Borough Engineer that we should make a new layout plan together.

Less emolliently, in an article in the left-wing journal Tribune, he called Robinson’s scheme ‘a damn bad plan’. When Robinson rejected his offer to collaborate, Reilly, in his own words, ‘explained the ideas I thought would be welcomed everywhere and told him he would make his name by it if he did’.

Reilly’s Greens, as envisaged in Wolfe, The Reilly Plan: a New Way of Life 

Reilly’s uninvited intervention and the spat, at least on Reilly’s side, which developed then became a much larger controversy. In essence, as they were further developed, Reilly’s alternative plans contained one big idea – the greens around which housing would be grouped.  He explained them in an April 1944 report in the Birkenhead News:

The motives of the scheme are the English Village Green and the small squares of the country town, where children can play and neighbours see one another and retain the friendliness of the little streets and slums. With pairs of semi-detached houses on the curved roads of the Garden Suburb type of plan this friendliness … turns to suburban snobbishness through not seeing and knowing one’s neighbours. The houses look away from one another and the people too.

Later, he expanded his attack on suburbia:

Why was there such a contempt with novelists for suburbia? It was because it bred a narrowness of outlook, in which the team spirit was not developed.  It lacked the intellectual development which came from sharpening one’s wits … allowing everyone to play with his own toy castle had produced an anti-social spirit.

In this, Reilly, of course, reflected much of the inverted snobbery directed towards the suburbs then and now.

He also articulated an architect’s disdain for tradespeople as represented here by the poor Borough Engineer:

Without being in any way personal, as an architect, I feel the layout of houses for human habitation is not in the first place an engineer’s job. The engineer’s training in steel construction in drains and such like inhuman things does not fit him for it. It is not humane enough. The architect however, is always thinking in terms of human lives. He, I suggest, should do the planning and the engineer keep him straight on the mechanical side.

Robinson kept his own counsel through all this though he had written thoughtfully – admittedly in measured bureaucratic tones – on housing in an article for a professional journal in 1936. (5)

However, beyond the interpersonal disputes, there were planning ideas. Reilly himself described his concept for communal greens as ‘a semi-new planning principle’. It owed much to Unwin’s quadrangles and had similarities to the bowling greens of nearby Port Sunlight.  His general critique of suburbia and, in particular, the Corporation suburbia of peripheral council estates, was certainly highly topical and gained traction from the publication in May 1944 of the government-sponsored Dudley Report on the Design of Dwellings which was similarly critical.

And beyond the planning talk, there was politics – a politics writ large by wartime conditions and post-war aspirations. At its simplest, this was party politics, and in Birkenhead the debate over the contending plans split along purely political lines.  The ruling Conservative Party favoured Robinson’s scheme and the insurgent Labour opposition favoured and campaigned powerfully for what had now become known as the Reilly Plan.

Here, it elided easily with the wider issue of housing shortage; by July 1945, there were 2300 on Birkenhead’s council housing waiting list and, it was said, 150 fresh applications weekly. The debate over Woodchurch was, crudely, a useful local wedge issue.

Central area as depicted in Wolfe, The Reilly Plan: a New Way of Life 

But it was much more than this. It spoke too to what was really a unique moment in British history – a time when passionate debate around a new, more modern and better Britain to emerge in peacetime conditions dominated.  Speaking at the annual Labour Conference in December 1944, Harold Laski declared that ‘for Socialists the war was each day more fully an ideological war’. The sacrifice it demanded of those who fought: (7)

can be justified in one way only. It will be justified by the degree in which the Socialist commonwealth becomes the inheritance of the civilisation we are seeking to reshape.

That conference went on to pass a resolution that ‘the community basis of town planning, as illustrated by Professor Sir Charles Reilly’s plan for Woodchurch estate, Birkenhead, would best serve post-war housing needs’.

