Open House London, 2022: Some Significant Housing Schemes

30 Tuesday Aug 2022

Posted by Municipal Dreams in Housing, London

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Here’s a quick and simple guide to some of the more interesting housing schemes – for me, those are principally public housing projects and others of broadly progressive intent – featured in this year’s Open House London which runs between 8 and 21 September with most events taking place on the weekend of the 17^th and 18^th.

The entries are listed in roughly chronological order. The highlighted links in bold show Open House descriptions; earlier relevant blog posts are shown in bold and italics. Open House’s tagging is somewhat inconsistent. I’ve ranged across the categories but you can let me know if I’ve missed anything.

Bedford Park stores, Tabard Inn and homes, designed by Norman Shaw © Ian Alexander, CC BY-SA 4.0

The Bedford Park estate in Chiswick, privately developed from 1875 and featuring housing by Norman Shaw and other leading architects of the day, is considered Britain’s first garden suburb, a prototype for much that was to follow though more often in attenuated form.

Brentham Garden Suburb is significant as a co-partnership scheme intended by Ealing Tenants Ltd to cater for at least the more affluent of the working class. From 1907, Raymond Unwin and Barry Parker, emerging as the two of the country’s leading architects and planners, developed the estate along garden suburb and arts and crafts lines.

Roe Green Village (Brent) was designed by Frank Baines in 1916, chief architect of the Office of Works, as housing for workers engaged in First World War armaments production. He had earlier designed the exemplary Well Hall Estate in Eltham for the same purpose. It offered a model for the ‘Homes for Heroes’ that were promoted at war’s end.

The Honor Oak Estate in Lewisham, built by the London County Council (LCC) in the 1930s, was a very different animal comprising the typical four/five-storey, walk-up, balcony access tenement blocks intended to provide higher density housing for the inner-city working class. Early criticisms of the estate’s design saw it described as a ‘warning for planners’ in 1945.

The Crossfield Estate, further north in Deptford, is another London County Council Estate of the same era and form. Transferred in poor condition to Lewisham Borough Council in 1971, a visit will also cover the estate’s later, more bohemian history.

The high ambitions of the best of post-Second World War council housing are illustrated in the Golden Lane Estate, designed by Chamberlin, Powell and Bon (also responsible for the Barbican scheme) for the City of London. The visit here focuses principally on sometimes controversial more recent renovation. Crescent House, a later completed section of the estate strongly influenced by Le Corbusier, features separately.

The Vanbrugh Park Estate was another Chamberlin, Powell and Bon scheme designed for Greenwich Metropolitan Borough Council in the later 1950s – a more modest scheme of 64 flats, low-rise terraced houses, and maisonettes planned to respect its surrounds and promote community.

The ambition of Finsbury Metropolitan Borough Council was obvious in the commissioning of Berthold Lubetkin to design Bevin Court, opened in 1954. Visit to see its crowning glory central staircase and the recently restored Peter Yates murals and bust of Bevin in the entrance lobby.

Meanwhile, the architects of the LCC were designing in Roehampton, west London, what an American commentator described as ‘the best low-cost housing in the world’. Alton East, from 1952, was designed by the New Humanists of the department who took the ‘softer’ lines and appearance of Scandinavian social housing as their principal model; Alton West, from 1954, was designed by those who favoured the ‘harder’, more monumental Brutalist style of Le Corbusier. The visit focuses on the landscaping that was a crucial component of the ensemble.

The self-guided walking tour of Bethnal Green takes in a variety of venues and sights including Denys Lasdun’s Keeling House cluster-block tower designed for Bethnal Green Metropolitan Borough Council opened in 1959.

Back to the LCC which began planning the Pepys Estate in Lewisham in the early 1960s. In the event, this showpiece estate was completed by the Greater London Council (GLC) that took over in 1965. The 78 metre, 26-storey Eddystone Tower is one of the three original tower blocks of the scheme and the visit provides fine views from its top floor. Arguably better views are offered by Aragon Tower, nearer the river, but that was sold to Berkeley Homes for £11.5m in 2002. This is your regular reminder that regeneration schemes promoted by local authorities and housing associations in partnership with private developers invariably lead to a net loss of social rent house, however self-promotingly sold.

Coralline Walk, Thamesmead, prior to its recent demolition

Thamesmead, conceived as a new town of some 60,000 population to the east of London by the GLC in 1966, never lived up to its early hype but some fine and daring architecture was created in the process – much of it, sadly, now being demolished. Two walking tours – Thamesmead: Beyond Brutalism and Town of Tomorrow: Thamesmead Through Film – capture some of this as well as the area’s later growth and reinvention.

Ethelburga Tower in Battersea was another LCC scheme completed by the GLC in 1967, part of the Ethelburga Estate which comprised 578 homes in a range of otherwise medium- and low-rise blocks. Architect designed and of in situ reinforced concrete construction, it pre-dates the fashion for off-the-peg and system-built schemes that would soon become significant in the post-1965 Borough of Wandsworth as elsewhere.

The new Camden Council, established in 1965, and Borough Architect Sydney Cook famously eschewed such ready-made solutions and in so doing created what Mark Swenarton has called in his book, Cook’s Camden: the Making of Modern Housing, ‘an architectural resolution unsurpassed not just in social housing in the UK but in urban housing anywhere in the world’.

The terrace of five three-storey houses in Winscombe Street, Highgate New Town, completed in 1965 and designed by Neave Brown for himself and four of his friends initially as a co-op eligible for financial support from the council, represented the essential prototype for much to follow. Brown is the best-known figure in the talented team of architects that Cook assembled but the borough’s signature style of white pre-cast concrete and dark-stained timber was followed by his colleagues. This was the low-rise, high-density backlash to some of the high-rise missteps of the 1960s.

Peter Tábori designed the six stepped parallel terraces of the Whittington Estate, built between 1972 and 1979, as Stage 1 of the Highgate New Town development, creating 271 homes housing in total around 1100 people. A visit to 8 Stoneleigh Terrace allows you to see the interiors, characterised by double doors and sliding partitions allowing flexible use, that were as impressive as the scheme’s external appearance.

17a–79b Mansfield Road are part of the long terrace of 64 flats and maisonettes – an updated version of much of the housing they replaced – in Gospel Oak completed in 1980. Their architects, Gordon Benson and Alan Forsyth, had worked with Brown on the celebrated Alexandra Road Estate and would go on to design the Branch Hill Estate, neither of which feature in this year’s programme.

Lambeth was another borough that pioneered low-rise solutions to housing need. Its Borough Architect, Ted Hollamby believed that ‘people do not desperately desire to be housed in large estates, no matter how imaginative the design and convenient the dwellings’. The design and popularity with residents of Cressingham Gardens in Tulse Hill, completed in 1978, earned plaudits from Lord Esher, president of RIBA, who described it as ‘warm and informal … one of the nicest small schemes in England’. Its current residents are fighting plans to demolish and rebuild the estate as are those in Central Hill, a similarly inspired scheme designed by Rosemary Stjernstedt.

Southwark lacked such signature style but it built, to a design by another early and significant female architect Kate Macintosh – still around and still fighting for high quality public housing – one of the most distinctive council housing schemes of its day, Dawson’s Heights, built between 1968 and 1972. Crowning a prominent hill in East Dulwich, the estate’s two large ziggurat-style blocks offer views and sunlight to each of their 296 flats and moved English Heritage to praise their ‘striking and original massing that possesses evocative associations with ancient cities and Italian hill towns’.

Trellick Tower © Ethan Nunn, CC BY-SA 4.0

The profile of the 98 metre, 31-storey Trellick Tower– distinguished by the free-standing service tower of the block – is equally eye-catching and perhaps better known. The younger sister of Balfron Tower to the east, the block was designed by Ernő Goldfinger for the GLC and completed in 1972. Unlike Balfron, sold off to the private sector, Trellick remains in local authority hands, managed now by the Borough of Kensington and Chelsea.

The Walter Segal self-build houses in Walters Way, Honor Oak, couldn’t seem more different but they have one thing in common – the role of a local council, in this case Lewisham which provided the land for the scheme and supported the self-builders, initially selected from the council housing waiting list, with a council mortgage. The homes were built using the simple post-and-beam system using standard and easily acquired building materials – principally wood and woodwool for insulation – devised by architect Walter Segal. [In Bromley, the Open House at 13 Nubia Way and exhibition provide an important history of Europe’s largest black-led community self-build for rent initiative.]

The Walters Way homes were completed in the 1980s, by which time new council housebuilding had ground to a virtual halt as a result of Margaret Thatcher’s hostility to public ownership and belief in free enterprise. Neoliberalism and the market look far less plausible now in housing terms and much else besides than they may have done to some at least in that earlier era.

So, we conclude this survey by looking at regeneration – a positive thing to the extent that many estates needed improvement and renovation as a result of expected obsolescence and regrettable neglect. But regeneration as implemented was mixed with the new conventional wisdom – an antipathy to public spending (better understood as investment) that forced a reliance on public-private partnerships with commercial developers.

The other mantra was ‘mixed communities’ secured by the provision of a range of housing tenures. The concept neglected the reality that most council estates were mixed communities and was rooted in an antagonism to ‘mono-class’ (i.e. working-class) areas seen as a drag on local uplift, gentrification in other words.

In practice, the number of new homes for sale and private rental ensured that social rent housing lost in such schemes was not adequately replaced. Across the country and combined with the impact of Thatcher’s flagship Right to Buy policy, we have around 1.4 million fewer social rent homes now than we had in the early 1980s.

Rosenburg Road, South Acton Estate/Acton Gardens

Open House London features three regeneration schemes. Acton Gardens was formerly – in a geographical sense at least – Ealing’s South Acton Estate, built by Acton Borough Council from 1949 and growing eventually to comprise some 2100 homes. Comprehensive regeneration was planned from 1996. The visit concentrates on the first new homes built in 2012 and a revised masterplan agreed in 2018 that will clear all the old estate.

Waynflete Square and Frinstead House, Silchester Estate

The Silchester Estate was a GLC estate in south Kensington (Grenfell Tower lies immediately to the east) built in the 1970s. Open House London focuses on a new development of 112 mixed tenure homes, community and retail facilities designed by Haworth Tompkins architects.

The South Kilburn Estate, was developed by Brent Council from the mid-1960s, originally comprising 11 tower blocks and a range of lower-rise housing. The walking tour of Unity Place looks principally at the modern mansion blocks designed by Feilden Clegg Bradley Studios, Alison Brooks Architects, Gort Scott and Grant Associates to replace two of the 1960s’ towers.

It’s good, of course, to see high-quality, architect designed schemes being built though many of the new so-called ‘affordable’ homes are not let at social rent. I remain nostalgic for a time in the 1970s when 49 percent of qualified architects were employed in the public sector in a state and society that took seriously its moral and practical duty to provide genuinely affordable housing for all in need – when public spending on the direct provision of housing was understood as an investment, a value not a cost.

Council Housing on the London Loop: Part II

26 Tuesday Jul 2022

Posted by Municipal Dreams in Housing, London

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We started our tour of the council housing on the London Loop last week. The final sections take us to Purfleet on the northern bank of the Thames.