In the Picture Post article referred to, Caradoc Williams, secretary of Birkenhead Trades Council, declared his own support for the Reilly Plan with the spirit, if not the rhetoric, of Laski:

I believe it is in accordance with the community spirit developed during the war. Public opinion here wants a progressive plan. After all, the men out there are fighting for decent homes, not only for houses.

Mary Mercer, a former Labour councillor, saw ‘a spirit in the Reilly Plan … the spirit of the New Britain’. Birkenhead Tories less so.

For Councillor Guy Williams:

The whole idea of Professor Reilly’s Plan is to foster community spirit. I don’t know if this is a good thing or not. But if a man doesn’t feel community-minded, he should thank God for a 5-ft hedge around his house.

For Lawrence Wolfe, who must have read this article, there could not have been a clearer expression of the ‘isolationist way of life’ he believed so damaging to the British psyche and society. It was Wolfe who, in 1945, most passionately advocated The Reilly Plan: a New Way of Life (as his book was titled). (8)

For him, it was a panacea to all psychological and social ills. The book provides a greatly expanded and highly prescriptive exposition of Reilly’s plans including the proposal that the Community Centre provide ‘a Restaurant and Meals Service’, supplying meals in large containers to nursery schools and ‘in small thermos containers’ to individuals. Wolfe went on to address contemporary concerns about the birth rate and sexual behaviour: ‘Under the Reilly Plan early marriage is easy and normal’; ‘sexual immorality outside marriage also diminishes’; venereal disease declines; and the birth rate would rise.

‘Single green with cricket match in progress’ from Wolfe, The Reilly Plan: a New Way of Life 

Wolfe went on, at his most fanciful, to evoke not only a New Britain but a Merry England:

In the village green world dancing is not confined to special times and places. People dance when they feel like it – and they often do. Impromptu merry-making would look crazy in the middle of an isolationist street; on the green it looks perfectly natural and the passer-by, far from being tolerantly amused or even scandalised, is more likely to join in.

Reilly’s introduction to the book rather disarmingly notes:

the many implications [Wolfe] has found in the plan which, I confess, I did not fully see when I drew it … he, I am glad to say, discerns many further advantages in what I thought was merely a natural expression of neighbourliness.

The reality is that this was very much Wolfe’s vision, the Reilly Plan his chosen vehicle, but the 71-year-old Reilly, ever the keen publicist of his own ideas and role, was happy to go along with it.

For all the storm and stress, the Council – dividing on party lines – had endorsed Robinson’s scheme in February 1944. A proposal from Labour leader Charles McVey for an inquiry into the rival proposals was defeated in July.

That, however, was not quite the end of the Reilly Greens. The idea was taken up enthusiastically, with Reilly’s active participation, in the Black Country boroughs of Bilston and Dudley. Lewis Silkin, Minister of Town and Country Planning, no less, commended it in his major speech introducing the second reading of the New Towns Bill in May 1946: ‘the experiment was about to be tried in Bilston…and he would watch it with interest’. (9)  In the end, the concept was applied in much diluted form. (10)  Reilly himself died in February 1948.

Back in Birkenhead, in March 1945, the Council approved final plans for the Woodchurch Estate – not Reilly’s, nor Robinson’s, but new proposals drawn up by the Liverpool architect Herbert J Rowse.  Next week’s post examines this story and the longer story of the Woodchurch Estate that emerged from this extraordinary episode.

Sources

(1) Maurice Edelman, ‘Planning Post-War Britain: the Example of Birkenhead’, Picture Post, 8 July 1944

(2) William Thompson, Municipal Housing in England and Wales (1910)

(3) Margaret H Taylor, ‘Creating a Municipal Gemeinschaft? Disputations of Community’, Manchester Metropolitan University MPhil, 2013. Following detail is also drawn from this source.

(4) B Robinson, ‘Woodchurch estate, Birkenhead; Planner: B. Robinson, Borough Engineer’, The Builder, November 24, 1944

(5) Quoted in Lilian Potter, ‘National Tensions in the Post War Planning of Local Authority Housing and ‘The Woodchurch Controversy’, University of Liverpool PhD, 1998. The following quotation is drawn from the same source.

(6) B Robinson, ‘Some Snags in Housing Schemes’, Journal of the Royal Sanitary Institute, vol 57, no 1, 1936

(7) ‘Labour Policy’, The Times, December 12 1944

(8) Lawrence Woolf, The Reilly Plan: a New Way of Life (Nicholson and Watson, 1945). The author’s name is a nom-de-plume and, despite speculation, very little is known about him.

(9) ‘House of Commons’ The Times , May 9 1946

(10) This episode is discussed fully in Peter J. Larkham, New suburbs and UK post-war reconstruction: the fate of Charles Reilly’s “greens”, Birmingham: University of Central England, School of Planning and Housing, 2004,  and in Peter Richmond, Marketing Modernisms: The Architectural and Cultural Consequence of Sir Charles Reilly, University of Liverpool PhD, 1997.

Book Review: ‘The Town of Tomorrow: 50 Years of Thamesmead’

The Town of Tomorrow: 50 Years of Thamesmead (Here Press, 2019)

At times, Thamesmead must have seemed less like the ‘Town of Tomorrow’ than the ‘Land that Time Forgot’.  It’s been a chequered story to say the least and it’s one that’s lent itself easily to the usual tropes of planner overreach and misplaced architectural ambition. But Thamesmead, in its latest iteration since 2014 under the stewardship of Peabody, lives on. Perhaps, with Crossrail looming and a DLR connection mooted, some of those earlier promises will be more fully fulfilled though typically, as is now the way, in less visionary form.

So it’s time to celebrate Thamesmead and we’re fortunate to have a newly published book which does that in a positive though clear-eyed way. The Town of Tomorrow: 50 Years of Thamesmead is, above all, a superb pictorial record of its past and present – of the ideals and plans which formed it, the buildings and landscapes which shaped it, and the people who have lived it.

John Grindrod’s introduction lays out the broad outline of its history with typical panache.  The eyes of the London County Council first looked eastwards towards the Erith Marshes in the early 1960s after their ambitious plans for a New Town at Hook in rural Hampshire were thwarted. Ted Hollamby’s vision of a series of ‘platform villages’ was abandoned as too costly and impracticable but the new Greater London Council (GLC) formed in 1965, seeking to fulfil its strategic housing mandate and aided by Government plans to redevelop abandoned Ministry of Defence land such as the Woolwich Arsenal site, returned to the concept.

Images from ‘Woolwich-Erith: A Riverside Project’, (GLC, 1966) © London Metropolitan Archives

‘Woolwich-Erith: a Riverside Project’ was born in 1966 – a plan, in conjunction with the Boroughs of Greenwich and Bexley, to create a new town of some 60,000 people on 1300 acres of largely unused land lying on the southern back of the Thames.  Water was one of its defining features – Robert Rigg, the GLC planner, had been influenced by Scandinavian schemes built around the presence of water and how, in Grindrod’s words, that ‘helped create an atmosphere of calm and wellbeing’.

Construction of towers on Southmere Lake, 1970 © London Metropolitan Archives

More practically, the risk of flooding demanded unusual means to keep people safe and dry – towers raised on stilts, deck-access homes and high-level walkways dotted around the artificial lakes which would ensure proper drainage. But the conceptual genius of the scheme was to make virtue of necessity. If separation of cars and people was a contemporary planning mantra, there was in Thamesmead, as Grindrod describes:

a more Venetian approach, with bridges and paths floating above what might at any moment become canals and overspill from the river.

The architects’ impressions featured in the book capture a ‘Cool Britannia’ in its first, sixties’, iteration and with a heavily Continental slant:

It was pure south of France, white concrete buildings shining in the warm blue waters, reflected alongside yachts, bikinis and polo necks.  The ambition for Thamesmead would bring the lifestyle of the European jetset – the kind of world portrayed in art house movies and racy novels – and combine it with the more functional aims of creating much needed council housing.