Section 14: Moor Park to Hatch End

The South Oxhey Estate, a London County Council ‘out of county’ estate created on land compulsorily purchased south of Watford from the Blackwell (soup) family in 1944. Built as part of the post-war drive to disperse London’s population. By 2007, 70 percent of its homes had been lost to Right to Buy but the estate’s original planning and design quality still stands out.

Section 15: Hatch End to Elstree

Some council homes in Carpenders Park – built by Watford Rural District Council in the 1950s.Despite the rendering, they’re all of a piece and feature some fine brickwork.

Section 16: Elstree to Cockfosters

Ducks Island and the fringe of the post-war Stanhope Estate built by Barnet Urban District Council, then in Hertfordshire, after the Second World War. The estate is seen at its finest in Southfields.

The Dollis Valley Estate further on was built by the London Borough of Barnet in the late 1960s. Its southern part is an interesting example of Radburn-style planning with housing bordering open green space with service roads to the rear.

The northern, system-built five-storey blocks were less successful and are now subject to a controversial demolition and regeneration scheme.

Section 17: Cockfosters to Enfield Lock

Dendridge Close – a 1970s housing scheme built by the London Borough of Enfield.

Winnington Road: council flats built in the 1960s, now owned and managed by the London Borough of Enfield.

Beaconsfield Estate, Enfield Lock – approved by Enfield Municipal Borough Council in 1962; four 13-storey tower blocks and low-rise built by Wates for the London Borough of Enfield in 1968.

1960s flats on Ordnance Road, built by Enfield Municipal Borough Council if before 1965 or the London Borough of Enfield if after.

Peter Barber’s wonderful Ordnance Road scheme of 11 three-storey townhouses and four one-bed mews houses; social housing built by the London Borough of Enfield in 2017.

Section 19: Chingford to Chigwell

Guys Retreat: an Epping Forest District Council scheme of the 1970s – a workaday design but great location.

Buckhurst Hill, particularly the interwar housing on Thaxted Road built either by Buckhurst Hill Urban District Council before 1933 or Chigwell Urban District Council after that. It’s now part of Epping Forest District Council. On Blackmore Road you can see the London loop sign.

Section 20: Chigwell to Havering-atte-Bower

Buckthorne House on the Greater London Council’s Copse Estate glimpsed from Hainault Forest Country Park – approved in 1966 and built by direct labour. Now in the London Borough of Redbridge.

Section 21: Havering-atte-Bower to Harold Wood

The Harold Hill Estate is a London County Council out-of-county estate developed from 1947. By 1962, the estate housed 30,000 people. On the fringes of the estate are some ‘superior’ homes designed for middle-class occupation, fulfilling the post-war ideal that council estates should serve a cross-section of the community. Further in are some low-rise flatted blocks along Chudleigh Road and post-war, flat-roofed Orlit precast concrete frame permanent prefabs along Colne Drive. Since 1965, part of the London Borough of Havering.

Section 22: Harold Wood to Upminster Bridge

Cockabourne Court – sheltered housing built by Havering in 1970.

The Hacton Lane Estate – 548 homes built by Hornchurch Urban District Council on land acquired in 1936. Here’s an Airey house in original condition and its renovated counterparts on Newmarket Way (most of the streets are named after race courses).

Section 23: Upminster Bridge to Rainham

The Dovers Farm Estate in South Hornchurch built by Hornchurch Urban District Council after the Second World War. The council regularly built 4-500 new homes a year after the war, the most of any UDC; 3600 in total by its abolition in 1965.

Section 24: Rainham to Purfleet

The Garrison Estate was developed in the early 1970s by Thurrock Council after the closure of the Purfleet Powder Magazine, founded 1681, in 1962. Beyond Marine Court, by the river, many of the streets are named after British army tanks.

Council Housing on the London Loop: Part I

19 Tuesday Jul 2022

Posted by Municipal Dreams in Housing, London

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For various reasons, I’ve been unable to post any new articles on the blog in recent times. I’m very grateful for the guest posters who have allowed me to add to the record in the meantime and will always welcome new contributions. This and the succeeding post are also a slight cheat – a photographic, rather than documentary record – but I think they offer a fine testimony to the variety and ubiquity of council housing and its inestimable contribution to our housing needs.

The London Outer Orbital Path – better known as the London Loop – is a 150 mile trail that circles the fringes of Greater London. It’s split into 24 sections beginning in the east, in clockwise direction, at Erith station on the south bank of the Thames and ending at Purfleet in the north. It’s a wonderful mix of genuine countryside, public open space and suburbia with a few more urban patches thrown in. We completed the walk between 2020 and 2021. While most people don’t do the walk to see council housing, I couldn’t resist recording it along the way.

Section 1: Erith to Old Bexley

The 13-storey Carrack House and 14-storey Bosworth House, containing 52 and 56 homes respectively, were commissioned by the new London Borough of Bexley in 1967.

The Barnes Cray Estate was built by Vickers with the aid of a War Office grant to house their employees at the nearby munitions works between 1915-16. Designed in garden suburb style by J Gordon Allen, half the 600 homes were of non-traditional, concrete block construction.

Crayford Urban District Council extended the estate northwards after the war.

Bexley Urban District Council acquired part of the Halcot and Hall Place Estates for house building to the north of Bourne Road in 1938. Part of the land was preserved as open space, the Halcot No. 2 Estate was begun after the Second World War.

Section 2: Old Bexley to Petts Wood

Saxon Walk, Foots Cray Estate, built by Bexley Borough Council in the later 1960s or 1970s, I’m guessing.

A modest 1960s terrace in Suffolk Road, Foots Cray

Cuxton, a small block of flats built by Bromley Borough Council in the 1970s next to the new Petts Wood Library.

Section 3: Petts Wood to West Wickham Common

The Coppice Estate near Petts Wood was begun by the Municipal Borough of Bromley in the interwar period and completed after World War II.

A modest scheme of council flats built in the 1960s, I’d guess. If so, by the new London Borough of Bromley formed in 1965.

Section 4: West Wickham Common to Hamsey Green

The land for the Monks Hill Estate was bought by the County Borough of Croydon, then in Surrey, in 1945 and developed as a council estate from the 1940s.

Section 5: Hamsey Green to Coulsdon South

On Tithepit Shaw Lane there is a small, early post-war council estate, built by Caterham and Warlingham Urban District Council, I think.

Section 6: Coulsdon South to Banstead Downs

The Clockhouse Estate, north of Coulsdon, was begun in 1934 but the bulk of its development by Carshalton Urban District Council took place after the Second World War with blocks of flats built in the 1950s and 1960s. It’s presently located in a cut-off corner of the London Borough of Sutton with Croydon more convenient for most residents.

The Little Woodcote scheme was created by Surrey County Council for ex-servicemen under the1919 Land Settlement (Facilities) Act – part of Lloyd George’s promise of ‘homes for heroes’: originally 81 smallholdings of around three acres each and weatherboarded semi-detached housing.

Section 8: Ewell to Kingston Bridge

Attractive cottage flat council homes on Surbiton Hill Park, built by Surbiton Urban District Council (a borough from 1936).

Addison Gardens and Lower Marsh Lane, Surbiton: a small council estate built by Surbiton Borough Council just after the Second World War. Addison Gardens is presumably so named after Christopher Addison, the reforming housing minister responsible for the 1919 Housing Act.

Section 9: Kingston Bridge to Hatton Cross

We’ve crossed the Thames into the London Borough of Richmond. The Mays Estate was built by Teddington Urban District Council under Addison’s 1919 Housing Act and completed in 1921 – a powerful testament to the ‘Homes for Heroes’ ideals of the day.

The Sparrow Farm Estate, now in the London Borough of Hounslow, was built by Feltham Urban District Council in the 1950s. According to local MP Albert Hunter in 1959, ‘visitors from abroad have been shown this housing estate as an outstanding example of our post-war housing construction’.

The Hounslow Heath Estate, in Hounslow, approved in 1965, was one of the first housing schemes of the new London Borough of Richmond. Built by Wimpeys with two 15-storey tower blocks at its heart.

Section 10: Hatton Cross to Hayes & Harlington

The 15-storey Skeffington Court in Hayes, built by the London Borough of Hillingdon, was begun in 1971 and named after local Labour MP Arthur Skeffington who died that year. It was opened by Harold Wilson.

The Corwell Gardens estate in Hillingdon was built by Hayes and Harlington Urban District Council in the 1950s – a Labour-controlled council and prolific builder of council homes for most its history. The estate is a good example of the mixed development of the era.

Section 11: Hayes & Harlington to Uxbridge

Council housing on Church Lane in Uxbridge Moor built by Uxbridge Urban District Council in the 1930s

Later flats built off Cowley Mill Road, Uxbridge, now part of the London Borough of Hillingdon.

Section 12: Uxbridge to Harefield West

South Harefield where Uxbridge Urban District Council began a large interwar estate around Truesdale Drive in the 1930s and later some fine homes along the new Moorhall Road. The houses on Dellside, at the bottom, have a particularly idyllic setting on the fringes of the Colne Valley.

With twelve sections to go and 74 miles left, we’ll take a break till next week.

Workers’ Democracy in Building Greenwich Borough’s Homes Fit for Heroes, 1920–23

22 Tuesday Feb 2022

Posted by Municipal Dreams in Guest Post, Housing, London

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1920s, Greenwich

I’m very pleased to feature this new guest post by Michael Passmore. Michael is a historian specialising in housing and town planning after a career in estate management. In 2015, King’s College London awarded Michael a PhD for a thesis on the politics of council housing between 1971 and 1983. Since 2015 Michael has been affiliated to University of Greenwich, first as a visiting lecturer and currently as a visiting fellow. He engaged in organising with Professor Mark Swenarton and others the successful 2019 Homes Fit for Heroes Centenary Conference at the Institute of Historical Research, London University.

Charlton in South–East London is known for its fine Jacobean mansion, Charlton House, and for The Valley football ground where Charlton Athletic first played in 1919. A less well-known part of the district’s heritage is the Guild Estate, part of Greenwich Council’s contribution to the Lloyd George government’s Homes Fit for Heroes campaign. It forms a section of Charlton Estate comprising some 440 cottage-style semi-detached and terraced houses.

An observant visitor to Charlton might notice a pointer to the significance of this 1920s estate from an ornate plaque (or tablet) on the front wall of a pair of semis at the eastern end of The Village. It records the names of some dignitaries of Greenwich Metropolitan Borough and others involved in developing the first phase of the estate during 1919–21.

The name of the construction company inscribed is ‘Guild of Builders (London) Limited.’ This was one of several building guilds, set up as part of a short-lived movement following the First World War. My research reveals that the homes in Charlton are the only ones that a guild erected in the former County of London, although the London Guild also built Higham Hill Estatefor Walthamstow Urban District Council just over the county border.

Initially, the proponents of the guilds had lofty expectations. During 1920, G.D.H. Cole, the Oxford academic and leading theorist of the guild socialist movement, saw the London branch in action and welcomed the contribution its members were making. He had hopes that “The guild system would develop into as great a movement as the co–operative movement.”