The prosaic minutes of the GLC’s Thamesmead Committee in 1967 record the latter – the ‘central objective of the development [was] to provide housing, and in so doing, create a reservoir of housing for decanting population from the hard-pressed inner area’ in an era when slum clearance was in full spate.

Detail of model showing Coralline Walk (front) and Yarnton Way (left), 1967 © London Metropolitan Archives

The long spinal terraced ziggurats of Coralline Walk and Binsey Walk and adjacent thirteen-storey tower blocks were the first fruits of this approach; system-built and ‘as modular and groovy as any Habitat stackable moulded plastic furniture of the day’.

The southern end of Coralline Walk, viewed from Lensbury Way, 1969 © London Metropolitan Archives

The first residents, Joan and Terence Gooch and their two children, moved into 64 Coralline Walk in July 1968 – the sole residents for six months at a time when the new ‘stark white modernist homes were marooned in a wasteland of mud, puddles, concrete and construction equipment’.

Children’s playground and the Lakeside Health Centre, Tavy Bridge, 1973  © Bexley Local Studies & Archive Centre

The first school opened in 1968. The health centre – a wonderful modernist building built at Tavy Bridge over one of the artificial lakes and sadly demolished in 2008 – opened in 1970; the first shops amazingly not till 1971.  By 1974, the population stood at around 12,000.

Crossing Eastern Way (A2016), via the ‘A’ Bridge, built 1973, c1979. Photography © George Plemper

Philip Samuel – one of a number of residents who tell of their own experience in the book – moved to Thamesmead in 1975 with his family at the age of eight:

We lived on Maran Way. I could ride my bike for miles without ever touching the ground. I felt like I was in a Judge Dredd futuristic paradise. It was a good place to be a kid. There was so much nature and wide-open space. In the spring, there would be grass fights, in the summer there’d be water fights, autumn would be mud bombs and winter would be snow balls.

Thamesmead: A Place in London’s Future. Fold-out leaflet, published by the GLC, 1982. © London Metropolitan Archives

Salianne Heaton, who arrived the following year, has similar memories:

Thamesmead was like a giant playground. You never had to cross any roads, everywhere had flyovers. We used to play knock and run in the squares in the middle of the housing estate.

Generally, looking back as adults, people remember a close-knit community – as Robert Dyer recalls ‘everybody knew everybody back then so, if you did anything bad, someone would tell your mum’.

Of course, nostalgia and selection plays its own part in these perhaps unusually affectionate remembrances but it’s vitally important to allow people to tell their own stories which, all too often are at odds with dominant media narratives.

Aerial photograph of Area 1 looking north with Southmere Lake (top), 1971
© Bexley Local Studies & Archive Centre

One unwitting element in the latter was Stanley Kubrick’s filming of Clockwork Orange in Thamesmead in 1971. Grindrod points out that Kubrick had intended its ‘formal beauty, lakes and crisp white architecture’ to serve as counterpoint to the film’s scenes of sudden violence, making them ‘even more shocking and incongruous’.  In practice, it was the myth of Thamesmead as some kind of futuristic dystopia which became dominant. (1)

Still, there’s no doubt there were real hardships and difficulties for these early pioneers. The great failing, apart from that slow development of infrastructure which is all too common in major schemes, was the failure to provide the new township with the quick and efficient transport links its population required.

And then it was failed by a changed politics and faltering ambition. Thamesmead’s projected population was downgraded from 60,000 to 45,000; by the end of the 1970s no more than 400 new homes were being completed annually and by 1982, the population stood at 20,000, around half the initially projected figure.

Manordene Road, off Crossway, Area 5, looking north-east along the waterway that runs from Moat Gardens to Tump 39 and the Thamesmead Ecology Study Area, 1982
© London Metropolitan Archives

System-building and modernist design were abandoned and conventional brick build – admittedly the new vernacular was often more to popular taste – became pre-eminent. This also, no doubt, sat more comfortably with a desire to promote ‘mixed communities’ and owner occupation – a 40 percent target was set for the latter in 1978 and 96 tenants had bought their formerly council-rented homes by 1979, well before Margaret Thatcher’s implantation of Right to Buy.  (At present, around 40 percent of homes are social rented.)

The aesthetic shift was facilitated by the raising of the Thames riverbank in 1974 which alleviated flood risks and enabled ground floor construction but it spoke more broadly to a loss of the more audacious hopes which had initially inspired the project.

Hill View Drive, Area 7, viewed from Gallions Hill, 2018.
Photography © Tara Darby

Thatcher’s politically-motivated abolition of the GLC in 1986 seemed merely confirmation of the retreat of social democracy. Thamesmead Town Ltd, a not-for-profit private company, took over the project from the GLC until it split in the later 1990s into three components – the Gallions Housing Association managing housing stock, Trust Thamesmead supporting community development, and Tilfen Land, a commercial property developer.

The demolition of some of the original town’s signature landmarks (including the health centre) and the unimaginative replacements and newbuild which followed resulted, according to a typically caustic Owen Hatherley, in a ‘straggling half-demolished mess of crap spec housing, wasteland and forlorn Brutalist fragments’. (2)

Vision for Silvermere Lake, Thamesmead Waterfront, 2018
© LDS Architects

Now, since all three of those bodies were absorbed by Peabody in January 2014, a new and more exciting vision is being proclaimed once more: ‘20,000 new homes, thousands of new jobs, plus new leisure, cultural and commercial facilities’ alongside ‘immediate improvements needed in areas such as pedestrian routes, play facilities, lighting and local amenities’. Ultimately, Peabody say, ‘our plan for Thamesmead is simple – to create an amazing place that people love to work in, to visit, and of course, call home.’ (3)

Well, you can’t argue with that, can you?  It will, however, be important to see how the promised mix of ‘affordable’ (80 percent market rate) and genuinely affordable social rented homes works out and here we may be less optimistic.

Sheniz Bayraktar (née Mehmet) with her brothers at a celebration of The Queen’s Silver Jubilee in South Thamesmead, 1977
Photography © George Plemper

The book, edited by Peter Chadwick and Ben Weaver with contemporary photography and interviews by Tara Darby, is a great introduction to Thamesmead, and John Grindrod provides a sensitive and eloquent account of its planning and architectural evolution. It’s good to see residents’ memories and experiences also featured strongly. For many people, the 193 colour and black and white illustrations (I’ve included a small representative selection of these in this post), which tell so much of its story so powerfully, will suffice to capture both the bold vision of its inception and more troubled maturity.

Further information on the book and purchase details are available here on the Here Press website. 

Notes

(1) The article by Inez de Coo for Failed Architecture, ‘Ultraviolence in Representation: The Enduring Myth of the Thamesmead Estate’, offers an excellent account of how Kubrick’s film and later depictions have adversely shaped attitudes towards Thamesmead.

(2) Owen Hatherley, ‘Don’t repeat the mistakes of the past at Thamesmead’, Architects’ Journal, 8 April 2015 (subscription required)

(3) Quoted from the Thamesmead Now website, Thamesmead: the Plan.

 

Book Review: Catherine Flinn, Rebuilding Britain’s Blitzed Cities. Hopeful Dreams, Stark Realities

Catherine Flinn, Rebuilding Britain’s Blitzed Cities: Hopeful Dreams and Stark Realities (Bloomsbury, 2018)

I looked at post-Second World War planning in my book, Municipal Dreams: the Rise and Fall of Council Housing, mainly in the context of housing in which much was achieved.  But there was another side to that idealism which lay in the ambition to rebuild and redesign the centres of Britain’s blitzed cities.  There, as Catherine Flinn painstakingly describes in her important new book, the picture is far less positive.