Guild of Builders

The guilds were created at a time of unrest among working people that had been fomenting since the First World War especially over poor working conditions and squalid housing. There were dreams of replacing private enterprise with a new form of business organisation through workers’ control. In April 1920, Richard Coppock, a young trade union official in Manchester, set up a national building guild with Samuel (S.G.) Hobson, a political idealist, who was one of the people involved in founding Letchworth Garden City. (Coppock later became Chairman of London County Council.) The guild was an alliance of several independent unions representing building workers and known as the National Federation of Building Trade Operatives (NFBTO). Hobson became General Secretary of the national guild.

The guild aimed to make decisions democratically, to improve the status of building workers and to achieve high standards by reviving artisanship in the industry. Echoing ideas of John Ruskin and William Morris, the guild aspired to do work worthy of the Middle Ages. Workers formed self-governing branches including the one in the London area, although most were in the north of England. Unlike the prevailing practice on building sites, the guilds aimed to continue paying worker–members when bad weather prevented activity as well as during holidays and sickness. Many labourers and skilled workers responded enthusiastically to an opportunity to participate in the new venture.

The housing campaign associated with Health Minister Christopher Addison’s Act of 1919 generated plenty of building work and so presented an opportunity for newly formed building guilds to participate where local councils were prepared to engage them. Addison initially encouraged their involvement because private contractors showed little interest in building council housing.

The London Guild of Builders was set up on the lines of a model constitution recommended by the National Guild with Malcolm Sparkes as secretary. He was a Quaker who at one time ran his own building firm.

Political control changes in Greenwich Town Hall

Before municipal elections took place in November 1919, the Conservatives, who operated in London local government as the Municipal Reform Party, had controlled Greenwich Council for two decades. As in several London boroughs and to the surprise of many, the Labour Party became the majority party on Greenwich Council in 1919. If it had not done so, the inexperienced London Guild might not have succeeded in building the council’s first housing project. A close relationship quickly developed between the new council and the guild when it came onto the scene. Nevertheless, councillors across the political divide adopted a bipartisan approach over participating in the government’s Homes Fit for Heroes campaign.

The newly elected council decided to retain the experienced mayor, solicitor Sir Charles Stone, not least because there was no financial allowance at a time when most Labour councillors were in full-time employment. By the following year, when a stipend was available for the office of mayor, the council appointed a leading Labour member – Benjamin Lemmon, a marine engineer and energetic trades unionist.

Work starts on the scheme

By the time that the Labour leadership took on its responsibilities, the council had identified forty acres of greenfield land of irregular shape. Only a small part was in its ownership and most of the site was being acquired from Sir Spencer Maryon-Wilson whose family had owned Charlton House and much of the area for centuries. The development land skirted three sides of a 30-acre wood that Maryon-Wilson was in the process of donating to London County Council for use as a public park. This helped make the housing site attractive because Christopher Addison advised local authorities to build estates near open space so that tenants would have easy access for recreation.

In 1925, Greenwich Council was to acquire Charlton House from Maryon-Wilson with its 40-acre park opposite the new estate, thus adding to the local amenities.

During its first six months, the new council made substantial progress with the housing scheme. Having obtained Whitehall’s approval to the site, the council appointed a Greenwich-based architect, Alfred Roberts, to draw up an estate layout (with the borough engineer) and design the houses. Roberts and the council settled on four building types ranging between two and four bedrooms and all were to have bathrooms.

Planned estate layout (left) and final street plan

On 10^th July 1920, a customary ‘cutting the first sod’ ceremony took place to mark the start of construction works. Alderman Lemmon, who chaired the event, explained to the gathering that the Housing Ministry had approved plans for the scheme and that the necessary funds were available. He blamed the nation’s housing problem for much of the prevailing industrial unrest. Lemmon was delighted that the woodland next to the new homes was to become available for public use.

Meanwhile, a firm of private contractors began work on an initial phase of eighteen houses on a strip of land detached from the main site and fronting onto Kinveachy Gardens, an established residential road. The recently formed London Guild lobbied the council for the job but missed the date for submitting a tender price. They made sure that they met the conditions for the main contract.

As the London Guild submitted the lowest tender for building 164 houses on the main site, the council quickly settled the contract details with them. Most of the new homes were to have three bedrooms.

Included in the contract were another 26 homes on a strip of land to the west of Charlton Village that was to become Mascalls Road. The council agreed to pay for the work in stages as building progressed. This enabled the guild to raise the working capital needed for its operation from the Co-operative Bank that served trade unions. As Whitehall officials were slow in approving the terms of the contract, it was not until late 1920 that they gave Greenwich the go-ahead to start work. By this time there was a waiting list of workers wanting to join the guild and within a few months, a local newspaper reported that there were 300 on site.

Design of the homes

The authors of the South London volume of the popular Pevsner Architectural Guides recommend their readers to look at the estate to see what they describe as the ‘straightforward pantiled and roughcast cottage housing.’ This entry captures the more attractive features of the homes although in recent years alterations to many of the exteriors are out of character with the original designs.

When preparing the drawings for the new Greenwich homes, Alfred Roberts followed the official housing design manual issued to local authorities. This publication was in line with the report Sir Raymond Unwin edited on the Tudor Walters Committee, which the government set up in 1916 to improve the standard of working-class housing. The manual included plans of several types of model home but allowed for variations to suit local conditions.

Roberts would have been aware of the picturesque estate at nearby Well Hall, Eltham, designed during the war by Sir Frank Baines of H.M. Office of Works. However, the manual made it clear that designers should avoid the expense of unnecessary ornamentation, although the Health Ministry did not object to Roberts including the Arts and Crafts motif of a rising sun in brickwork on some semis. Again, to reduce costs, Unwin urged councils to use standardised building components where possible, so Roberts specified precast door hoods and steel casement windows. The council wanted the latter to be in wood, but the ministry ruled out this traditional material as it was slightly more expensive. There was variation in the roof coverings as the architect substituted slates when tiles were unavailable.

Grand opening

The event to celebrate completion of the first homes took place on Saturday 2^nd July 1921. In readiness for the occasion, two departmental stores – the Royal Arsenal Co-operative Society and Cuffs of Woolwich – each furnished a new home to show what tenants could buy. These show houses remained open to the public for several days as there was keen interest from local people.

At the crowded ceremony, the previous mayor Sir Charles Stone and others praised the high quality of the building work. Mayor Lemmon declared that he identified with others living in squalid conditions by revealing that he and his wife, belonged to the great mass of people who were cooped up in small rooms in bad surroundings’. He referred to a government announcement that they were halting the house-building programme when he criticised them for not doing enough to support the council in tackling the housing shortage.

Secretary of the London Guild, Malcolm Sparkes, proclaimed that the guilds were a new industrial system whose growth had only reached the stage of a year-old infant. Unfortunately, at the time of the formal opening, the national economic climate was deteriorating.

Events turn against the guilds

Alfred Mond, who replaced the progressive Addison as Health Minister, had earlier favoured the guilds, but now changed the way housing schemes were financed to the detriment of the guilds. Private contractors were putting pressure on the government by complaining that it favoured guilds unfairly.

In Greenwich, the London Guild put in a tender to build the next phase of the estate known as the Pound Park section, but private contractors undercut the pricing. The housing committee still preferred the guild because of its proven reliability, but ministry officials persuaded them to accept the tender from a Birmingham firm.

For a while, the National Guild and local branches merged, but by the end of 1922 the movement was failing financially. The Cooperative Bank was not prepared to make further loans without collateral that was beyond the organisation’s capacity. It signalled the end of the experiment and, sadly, the winding up of Guild of Builders (London) Ltd. took place in 1924. So, the growth of the industrial system that Malcolm Sparkes envisioned never reached maturity. Nevertheless, the London Guild completed its section of the Charlton Estate satisfactorily, leaving a legacy of well-built homes for future generations.

Suggested Reading

Geoffrey Ostergaard (ed. Brian Bamford), The Tradition of Workers’ Control (London: 1997)

Alison Ravetz, Council Housing and Culture: The History of a Social Experiment (London: 2001)

Mark Swenarton, Homes Fit for Heroes (London: 1981/2018)

London Housing by Peter Moro and Partners

21 Tuesday Sep 2021

Posted by Municipal Dreams in Guest Post, Housing, London

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1950s, 1960s, 1970s

I’m pleased to feature today a new guest post by Dr Alistair Fair. Alistair is a Reader in Architectural History at the University of Edinburgh and a specialist in post-1919 architecture in Britain. He first discovered the work of the architectural practice Peter Moro and Partners when writing a history of British theatre architecture between the 1940s and 1980s (published in 2018 as Modern Playhouses, and recently re-issued in paperback). He has since written a book specifically about Peter Moro and Partners, which was published in September 2021. His current work includes a collaborative study of Scotland’s new towns, and an investigation of ideas of ‘community’ in twentieth-century Britain. You can follow him on Twitter @AlistairFair

Peter Moro and Partners was a small but well-regarded London-based architectural practice which was active between the 1950s and the 1980s. Its work, which was almost entirely for public-sector clients, included several notable estates in London. Their design demonstrates well the growing search, during the 1960s and 1970s, for innovative ‘high density, low rise’ estate layouts.

Peter Moro shown holding a model of Plymouth’s Theatre Royal in the late 1970s © Collection of Andrzej Blonski

Peter Moro was a German refugee who came to Britain in the mid 1930s. He initially worked with Berthold Lubetkin’s pioneering Modernist practice, Tecton, on projects including the Highpoint 2 flats in north London. A move into independent practice led to the co-design of a very well-received large house on the Sussex coast, just before the outbreak of the Second World War. Then, at the end of the 1940s, Moro was head-hunted to join the design team working on the Royal Festival Hall in London; his work involved overseeing the detailed design of the interiors. Moro was thus well-placed to become a specialist in theatre design, just as Britain experienced a building boom in subsidised regional theatre-building. (1)

Thirza Street/Barnardo Gardens © Elain Harwood

Moro’s involvement in the Festival Hall did not simply establish him as a theatre specialist, however. It also led to further work for the London County Council (LCC) and the subsequent Greater London Council (GLC). These jobs included several housing estates. The largest was at Thirza Street, Shadwell, to the north of Cable Street. Now known as the Barnardo Gardens estate, it was completed between 1967 and 1972 and replaced a patchwork of housing condemned as unfit. The site was bisected by a railway line, with the architects proposing 130 flats in two U-shaped groups of buildings. Low-rise blocks were set around the perimeter, with a single fourteen-storey tower adding a vertical accent. The southern (Cable Street) frontage included a public house and clubroom as well as flats for the elderly. At the centre of the estate was a play area, set on a podium above garages and parking. The buildings were originally largely faced in red brick, though the concrete floor slabs were left on show, with the deliberate choice of an aggregate-rich concrete mix adding texture. Bridges between the low-rise buildings were also made of concrete, their large eight-sided openings adopting a shape which appeared in many designs by Moro and his colleagues from the mid-1960s onwards. The raised podium was removed early in the 2000s, while the central and southern parts of the estate have been remodelled.

In 1967, a perspective drawing of the Thirza Street development was shown at the Royal Academy, where it caught the eye of Hans Peter ‘Felix’ Trenton, architect for the newly created London Borough of Southwark. Over the course of the next fifteen years, Peter Moro and Partners designed several estates for the borough. Much of this work was overseen by Moro’s partner in practice, Michael Mellish, with important contributions from numerous other colleagues.

The London Borough of Southwark was created as part of the reorganisation of the capital’s local government in 1964, bringing together three former Metropolitan Boroughs: Bermondsey, Camberwell, and Southwark. In 1966, the new authority reported that housing conditions were such that 2000 new homes were needed in the borough each year until 1981. When it came to the design of these homes, the former borough of Camberwell had already rejected the typical 1950s inner London strategy of housing design, namely picturesque ‘mixed developments’ of towers, maisonettes, and houses. Instead, the Aylesbury estate (1963-67) was more uniformly medium-rise, and this approach was rolled out across Southwark in the late 1960s.

This move reflects a contemporary shift away from high-rise housing. It partly was the result of increasing unease with ‘mixed development’; also important was growing criticism of isolated tall blocks. These debates led during the late 1950s and 1960s to a number of key projects elsewhere, such as Lillington Gardens in Pimlico (Darbourne and Darke, 1961-71), and the Brunswick Centre, Bloomsbury (Patrick Hodgkinson from a scheme with Leslie Martin, 1961-72). In addition, the subsidy regime introduced by the 1956 Housing Act, which had favoured tall buildings, was abandoned at the end of the 1960s in favour of new cost ‘yardsticks’, and this, too, prompted particular interest in so-called ‘high density, low rise’ layouts. The examples designed by Neave Brown and colleagues for the London Borough of Camden are particularly well known, not least thanks to the research of the historian Mark Swenarton, but there are notable examples elsewhere in London – particularly in Lewisham and Southwark.

An early example in Southwark was Neylan and Ungless’ Limes Walk development in Peckham (1964-66), with two long terraces facing a pedestrian walkway. Reflecting growing interest in ‘vernacular’ detailing, Southwark’s developments increasingly featured brick elevations and tiled roofs, among them the Setchell Road development by Neylan and Ungless (1971-78), where a dense mixture of flats and houses is arranged around courtyards and pathways. Within this context, the estates designed by Peter Moro and Partners tended in terms of their design towards the rational rather than the picturesque or neo-historical. The need for high densities with a wide dwelling mix – from small flats to family dwellings – led to intricate, innovative and well-considered cross-sections. A key aim was the maximum possible amount of private open space, in the form of gardens or terraces.

An early scheme was at 76-78 Montpelier Road, Peckham (1969-74), a small brick-clad block sympathetic to the scale of the adjacent terraces. A 1976 guide to recent London buildings by Charles McKean and Tom Jestico thought it contextual without being imitative, ‘skilfully designed and well built’, noting how ‘well-chosen materials’ plus careful detailing had made ‘a very small stairway into a pleasant space’. (2)

Hamilton Square section, drawn by Nick Mols

It was followed by two larger estates. At Coxson Place, Bermondsey (1969-75), flats and maisonettes were built alongside new premises for the Downside Settlement (a boys’ club). The housing was arranged in two parallel blocks, separated by walkways on two levels, with a complex mixture of house types melded together into a building of deceptively simple appearance. A similar arrangement was used at Hamilton Square, close to Guy’s Hospital (1969-73). Flats and maisonettes are arranged in two bands of buildings, between which is a landscaped podium above garages and parking. The impression externally is of a cascade of brick-faced terraces and balconies, stepping up through the site. As at Coxson Place, the arrangement of the dwellings is complex, and the product of much thought. The larger flats and maisonettes have several levels and half-levels, with some stepping across the open walkways to reach their own terraces. The Architects’ Journal praised the design: ‘the architects have performed a small miracle in achieving an exceptionally high density within a maximum four storeys, each dwelling planned to Parker Morris standards and each with the bonus of a respectable private outside space. (3)

Less complex in layout but demonstrating many of the same ideas is a development at Pomeroy Street, Peckham (1974-78), which combined a linear block of flats and maisonettes on the street-facing front with terraced housing in the gardens to the rear. The design was contextual in its brick, and its scale, with the length of the block intended ‘to re-establish the linear form of Pomeroy Street’ whilst being broken up by gables and balconies intended to identify each dwelling and to ‘give a variety of views […] which conventional terrace housing often lacks’. (4) Writing in Building Design, John McKean praised the scheme’s combination of humane atmosphere and urban scale.

There were other projects in the borough. Earl Road/Rowcross Street (Wessex House, 1971-74) echoes James Stirling’s 1960s designs in its bright red brickwork and angled geometries. Brimmington Central (Blanch Close), meanwhile, was completed in 1981, with flats and houses plus a small parade of shops which Moro’s team developed from Southwark’s own in-house designs. A final larger development, the Pasley Estate, Kennington, was begun in 1975 and completed in 1982. Deliberately picturesque, its brick-clad, low-rise blocks of housing snake around and through the site, being crowned with pitched roofs.

Things seemed to be on a roll, but, by the late 1970s, inflation and recession were challenging the economic (and political) assumptions of the previous thirty years. The introduction of the nationwide ‘Right to Buy’ policy in 1980 further affected the landscape of council housing. The result was a sudden reduction in the numbers of new council houses being constructed. That year, the Illustrated London News commented that it was ‘sad and strange that, having taken two decades to discover the kind of municipal housing its citizens like and want, Southwark now finds itself without the cash to build them’. (5)

Within this body of work, the contribution of Peter Moro and Partners is notable. The Buildings of England volume for south London not only highlights the quality of Southwark’s 1970s housing in general, but the contributions of Moro’s office in particular. (6) These projects demonstrate well not only the ways in which local authorities and their designers in 1970s London sought to provide excellent new housing of often innovative form, but also the evolving nature of the ‘welfare state’ project and its architecture during a decade that is all too easily written off as a period of crisis and decline.

To buy a copy of Peter Moro and Partners for £21, use code LUP30 at the publisher’s website.

References

(1) For more on this, see e.g. Alistair Fair, Modern Playhouses: an architectural history of Britain’s new theatres (Oxford, 2018).

(2) Charles McKean and Tom Jestico, Guide to Modern Buildings in London, 1965-75 (London: RIBA, 1976), p. 58.

(3) Hamilton Square Redevelopment’, Architects’ Journal, vol. 157, no. 9 (9 May 1973), pp. 1116-17.

(4) ‘Queens Road Development’, 9 February 1979, typescript by Michael Mellish. RIBA, MoP/1.

(5) Tony Aldous, ‘New Housing Solutions in Southwark’, Illustrated London News, October 1980, p. 26.

(6) Nikolaus Pevsner and Bridget Cherry, London 2: South (New Haven and London: Yale University Press, 2002), p. 562.

London’s Modernist Maisonettes: ‘Going Upstairs to Bed’

23 Tuesday Mar 2021

Posted by Municipal Dreams in Housing, London

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1950s, 1960s, 1970s

I’m very pleased to feature this new guest post and some fine photography by Thaddeus Zupančič. Thaddeus is a Slovenian-born writer and translator. He has lived in London since 1991. For the first 14 years he worked as a radio producer with the BBC World Service. On his Instagram account @notreallyobsessive he is now about one third through his project, London Modernism 1946-1981, which documents modernist council estates in the capital. He is also a volunteer with The Twentieth Century Society and manages its Instagram account @c20society.

On Sunday, 23 January 1955, Margaret Willis, a sociologist in the Planning Division of the Architect’s Department of the London County Council, gave a broadcast on the BBC Home Service programme Home for the Day.

Her bosses thought the broadcast, in which she ‘would informally talk about her work at County Hall’, was ‘in the interest of the Council’ and therefore recommended that ‘under Staff Regulation 112’ she should be allowed to retain the fee (‘probably 8 guineas’).

The eight-minute talk was titled My Job. Willis explained that a sociologist is a ‘sort of liaison officer between people like you, the housewives, and the Council’s technical men and women who make the plans in the drawing office’. She was, though, mostly talking about the scarcity of land in ‘the centre of our cities’ and how planners and architects ‘realise how important gardens are to many people and they are doing their best to provide them’. One of their ideas, she explained, was to build ‘a compromise between a house and a flat, it’s a four-storey building like a house on top of a house’. The main benefit of these buildings was the attached gardens, but there was also something else: ‘People prefer this type of building to a flat because they like going upstairs to bed.’ (1)

Such ‘houses on top of houses’ – known as maisonettes because of their split-level plan – were not a complete novelty. On the Devons Estate in Bromley-by-Bow, for instance, there are four low-rises which look like terrace houses with separate flats on the top of them, basically ‘flats on the top of houses’. It is an unexciting, but useful Neo-Georgian pastiche. Pevsner is more damning: the estate, opened in 1949, is ‘entirely in the LCC’s pre-war manner, but with all the drabness of post-war austerity’. (2)

Brett Manor, Hackney, by Edward Mills for the Manor Charitable Trustees, 1947-8

The first modernist maisonette block in London was Brett Manor in Brett Road, Hackney, built in 1947-8. It was designed by Edward Mills for the Manor Charitable Trustees (Mills used the same Arup box frame as Tecton did at Spa Green Estate, which was completed in 1950).

Brett Manor was swiftly followed by Powell & Moya’s Bauhausian low-rise blocks at Churchill Gardens in Pimlico (designed from 1946, built in 1947-51), which were the first modernist maisonettes built by any London council, in this case Westminster.

Winchfield House, Alton West, Roehampton, by the LCC Architect’s Department; designed in 1952-3, built in 1955-8

Margaret Willis’s employer was not far behind. Already in the early 1950s, as Elain Harwood points out, a group at the LCC Architect’s Department, worked on ‘an efficient maisonette plan, which they then cast into ten-storey slabs, built at Bentham Road, Hackney, at Loughborough Junction, Lambeth, and, most impressively, the Alton West Estate, Roehampton.’ (3) (The Gascoyne Estate in Hackney was built in 1952-4; the Loughborough Estate in 1956-8; and the Alton West Estate in 1955-8.)

The LCC dotted various iterations of these Corbusian slabs on stilts all around the central London metropolitan boroughs, including Southwark (Symington House in 1957, and Prospect House in 1962); Bermondsey (Chilton Grove in 1959); Lambeth (Wimborne House in 1959, Waylett House and Duffell House in 1963); Bethnal Green (Westhope House and Kinsham House in 1956, Yates House and Johnson House in 1957, Orion House in 1962); Stepney (Raynham House and Gouldman House in 1958, Withy House in 1959, Troon House in 1961 and Butler House in 1962); Poplar (Storey House in 1958 and Thornfield House in 1960); Westminster (the towers of the Maida Vale Estate in 1961 and Torridon House, albeit designed in 1959 only completed in 1969); and Islington (Muriel Street in 1964).

Westhope House, Hereford Estate, Bethnal Green, by the LCC Architect’s Department, 1956

Private practices working for the LCC were also designing maisonette slabs and blocks for them, the most impressive being the Ricardo Street Scheme at the Lansbury Estate in Poplar by Geoffrey Jellicoe (for the Festival of Britain’s Exhibition of Architecture, 1951); the Cordelia Street Scheme on the same estate by Norman & Dawbarn (1963); and the Fulbourne Estate slab and block by Stillman & Eastwick-Field (1958-9) in Whitechapel.