The worst phase of German bombing in 1940 and 1941 was reckoned to have destroyed 75,000 shops, 42,000 commercial premises and 25,000 factories. By the end of the war the total cost of destruction was estimated at £1,150m. And the practical, and what some saw as the moral, commitment to rebuild the worst-affected towns and cities in particular began early – as early as 1940 when a Cabinet committee on reconstruction was established.

The impact of the Blitz is shown dramatically in this photograph of Exeter

In December 1940, Sir John Reith, then Minister of Works and Buildings, presented a paper on the ‘Reconstruction of Town and Country’ to Cabinet. His memo referred to the public attention already directed to the issue:

not just because of opportunities in restoration of damaged property but in the hope of a fresh start in a new spirit of cooperation and with the high objective of a better Britain.

Flinn expertly charts the complex iterations of committees and ministries and legislation that followed but, throughout, the expectation remained that the blitzed cities would receive priority in the post-war era and that their reconstruction would indeed foreshadow and exemplify the new and better Britain to emerge.

Reith’s language was measured when compared to the extravagant heights reached by Thomas Sharp, one of the foremost planners of the day, quoted by Flinn.  In ‘Building Britain: 1941’ (which he billed as ‘Words for Pictures Perhaps A Film Script’ and not published – in the Town Planning Review – till 1952), Sharp proclaimed:

There is so much now to plan for, to prepare for,
A whole shining world is possible.
Is there for the asking if we choose to make it:
Is ours if we will.
We are the shapers of our environment.
We are the makes of our own destiny.
We are the creators of our own happiness.
If truly we desire it we can build
A new and noble world for generous living…

If that was a rhetorical outlier, it was only partly so. When We Build Again, a film commissioned by the Cadburys in Birmingham in 1943 and scripted by Dylan Thomas, declared ‘Nothing is too good for the people’.  And it’s interesting to note that in Britain, a country so often mired in tradition, that such plans were uniformly, in Flinn’s words, ‘modern, optimistic and forward-looking’ – an interesting contrast to Germany and Poland, say, where reconstruction often meant restoration.

Thomas Sharp and his book Town Planning, published in 1940. It sold 250,000 copies – a clear sign of the public interest in post-war reconstruction.

This range of promises of post-war betterment in a variety of forms and media is outlined in Flinn’s second chapter.  It’s hard to disagree with William Holford, another planner and architect, quoted later in the book, that ‘it is true that not only the planners but the Government itself had promised, if not a new heaven, at least a new earth at the end of the war’.

So, if you’re looking at the contemporary British city, you are probably wondering what became of this brave new world. With the significant exceptions of Plymouth (which I’ve written about in previous blog posts) and Coventry, the transformative impact of post-war reconstruction was paltry and often lamented. The rest of the book explains why.

Corner  of Royal Way and Armada Way, Plymouth city centre – a product of 1943 Plan for the city. © John Boughton

The simple and established answer is that post-war priorities rapidly shifted from physical to economic reconstruction.  The great value of the book is not only to detail the processes by which this occurred but to delineate the myriad other obstacles to post-war rebuilding that facilitated this shift.

Taking that economic focus first, the little-known Investment Programmes Committee established by the Attlee government in 1947 takes centre-stage and, in particular and almost the villain of the piece, its chair, the civil servant FF Turnbull.  Turnbull repeatedly vetoed the building licence allocations that city centre reconstruction required; his widely-accepted rationale (in Flinn’s words) was that:

Resources going to the blitzed cities would necessarily draw on precious needs for industry and other business relating to exports and economic recovery.

Flinn also notes how a governmental ‘insistence on the maintenance of Britain’s world role’ and a ‘tendency to focus on global status diminished some of the discussions on the domestic agenda’.