Maisonettes, regardless of the type of building in which they were incorporated, were an integral part of mixed developments, ‘the dominant ideology for housing i n the 1950s’ (4).

There was, though – as it is explained in the oddly self-flagellating GLC book Home Sweet Home – a problem with maisonette slabs: their ‘mass was too dominating, and problems of overshadowing and inflexibility of orientation led to planning difficulties which limited its use in high-density areas’. (5) A far greater potential, continues the book, was offered by the point block with its ‘non-directional shape and quick-moving shadow’.

After the success of Draper House on the Draper Estate in Elephant and Castle (completed 1962), the ‘tall blocks of maisonettes’ (6) became almost as ubiquitous as the slabs, most successfully in the case of the six 21-storey blocks on the Warwick Estate in Westminster (completed in 1966), though the medium-rise maisonettes on this estate are just as compelling.

Argosy House and, at back, Aragon Tower and Daubeney Tower, Pepys Estate, by the LCC Architect’s Department and, after 1965, GLC Department of Architecture and Civic Design; designed from 1963, opened in 1966, completed in 1973

Even taller, at 24 storeys, were the blocks of maisonettes of the cross-over ‘scissors’ type on the Pepys Estate (designed from 1963, completed in 1973) in Deptford and the 26-storey Maydew House on the Abbeyfield Estate (1965-8) in Southwark. The ‘scissors’ type was first tested for the LCC’s Lincoln Estate blocks in Poplar (1959-62), but ‘later discontinued owing to the high cost of its complex construction’. (7) The construction was indeed complex, with central corridors placed at a half level, ‘providing entrances to flats that ran the width of the block above or below, ‘crossing’ to give each other a dual aspect’. (8) They also provided a maximum of through light and ventilation. Even better than the 24-storey blocks on the Pepys Estate are the eight-storey ‘scissors’ maisonettes, a ‘strong, unifying element of the scheme’. (9)

‘Houses, flats and maisonettes’ was a mantra not only for the LCC, but also for London’s metropolitan boroughs and the City.

Golden Lane Estate, City of London, by Chamberlin, Powell & Bon for the Corporation of London; design won in competition in 1952, built to revised designs in 1954-6

The best examples of the latter are the Golden Lane Estate by Chamberlin, Powell & Bon for the City (which consists of various blocks of flats and six blocks of maisonettes plus a community centre, swimming pool and a tennis court, 1954-6); and Denys Lasdun’s part of the Greenways Estate for Bethnal Green Borough Council (the two inventive eight-storey cluster towers with 24 maisonettes each and the three low-rise blocks with another 50 maisonettes, 1955-8) as well as his Keeling House (for the same council, completed in 1959, originally comprising 56 maisonettes and eight studio flats).

Trevelyan House, Greenways Estate, by Denys Lasdun of Fry, Drew, Drake & Lasdun for Bethnal Green Metropolitan Borough Council; designed in 1952-3, built in 1955-8

Equally busy were Skinner, Bailey & Lubetkin (the post-Tecton maisonettes on the Dorset Estate, 1951-7, and the Cranbrook Estate, 1955-65, both for Bethnal Green, and the Tabard Garden Estate Extension in Southwark, 1964-5, for the LCC); Frederic Gibberd (Kingsgate Estate, 1958-61, for Hackney); George, Trew & Dunn (Winstanley Estate, 1964-6, for Battersea); Clifford Culpin & Partners (Edgecombe Hall Estate, 1957-63, for Wandsworth); and Co-operative Planning (St John’s Estate, 1963, for Poplar).

Jim Griffiths House, Clem Attlee Court, by J. Pritchard Lovell; Fulham’s Borough Architect and Director of Housing; 1957

So too were the borough architects of those metropolitan and municipal councils that already had them – most notably Camberwell’s F.O. Hayes (Sceaux Gardens, 1957-60; and the Astley Estate, 1957-9); Fulham’s Borough Architect and Director of Housing J. Pritchard Lovell (Clem Attlee Court, 1957); Willesden’s T.N. l’Anson (the 1963 blocks in the South Kilburn Redevelopment Area with maisonettes on the top of flats); and T.A. Wilkinson at Edmonton (Cumberland House and Graham House on Goodwin Road, 1962). Only five out of the twenty-eight metropolitan boroughs had their own borough architects (of whom four were also directors of housing). Just as busy were the borough engineers and surveyors, for instance W.J. Rankin at Poplar (the first phase of the St John’s Estate, 1956; the Alfred Estate, 1959-60; and the Aberfeldy Estate, 1962-3).

Lakanal, Sceaux Gardens, by F.O. Hayes, Borough Architect, H.C. Connell, A.W. Butler and H.P. Trenton of the Camberwell Borough Architect’s Department, 1957-60

Graham House, Goodwin Road, by the Edmonton Architect’s Department under T.A. Wilkinson, 1962-3. On the right: Walbrook House by the Enfield Borough Architect and Planning Officer’s Department under Wilkinson, 1967-8

The reorganisation of London’s local government in 1965 saw the creation of the new Greater London Council and 32 new London borough councils (plus the City) which then became responsible for a substantially larger part of housing projects and planning than before.

More importantly, the London Government Act of 1963 introduced – in s.74(1) – the statutory post of ‘an architect for the borough’ (10) in each one of them and, ‘as the case may be’, the City.

The most celebrated of them was Sydney Cook, who established Camden’s architect’s department. Cook recruited some of the best young talent – including Peter Tábori, Bill Forrest, Gordon Benson and Alan Forsyth – but the ‘first and foremost among those who joined Camden from the cutting edge of London’s architectural culture was Neave Brown’. (11)

Dunboyne Road Estate, Gospel Oak, by Neave Brown of the Camden Architect’s Department under Sydney Cook; designed in 1966-7, built in 1971-7

Brown designed two of the most remarkable post-1965 council estates in London: the Dunboyne Road Estate (a mixture of three- and two-bed maisonettes and one-bed flats; designed from 1966 and built in 1971-7); and the Rowley Way part of the Alexandra & Ainsworth Estate (block B, for instance, comprises four storeys of two- and three-bed maisonettes), built in 1972-8.

Tangmere, Broadwater Farm Estate, by C.E. Jacob, Borough Architect, and Alan Weitzel, Deputy Borough Architect of the Haringey Department of Architecture; designed from 1966, built in 1967-72

Cook’s competitor for Camden’s job was the housing architect of Hampstead, C.E. Jacob. He was later appointed borough architect of Haringey and as soon as his new Department of Architecture was set up, he designed, with his deputy Alan Weitzel, the Broadwater Farm Estate (1967-72) and its centrepiece, Tangmere, a maisonette ziggurat.

Henry Wise House, Lillington Gardens Estate, by Darbourne & Darke for Westminster City Council; design won in competition in 1961, detailed and built in 1964-7

Westminster balanced work of its own new Department of Architecture and Planning under F.G. West – such as the Brunel Estate in Westbourne Park, 1970-4 – with schemes by private practices, for instance Darbourne & Darke’s epochal Lillington Gardens Estate (designed in 1961, built in 1964-72, with some of the best maisonettes in town); the scheme won numerous awards, starting with an Award for Good Design in Housing in 1969.

Spring Gardens, Highbury New Park, by the Islington Architecture Department under Alf Head, Borough Architect, 1968-70

In the period of 1968-1980, the most Awards for Good Design in Housing – sponsored by the Secretary of State for the Environment in collaboration with the Royal Institute of British Architects – was received by Islington, ‘more than any other local authority in the country’. (12) Islington’s Architecture Department was run by Alf Head, who complemented its own projects – for example the Spring Gardens (1968-70) maisonettes and flats in Highbury – with commissions from private practices, very often Darbourne & Darke.

Borough architects in south London were just as active, particularly F.O. Hayes at Southwark, who continued his old Camberwell job, and Ted Hollamby at Lambeth.

Dawson Heights, Dulwich, by Kate Macintosh of the Southwark Department of Architecture & Planning under F.O. Hayes; 1966-72

Southwark’s largest projects were the stupendous Heygate Estate (now demolished) and the Aylesbury Estate (demolition underway), but the Department of Architecture and Planning designed other estates too, such as the Four Squares Estate in Bermondsey (most of its 691 homes are maisonettes). The most triumphant, though, was Kate Macintosh’s all-maisonette estate Dawson Heights (1966-72) in Dulwich. She described it as a ‘Chinese puzzle of differing types to be assembled in various combinations’ (13) and it still works perfectly well.

The building programme in the neighbouring Lambeth was very extensive too – and Hollamby was as good at recruiting talented architects as Cook given that one of his first appointments was George Finch, who already made his name at the LCC with the Chicksand Estate in Whitechapel.

Holland Rise House, Stockwell, by George Finch of the Lambeth Architect’s Department under Ted Hollamby; 1967

Finch’s eight almost identical 22-storey maisonette towers, system-built by Wates – the first completed was Holland Rise House in Stockwell in 1967 – are as intelligent as they are generous; and his stunning Lambeth Towers in Kennington Lane (designed in 1964-5, completed in 1971) are maisonettes, incorporated in a freestyle, sinuous brutalist block.

Binsey Walk, Thamesmead, by the GLC Department of Architecture and Civic Design; designed from 1966, built in 1968-9 (demolished)

The last great hurrah of mixed development was Thamesmead, ‘basically a working-class Barbican’ (14), the heroic estate by the GLC Department of Architecture and Civic Design, the successor to the LCC Architect’s Department. The two architecturally most intriguing structures – Coralline Walk and Binsey Walk, both now demolished – were linear maisonette blocks built in 1967-8; and more maisonettes were included in the later stages of the development, Parkview (1969-79) and The Moorings (1971-7).

The most seductive of all other GLC maisonette blocks remains Perronet House (1967-70) in Elephant and Castle, which won a commendation in the 1971 Awards for Good Design in Housing.

And it was not only the GLC Department of Architecture and Civic Design: pretty much all private practices commissioned by the GLC also designed maisonettes, including the Smithsons (their Robin Hood Gardens, 1968-72, mostly consisted of large maisonettes); Ernő Goldfinger (Trellick Tower, 1972, as well as Balfron Tower, 1967, Carradale House, 1967-8, and a 1972 Burcham Street block on the Brownfield Estate); Trevor Dannatt (Norwood House on the Galloway Estate, 1969); and Architects Co-Partnership (Ethelred Estate, Lambeth, 1964-75).

Benhill Grounds, Brunswick Road, Sutton, by the Sutton Architect’s Department under Peter Hirst, 1978-9

The last two estates featuring predominantly maisonettes were Benhill Grounds by the Sutton Architect’s Department under Peter Hirst (1978-9), and the GLC’s Ferry Lane Estate (1977-81) in Tottenham Hale. That these two schemes should have been the last – mostly because of the 1980 Housing Act and its consequences – is a shame, because maisonettes are arguably the greatest housing gift that modernist architects bequeathed to London. They were – and rightfully remain – popular ‘because they gave greater privacy and the sensation of being in a house’. (15) Not to mention the fact that Londoners like going upstairs to bed …

A version of this article was previously published in Issue 5 of Journal of Civic Architecture (2020).