The Abercrombie Plan’s zonal reimagining of central Hull

On the ground, the ‘overwhelming complexity in preparing and implementing reconstruction in the blitzed cities’ is amply illustrated by her three representative case studies of Hull, Exeter and Liverpool. Both Hull and Exeter had commissioned grand plans for post-war rebuilding, from Sir Patrick Abercrombie and Thomas Sharp respectively.  Liverpool, by contrast, pursued a more in-house process in closer collaboration with interested parties.

For all the differences between the three cities (in terms of history, local economy and political control), common themes stand out. The first and most crucial is the lack of central government support already noted, reflected not only in the issue of allocations (or lack of them) but in the sometimes obstructive, often critical attitude of Ministry officials who believed they knew better than councillors and planners on the ground.

The proposals for a new shopping centre envisaged here by Abercrombie around Osbourne Street were scuppered by trader resistance.

Beyond that, issues of existing property ownership and the competing financial interests they represented were uppermost.  In Hull, for example, the Council’s vision was challenged by a rival plan put forward by the city’s Chamber of Trade in 1947. In the end, Flinn concludes ‘the Abercrombie plans were not only controversial but, in practical terms, impossible to implement’.  Her forensic examination of the complex conditions operating in all three cities not only explains why so little was achieved but leaves you a little surprised that anything was built at all.

The final irony is that such reconstruction as did occur was often critically received.  D Rigby Childs, the editor of the Architects’ Journal, writing in 1954, thought that:

With the new permanent buildings one gets the impression that only too frequently the architects have been overwhelmed with frustrations of all kinds, allied with problems of finance, leading to a building which is, at best, humdrum and lifeless.

Rebuilding in Exeter, an historic city and victim of the Baedeker raids in April-May 1942, was described as ‘insipid’ and criticised by local residents.

A contemporary image of Exeter city centre © John Boughton

For all the subsequent disparagement of post-war rebuilding, it was decidedly not, in John Gold’s words, ‘the product of imposing utopia visions’.  While council officials were able to some extent influence the overall look of new developments, practical issues around finance and rationing played a greater role in what went up. It’s true, however, that the sparse, clean lines of modernist design also sat somewhat uncomfortably with popular taste.

Jameson Street and Paragon Place are fruits of Hull’s post-war reconstruction © John Boughton

Flinn sets out, in a broader sense, to examine ‘why cities look the way they do’.  A large part of the answer in this instance, as explained in a later chapter which raises interesting questions for further research, lies in the role of private property developers. Here Ravenseft stands out; a company which began by building a small terrace of shops on a Bristol council estate and then expanded to develop large city centre schemes in Exeter, Hull and other blitzed cities. The firm was initially backed by Harold Samuel of the Land Securities Trust and acquired by that company in 1955. Landsec in its new incarnation is now the largest commercial property development and investment company in the UK.

The lack of financial support from government and the pressing need to replace rates income lost to wartime destruction left local authorities dependent on such economic muscle. The developers themselves, of course, were more interested in lettable space than aesthetics.

‘Exeter Phoenix’. The sculpture was placed on the original Princesshay shopping centre opened by the then Princess Elizabeth in 1949, subsequently demolished. It’s now on the exterior of the new precinct opened in 2007. © John Boughton

Flinn’s close empirical study provides much more detail, not only with regard to central government policy but also in relation to the local personalities, politics and issues in her three case studies. It is complemented by a range of relevant images – of plans, proposals as well as pre-existing and completed realities.  As such, it is essential reading to anyone interested in post-war reconstruction as well as that larger question as to why our ‘cities look the way they do’.

It’s an academic book and scholars in the field will be grateful for its apparatus of data and references. That means, of course, that it comes at an academic price and is probably out of reach to the general reader.  But it repays study at your local library –  or perhaps we can persuade the publishers to issue a cheaper edition for a wider readership.

Catherine Flinn, Rebuilding Britain’s Blitzed Cities: Hopeful Dreams and Stark Realities was published by Bloomsbury on 27 December 2018. (Hardback, ISBN – 9781350067622).  Follow the link for further information.