Sources

(1) Margaret Willis, ‘My Job’ transcript for a BBC broadcast, 23 January 1955; Report by the Clerk of the Council, 12 January 1955, London Metropolitan Archives

(2) Bridget Cherry, Charles O’Brien and Nikolaus Pevsner, The Buildings of England – London 5: East, (Yale University Press, 2005)

(3) Elain Harwood, London County Council Architects, Oxford Dictionary of National Biography

(4) Elain Harwood, Obituary of George Finch, The Guardian, 27 February 2013

(5) Judith Lever, Home Sweet Home (Academy Editions/GLC, 1976)

(6) GLC Architecture 1965/70 (GLC, 1971)

(7) Lever, Home Sweet Home

(8) Elain Harwood, Space Hope and Brutalism: English Architecture 1945-1975 (Yale University Press, 2015)

(9) GLC Architecture 1965/70

(10) London Government Act 1963, Part IX

(11) Mark Swenarton, Cook’s Camden (Lund Humphries, 2017)

(12) Awards for Good Design in Housing 1980, Report from the Housing Committee, Islington London Borough Council, 4 December 1980

(13) Kate Macintosh, Utopia London, directed by Tom Cordell, 2010

(14) Owen Hatherley, A Guide to the New Ruins of Great Britain (Verso, 2010)

(15) Elain Harwood, Space Hope and Brutalism

Great estates: the changing role of trees in the municipal housing landscape

08 Tuesday Dec 2020

Posted by Municipal Dreams in Guest Post, London

≈ 8 Comments

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Westminster

I’m very pleased to feature this week a guest post by Paul Wood. Paul is the author of three books about trees in London: London’s Street Trees, London is a Forest and London Tree Walks, and he writes the blog thestreettree.com.

London Tree Walks, published in October 2020, features a dozen walks around London from Acton to Walthamstow looking at the city through the trees found in it. One of the walks, ‘Architectural Utopias Among The Trees: A Pimlico Circular’, guides walkers through the Millbank and Churchill Gardens Estates. This guest blog looks at how trees have been used in planned housing developments since the end of the nineteenth century with particular focus on the Pimlico Estates.

Signed copies of London Tree Walks are available from the author at this webpage.

By the end of the nineteenth century, trees in towns and cities had burst out of parks and squares to become established in new, urban and suburban settings across the UK and beyond. The opening of the Victoria Embankment in 1870 led to an almost overnight popularisation of planting trees in avenues, a phenomena that had hitherto been the preserve of great Continental cities such as Paris, where Hausmann’s grands boulevards had been attracting attention for several decades.

By the late nineteenth century, building houses among tree-lined streets had become an established practice for speculative builders wanting to attract the burgeoning middle classes to newly fashionable suburbs like Muswell Hill and Bedford Park. In Bedford Park, new street trees complemented those retained from the original fields, while in Muswell Hill, hundreds of London planes adorned the new avenues.

The Arnold Circus bandstand, Boundary Estate, surrounded by London planes

Planners and developers had realised that not only were trees an important part of a modern cityscape, they brought with them a host of benefits to those who lived near them. As the new craze for street tree planting reached fever pitch, it was only natural that the first public housing schemes should also have trees planted around them. The Boundary Estate in Shoreditch featured newly planted trees along its streets, mostly London planes and common limes, many of which, particularly those around Arnold Circus can still be seen. Rows of newly planted saplings feature in this photograph taken in 1903 soon after the estate opened.

‘Boundary Estate: Arnold Circus’ (1903) – before the bandstand was added. Note the newly planted trees whose growth over the decades has considerably altered the estate’s feel. © London Metropolitan Archives, collage.cityoflondon.gov.uk

Twenty years after the Embankment planting, Victorian engineers had taken on board the need to engineer tree planting into new road schemes, the complexity of which was outlined by Clerk of the Improvements Committee, Percy J Edwards in 1876: (1)

To secure the well-being of trees, pits were formed and filled with proper soil, and the footway surrounding the trees was covered with an open grating to admit the rain and air to the soil, and to enable it to be stirred and kept loose on the surface. The grating and footway were supported independently by girders over the pits, so as to prevent the settlement of the paving and the hardening of the ground around the roots of the trees.

Following similar principles, the trees seen at Boundary Road and the Millbank Estate constructed soon afterwards are extraordinarily well encased. High quality engineering means subsidence has not been an issue and big trees have been left to reach their full potential and are now a significant physical feature defining these estates as much as their architecture.

Original London planes between blocks on the Boundary Estate

Trees planted in some privately developed housing schemes, including Muswell Hill, have not fared so well with whole streets of mature trees disappearing. This is down to two main factors: the cost of maintaining large trees is significant, sometimes at a level local authorities have struggled to keep up with; and the costs of paying out to litigious residents whose homes, built speculatively often with relatively poor foundations, have been subject to subsidence.

Trees are frequently implicated in subsidence cases, their adventurous roots, insurers claim, drain water from London’s porous clay soils causing contraction and can also undermine buildings. Rather than fight these often difficult-to-prove cases, authorities will avoid costs and conflict by simply removing trees. This practice has led to avenues being depleted, removed completely or being replaced piecemeal with different species. This last practice can mean an architecturally consistent scheme planted with, for instance, London planes can become a hotchpotch of trees with differing characteristics, size and age.

Looking down St Oswulf Street, Millbank Estate. Note how the well maintained London planes lean away from the buildings

This is not the case on the Millbank Estate however, defined – even more so than the Boundary Estate – by its well-manicured and mature London plane trees. It was completed in 1902 and was an ambitious attempt at social housing, building on the experience of its smaller Shoreditch sibling. Millbank’s trees appear, 120 years after their installation, to be in great shape and add to the architectural rigour even more so than those on the Boundary Estate. It may be obvious, but unlike buildings, trees change dramatically over time, albeit in relative slow motion. They are also subject to differing management regimes which themselves change over decades and so reflect factors including fashion, economics and arboricultural practices whose impact becomes apparent over multiple human lifetimes.

View from Boundary Gardens past the trunk of an original London plane with newer field maples on Palissy Street

Today, the Millbank Estate has a near full and consistent complement of trees, virtually all of which are London planes, the urban tree species of choice in the late Victorian and Edwardian periods. The Boundary Estate has some fine planes too, but appears to be relatively less forested today. Historically it appears, the Boundary Estate was planted with planes interspersed with common limes – another species well adapted to urban situations, mature examples of which can be seen on Rochelle Street. Elsewhere a handful of weeping ‘Pendula’ cultivars of wych elm, an ornamental species relatively resistant to Dutch elm disease are present. One in the small garden behind Sandford House next to Club Row is typical.

Recently planted field maples on the Boundary Estate

These curious crown-grafted trees were much in favour during the nineteenth century and are often a feature of public parks, however the estate examples appear to be rather younger than the buildings, they are perhaps second-generation replacements of original trees. In more recent years, streets such as Palissy Street have been planted with Field Maple, a smaller and shorter-lived species than London plane, but nevertheless, a good hardy tree.

The Boundary Estate has, it seems, lost some of its trees over the years, and those that remain have been less strictly managed than those on the Millbank Estate. Both feature mature planes that now reach the full height and more of the buildings that once towered over them. They have been planted close to the buildings, in retrospect maybe too close, often they have grown at angles several degrees away from upright in search of light. Their presence in such proximity to the buildings is testament to the high specification of the entire estate.

Millbank Estate

To walk round the larger Millbank Estate today is to encounter an environment, both architectural and arboreal, that has been very well maintained over the years. With both estates, it is interesting to reflect on the planners’ original vision of how the trees would become integral to the estates over time. Did they consider the trees should be left to reach the heights seen today, or were they intended to be managed on a severe pollarding regime reflecting the fashions of the early nineteenth century? It is hard to know, or even if the longevity of the trees’ lives was considered.

Now though, and particularly in the summer, the mature trees’ canopies provide cool shade and, as evidence from elsewhere shows, traffic speed, noise and pollution are all reduced in such lush surroundings. Integral to the design of the estate was the inclusion of open space and the provision of trees.

Communal, mostly paved, areas are tucked away between the blocks, and the trees planted over 120 years ago line the streets running between them. London planes form something of a monoculture, which from a visitor’s perspective offers a harmonious aesthetic that sits well with the arts and crafts inspired architecture, but to a contemporary planner, this rigour may seem uninteresting and even risky given the spectre of plant pathogens that, like Dutch Elm Disease, can wipe out whole species in a very short time.

No trees grace the courts between blocks on the Millbank Estate, unlike those of the Boundary Estate

It was undoubtedly a radical move to include trees in these early estates; by the late nineteenth-century social class was embedded in their selection and planting. As Harold Dyos wrote in his 1960s study of the growth of Camberwell: (2)

The choice of trees, too, had its social overtones: planes and horse chestnuts for the wide avenues and lofty mansions of the well-to-do; limes, laburnums and acacias for the middle incomes; unadorned macadam for the wage-earners.

Dyos’ observation illustrates that the high standards employed in early public housing development goes against the norms established by private developers. London plane, the tree that is associated with grand public thoroughfares like the Embankment and aspirational new suburbs like Muswell Hill was also the tree chosen to soften and embed these new housing forms into the fabric of the city. It would have appeared to be the perfect tree for planting as it is attractive, fast-growing and able to cope with the industrial pollution of the day. Over the years, the trees have been well cared for, having been regularly pollarded to keep them an appropriate size and shape for their location.

Churchill Gardens

A short and interesting walk from the Millbank Estate through the stuccoed splendour of Thomas Cubitt’s Pimlico, Modernist Churchill Gardens illustrates how the relationship between trees and public housing has changed over the years, and represents what might be considered the pinnacle of post-war inner city landscaping.

London’s Second World War destruction provided planners with a rare opportunity to rebuild a modern city. Sir Patrick Abercrombie’s Greater London Plan of 1943 identified how war-damaged and slum housing could be cleared to make way for spacious modern homes with proper sanitation along with public open spaces. Born out of this optimistic vision, the Churchill Gardens estate was planned to provide 1,600 new homes.

The distinctive silhouette of Italian alders, Johnson’s Place, Churchill Gardens

Designed by the young architectural practice of Philip Powell and Hidalgo Moya, the estate’s development started in 1946, with the final blocks – those on the western side of Claverton Street – not completed until the 1970s. It is now a conservation area, with several of the oldest structures listed. Walking through the estate, it is possible to experience the utopian vision of large-scale planned housing. As well as one of the first, Churchill Gardens is one of the largest and most ambitious social housing developments with several innovations at its heart, notably the Accumulator Tower, a structure designed to hold hot water for heating the entire estate, which was pumped directly from Battersea Power Station across the river.

Perhaps the most striking thing about the estate is how it is enveloped by green space and mature trees. Unlike the eighteenth- and nineteenth-century urban ideal emphasising the separation of houses and greenery, Churchill Gardens represents a modernist vision of living among the trees. At every turn, mature hornbeams, tree privets, southern catalpas and other species are present. Well-kept gardens, tended by residents, pop up all over, and secret green corners among the tower blocks offer natural sanctuaries.

Johnson’s Place lime trees, Churchill Gardens

Unlike that other notable modernist development, the Alton Estate in Roehampton, where high quality architecture is scattered among a former Georgian parkland overlooking Richmond Park, the landscape at Churchill Gardens was planned from scratch. Consequently the trees reflect mid-twentieth century tastes that show both far greater species diversity and a modern sensibility regarding their purpose.

Unlike the Millbank Estate, the trees are no longer structural adjuncts to the built environment, instead they have become alternative focal points to the buildings. They act to soften the potentially brutalising effects of the monumental architecture, whose scale they cannot compete with. Between the slab blocks, gardens exist containing specimen trees which have more in common with park trees than street trees – a crucial difference between Churchill Gardens and the Millbank Estate, which has also led to different management practices.

A mature ‘Fastigiata’ hornbeam, one of the more frequent species of Churchill Gardens

Instead of well-pollarded planes, the trees here have been given ample space to attain fine maturity. Notable among the species are goblet-shaped hornbeams of the ‘Fastigiata’ cultivar, and evergreen Chinese tree privets, both neat, medium-sized trees. Elsewhere, a few larger trees like Italian alder, red oak, sycamore, Norway maple, southern catalpa and Japanese pagoda tree rub shoulders with smaller trees including ornamental cherries, magnolias and white mulberries. But perhaps the most exciting trees to look out for are an exceptional example of a southern European nettle tree next to Bramwell House, and a very rare (and poisonous) varnish tree next to Coleridge House.

According to Powell, the architects worked with a former Kew gardener on the landscape planting. As a result, Churchill Gardens is full of fine, well-tended trees that the people who live here are proud of and that help to foster a palpable sense of place and community.

Evergreen Chinese tree privet, Churchill Gardens

Trees have been part of our town and cityscapes for centuries, but their use on streets and among housing is a late nineteenth century innovation. As the first social housing schemes were built, tree planting was considered an essential part of their development. This impulse continued over subsequent decades with a shift away from London plane monocultures to much more diverse planting which, at its best can be akin to parkland or even botanical collections.

The use of trees within planned housing developments arguably reached its zenith in the heroic modernism of the post-war period expanding on new insights, derived from pioneering schemes like the Millbank Estate, into how buildings, people and trees interact. As estates have aged, the trees have too. Now we can reflect on the benefits of living among the trees and appreciate the grandeur they bring to developments through softening and humanising the architecture, while also providing seasonal interest and tangible environmental benefits.

Sources

(1) Percy J Edwards, History of London Street Improvements, 1855-1897 (London County Council, 1898)

(2) Harold Dyos, Victorian Suburb: A study of the Growth of Camberwell (Leicester University Press, 1966)

Council Housing in Holborn, Part III: ‘infill sites that fitted the street scene and suited the tenants’

11 Tuesday Feb 2020

Posted by Municipal Dreams in Housing, London

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1950s, 1960s, Regeneration

Sydney Cook had been appointed Holborn Borough Architect in 1947, as we saw in last week’s post, but the borough – densely built up and from 1949 securely back under Conservative control – gave him few opportunities to shine, so far as housing was concerned at least. This post looks at the smaller housing schemes that were possible before examining the later history of Holborn’s council housing in the London Borough of Camden created in 1965.

This excerpt from the LCC’s map of bomb damage shows the extent of devastation around Red Lion Square, classified from Total Destruction (Black), through Seriously Damaged (Dark Red) to Clearance Areas (Green). Taken from the Layers of London website.

One rare opportunity for a larger housing development, however, did exist – on Red Lion Square which had been heavily bombed during the war. Plans for Culver and Brampton Houses – five and six storey blocks squeezed into the south-east corner of the square – were approved in 1952. The steel-frame construction was concealed by a light brick facing – now overpainted in an eye-catching lilac – with private and access balconies (to the rear) in a contrasting white. Existing frontage lines were retained: (1)

to retain the enclosure of the Square as an existing open space, but daylighting angles dictated the siting of Culverhouse which is set back from Princeton-street, and in order to preserve as great a sense of space as possible this block has been built upon ‘stilts’, leaving the basement area open.

This image of the Culver and Brampton Houses shows the open basement area to the rear and the estate in its original style.

Culver and Brampton from Red Lion Sqaure SN

This photograph from Red Lion Square, taken in 2019, shows the estate after refurbishment.

Other infill schemes were fitted into smaller sites. The modest five-storey block at 37-39 Great Ormond Street, completed in 1952, made it into the pages of The Builder – just 10 flats in total (four one-bed and six bedsits) with a ‘small area to the rear laid out as a rock garden with terrace’. Winston House, a six-storey block on Endsleigh Street, followed in the later 1950s. (2)

37-39 Great Ormond Street, not much changed in these two images, the first taken from The Builder in 1953 and the second last year.

Winston House

Hyltons on Red Lion Street – a three-storey mixed commercial and residential development; a scaled-down version of the earlier Red Lion Square scheme – was completed in 1955 with Beaconsfield, a six-storey block adjacent, shortly after. Three ten- and twelve-storey blocks dotted around the small borough followed in the late 1950s and early 1960s – Langdon House in Hatton Garden and Laystall Court and Mullen Tower in Mount Pleasant. (3)

Beaconsfield with the three-storey Hyltons scheme to its right.

Laystall Court (to left) and Mullen Tower

Beckley, a sixties’ scheme at the corner of Eagle Street and Dane Street south of Red Lion Square, was designed by John Green who followed Cook to Camden where he became his no. 2 (his ‘Mr Fix-it’) and Acting Director on his departure. (4)

Beckley

All these small schemes squeezed into the interstices of Holborn’s dense urban fabric are a reminder of how council housing provided genuinely affordable accommodation for working-class people in central London in the past – and how much it is needed in the present.

In Frank Dobson’s affectionate remembrance of Cook (Dobson was leader of Camden Council from 1973 to 1975 and MP for Holborn and St Pancras from 1979 to 2015), these were ‘’small infill sites that both fitted the street scene and suited the tenants’: (5)

Then and when he later worked for Camden, his profound commitment to quality homes for all was combined with a quiet and apparently tentative demeanour.

There was no scope in Holborn for the extensive low-rise, high-density housing that Cook was to favour in Camden after 1965 but Cook, now aged 55, was appointed Borough Architect and the new borough provided him a fertile terrain for the architectural style and quality that became his hallmark. It was, for one thing, a comparatively wealthy borough – the third richest in London – due in part at least to the business rates paid in Holborn. It was also a politically ambitious and progressive borough which had identified council housing as a key priority. Of the 34 Labour councillors that formed the majority in the newly-elected council, none came from Holborn but – as others have commented – Holborn’s money, St Pancras’s radicalism and Hampstead’s brains provided a politically potent combination.

For a full understanding of Cook’s work in housing in Camden, read Mark Swenarton’s superb book (noted below in the sources) or read some of my earlier posts. In the remainder of this post I’ll concentrate on the afterlife of some of the earlier Holborn schemes. (6)

One early controversy arose through the rent rises imposed by the Conservative Government’s 1972 Housing Finance Act. Alf Barrett – the chair of the Tybalds Close Tenants Association, a former member of the Communist Party who had left the party to take up tenants’ activism – led a rent strike in 1975. (7)

Right to Buy and the near cessation of newbuild in the 1980s of course wrought its own damage. The central London locations and quality of Holborn’s council housing made it particularly vulnerable. A flat in 37-39 Great Ormond Street sold for £500,000 in 2015; another was available for rent when I visited – over 40 percent of Camden homes lost to Right to Buy are now privately let. (8)

Affordable housing has always been in short supply in London in particular and that created tensions in the 1980s. When in 1986 Camden Council moved to evict a resident of the Tybalds Estate who had failed to notify it of the death of his mother (his mother had been the legal tenant; he had moved back to the home after the break-up of his marriage), a major protest ensued; some 200 tenants disrupted a council meeting, chanting ‘Labour Out’ and singing ‘Land of Hope and Glory’. (9)

As that might suggest, at this time the question of council house allocations had become uneasily confused – in some eyes at least – with the rights of ethnic minority members to council homes as strictly needs-based allocations increasingly superseded local connection policies. That controversy was exacerbated by what some in the white working-class community saw as a council whose progressive policies on race favoured those in ethnic minorities. Alf Barrett complained:

All we hear is the amount of racism in the borough. The streets of Camden are not running with blood. You are placing ethnic minorities on a pedestal so that you can knock them down.

Barrett stood unsuccessfully as a ‘Tenants Rep’ [sic] in the local elections that followed on a platform that reflects the fraught housing politics of the time: (10)

The Government threaten to sell off whole estates to property developers and the Council have done nothing about it … The present council have taken away the right of people born in Holborn by saying ‘it doesn’t matter where you are born’. This is rubbish, and I intend to fight it … People must take their turn on the waiting list irrespective of where they come from.

A report by Council officers in 1987 accused tenants’ associations (TAs) of excluding ‘blacks, gays, lesbians and young people’ and specifically stated, no doubt with the previous years’ protest in mind, that ‘people purporting to represent the Tybalds Close estate were racist and sexist and these views were expressed in the council chamber’. The report drew its own rebuttal from a local councillor who condemned the blanket criticism: (11)

The possibility that TA members might have some positive contribution to make in the fight against racism and they may already be doing some serious anti-racist work seems not to have occurred to the authors of this report.

I – as a white male removed in time and place from the original controversies – am not going to adjudicate on the rights and wrongs here. The simple conclusion is that housing scarcity creates tensions that should be avoidable. Alf Barrett himself ran a local youth football club and campaigned to improve housing provision for young couples and the single homeless in the borough so is very far from the pantomime villain of the piece. His housing activism is commemorated in the naming of the Alf Barrett Playground on Old Gloucester Street close to the Tybalds Estate.

Later, these high emotions subsided and the concerns of Tybalds Estate residents came to revolve around more mundane problems (though real and significant to those affected) such as ‘dog nuisance’, vandalism and general upkeep. Unusually for the time perhaps, three full-time caretakers remained on the premises and the Council addressed some of the concerns at least by installing the first entryphone system in the Blemendsbury block. Others followed. (12)

More recent housing controversy has centred on the issue of regeneration. Modernisation and improvement of ageing council homes and estates after a long period of neglect is, of course, necessary and worthwhile. But the practice – all too often shaped by public-private partnerships and often involving the loss of social housing for homes at so-called affordable rent or private sale – has been highly contentious.

In Holborn, two contrasting estates were slated for regeneration: the Edwardian Bourne Estate and post-war Tybalds Estate. Planners noted that both were ‘in highly sought-after central London locations’, highly beneficial when it came to ‘funding the schemes through the sale of a small proportion of private sale units’.

Another shared characteristic was the aim, reflecting the current conventional wisdom that estates as such are somehow problematic: (13)

to reconnect the estates with surrounding areas and to respond more sensitively to their historic contexts, while maximising the amount of affordable housing.

The original plans for the Tybalds Estate proposed 93 new homes, 45 of which would have been council homes. The current plan, under consultation, projects 23 new homes, 17 of which will be council homes – a ‘mews’ scheme, one new block and some underbuild at Falcon. That detail is probably a little hard to decipher on the image below but it can be found online. (14)

Tybalds plan SN On the Bourne Estate, 31 of the new flats form part of the Camden Collection described on the council’s marketing website as ‘an exciting selection of private sale and private rent developments in London, delivered by the London Borough of Camden’. Two-bedroom flats are on sale for £1.3 million; in return it’s been possible to fund 35 new council flats and 10 at ‘intermediate’ (below market) rents. (15)

Bourne Extension SN 2

Front and rear shots of Matthew Lloyd’s extension to the Bourne Estate

I’ve severe misgivings about such public-private partnerships – this is a relatively benign example – but what does seem clear is that here ‘densification’ (the use of existing publicly-owned land, existent estates usually, to increase housing stock) has been applied with skill and sensitivity. At the Bourne Estate extension, opened in March 2018, where the new blocks of 75 homes were designed by architect Matthew Lloyd, the architectural commentator Oliver Wainwright writes that: (16)

the buildings exude a quality rarely found in developer-built flats – handsome proportions and crafted details mirroring the love and care that went into the surrounding estate, only brought up-to-date with bigger windows, higher ceilings and more generous spaces.

That bravura is not possible at the Tybalds Estate though the overall project as envisaged in 2013 has won awards for its master-planning and brings additional benefits of improved public realm and an increase in community space. Alex Ely, partner at mæ, has praised the council for ’their dedication to design, [building] on Camden’s excellent heritage from the Sydney Cook era’. (17)

It’s good to be writing about council housing as something other than heritage and a proud past. Camden has a 15-year Community Investment Programme planned to invest over £1 billion into schools, community facilities and some 3000 new homes, half at social and intermediate rent. It remains – even in these desperate times for local government – a relatively wealthy borough.

But it’s also obvious and necessary to draw the contrast with that past. In Holborn, council homes were built at scale even in the relative poverty of the Edwardian era and more so in the genuine austerity of the early post-Second World period. We understood then that such spending was not a cost but a value – a cost-effective, cost-saving investment in personal and community well-being. I’m grateful for the crumbs but the historical record shows what more could be achieved just as the present housing crisis shows how much more is needed.

Sources

(1) ‘Flats at Red Lion Square, Holborn, The Builder, July 8 1955

(2) ‘Flats at 37-39 Great Ormond Street, WC1’, The Builder, August 7 1953

(3) For details of the Holborn schemes, see the University of Edinburgh’s Tower Block website.

(4) Mark Swenarton, personal communication,

(5) Frank Dobson quoted in Mark Swenarton, Cook’s Camden: the Making of Modern Housing (Lund Humphries, 2017) – the definitive account of Cook’s later career in Camden.

(6) My posts ‘Mark Swenarton, Cook’s Camden: the Making of Modern Housing’, ‘The Whittington Estate, Camden’ and successor posts, ‘The Branch Hill Estate, Camden’ and the ‘The Alexandra Road Estate, Camden’.

(7) See ‘Tenants’ Leader who made the Council Quake. Alf Barratt dies at 60’, Camden New Journal, 2 August 1990 (Camden Local Studies and Archives Centre: Fiche 75.1 Alf Barratt)

(8) Tom Copley, Right to Buy: Wrong for London The impact of Right to Buy on London’s social housing (London Assembly Labour, January 2019)

(9) See St Pancras Chronicle, 21 March 1986 (Camden Local Studies and Archives Centre: 60.841 Fiche Tybalds Close Tenants Association)

(10) Leaflet for local elections May 8^th (Camden Local Studies and Archives Centre: 60.89 Ephemera File Tybalds Close Estate)

(11) ‘Tenants “Wrongly Accused” on Race’, Camden New Journal, ND but 1987 (Camden Local Studies and Archives Centre: 60.69 Tybalds Close Estate.

(12) ‘Estate Agreement for Tybalds Close Estate, April 1991’ (Camden Local Studies and Archives Centre: 60.69 TYB) and Camden Council Press Release, ‘Unique Security System Televise to Camden Tenants’, 14 December 1991

(13) Tom Lloyd, ‘Quality Streets’, Inside Housing, 6 June 2013

(14) Camden Council, ‘Tybalds Regeneration Programme – Information Page‘, 30 October 2019

(15) Oliver Wainwright, ‘Council housing: it’s back, it’s booming – and this time it’s beautiful’, The Guardian, 20 January 2019 and the Camden Collection website

(16) Oliver Wainwright, ‘Council housing: it’s back, it’s booming – and this time it’s beautiful’

(17) ‘Holborn estate regeneration plans triumph at London Architecture Awards’, architectsdatafile, 2 August 2013

Council Housing in Holborn, Part II: ‘Diminishing the Tenement Atmosphere’

04 Tuesday Feb 2020

Posted by Municipal Dreams in Housing, London

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1940s, 1950s, Holborn

We left Holborn last week in 1945, in a ruinous state and with a new Labour council. That council, radical in its politics and ambition, was under no illusions about the task it faced – a mission, as described by its leader Irene Marcousé (better known later as Ina Chaplin), ‘to win the peace [for] the ordinary citizens of Holborn’.

Holborn’s population had fallen during wartime to around 18,700 (it rose to near 25,000 by 1951) and the impact of the Blitz, as we noted, had been devastating. The new Council, however, was clear that the borough’s housing problems were not mitigated by its size, nor solely the consequence of the war: (1)

the existence behind the facades of modern buildings on Kingsway and High Holborn of streets comprising old and derelict property, lacking normal amenities and badly overcrowded. Indeed, the scenes presented today in localities such as Seven Dials are unchanged from the day when they inspired Hogarth to produce his famous masterpieces of London life and John Gay to write the ‘Beggar’s Opera’.

If the rhetoric was powerful, the cold statistics were more so. At a Town Hall meeting on housing in April 1947, Marcousé revealed that some 3500 families in Holborn lacked a bathroom, 2000 had no separate toilet and 1700 lacked their own water supply. (2)

In this context, the 20 temporary prefabs erected between Topham Street and Baker’s Row identified by the estimable Prefab Museum were welcome luxury but provided only a stopgap and small-scale solution to the wider housing crisis. (3)

Requisitioning (begun under wartime emergency powers granted in 1939 but extended into peacetime) offered another emergency response and here Marcousé, as Frank Dobson later recalled, was typically forthright: (4)

Councils had the power to requisition empty property to let to the homeless. Holborn officials told Ina it would be too difficult to implement. So she told the Town Clerk to sign 500 requisition notices. Armed with these and a bag of nails, Ina set out, accompanied by a carpenter and hammer to identify anywhere that looked vacant and requisition it. Between Ina and a bag of nails, 500 families got somewhere to live.

In May 1946, the Tory opposition on the Council proposed that requisitioning be halted, responding – in part at least – to the genuine problem of preparing this number of homes for habitation. Marcousé told them: (5)

It is ridiculous to suggest that we are requisitioning too much. We shall requisition everything that is available. If the old Council had done this the people of Holborn would be much better off by now.

By 1951, there were 1042 requisitioned properties providing homes for Holborn’s homeless.

The goal, of course, remained, high quality permanent housing but building new council homes in Holborn in the immediate post-war years presented its own huge problems. The high cost of land was one: in Holborn, land sold for up to £150,000 an acre at a time when the London County Council (LCC) had set a value limit of £60,000 on land for housing purposes. The zoning of the entire borough for commercial purposes was another. Shortages of building materials and skilled labour affected the country as a whole.

Undaunted, in 1946 the Council began negotiations with the LCC to make use of the one large area of land available to them – a site to the south of Great Ormond Street largely cleared by wartime bombing. The plans, drawn up by architects Robert Hening and Anthony Chitty, were ready in three months; detailed negotiations on land purchase, finance and planning regulations took a further eight. (6)

View of flats at Dombey Street from s-w AD 1948

The image from Werk in 1949 shows the newly completed Blemendsbury block.

Construction itself was hampered by supplies difficulties and required on-the-job adjustments. Initially steel for the steel-framed construction was in good supply; ‘later in the job the reverse became true and brickwork was substituted for concrete walling when the shortage of shuttering carpenters became acute’. (7)

Here, the indomitable Marcousé came to the fore again. According to Dobson:

she used to go personally to harass Nye Bevan (the health minister then responsible for housing) until he authorised the building work – just to get rid of her.

In commissioning the Dombey Street scheme or what became known as the Tybalds Estate, the Housing and Planning Committee’s instruction to the architects, mindful no doubt of Labour’s earlier criticism of interwar schemes, had been to ‘diminish the tenement atmosphere’. (8)

Blemendsbury in 2019

To this end, the estate was envisaged as part of a ‘neighbourhood unit’: a residential district of some 4000 people with its own shops on Lamb’s Conduit Street, community centre, schools, open spaces and service roads. It’s hard not to see it nowadays – in a good way – as anything other than part of inner London’s dense urban fabric but the ‘neighbourhood unit’ and its quest for community was a key ideal of post-war planning.

Additionally, the architects provided: (9)

a generous layout of gardens between the blocks with shrubs and flowering trees, cobblestones and a shady place with pleached limes for sitting out upon. The gardens are so planned as to give facilities to the rather dreary pre-war housing scheme (Boswell House) which adjoins. Dombey Street is to be closed and to form part of the garden layout.

The ‘tenement atmosphere’ was further diminished by the quality of flats’ internal design and provision: each had central heating and a private balcony, choice of gas or electricity for cooking and refrigerators. ‘Each flat [was] compact and arranged to give the housewife the minimum of work and yet provide a home of which the family can be proud.’ That workload – before most families came to own their own washing machine – was further reduced by utility rooms on each floor in some blocks and in others a larger basement laundry room containing washing machines, double sinks and mangles. (10)

Windmill

Blemundsbury and Windmill were the first two blocks completed, in 1949. At ten storeys, the former was briefly the highest residential block in London and it caught the eye for its striking modernist design – ‘not lavish, but of delicate precision and agreeably devoid of mannerisms’ according to Pevsner in 1952 – at a time when the housing schemes of the LCC in particular (then under the unimaginative control of the Valuers Department) were heavily criticised for their old-fashioned plainness. When JM Richards launched a fierce attack on the LCC’s designs in the pages of the Architects’ Journal in March 1949, his critical article was accompanied by a highly complimentary review of the Holborn scheme to offer point and contrast. (11)

This quality – particularly in Holborn – came at a price. At a cost of £2100 per flat, the scheme was reckoned among the most expensive ever passed by the LCC. Rents to match – up to 35 shillings (£1.75) a week – attracted criticism from the local Communist Party. The Labour Council countered that ‘tenants’ savings in the cost of fuel, heating of water, laundry charges, etc.’ would more than compensate for the additional expense. (12)

In 1947, however, the Council’s continuing commitment to high quality housing was demonstrated by its appointment of Sydney Cook as Borough Architect. Cook’s first job had been as an architect for Luton Borough Council but from 1945 he had worked for the Bournville Village Trust, a significant player in contemporary discussions around post-war reconstruction. (13)

Holborn Central Library

Before moving on to housing in next week’s post, we should note Cook’s contribution to the leisure and cultural provision that was an important element of the Council’s politics. Here Holborn’s new Central Library, opened in 1960, stands out – ‘a milestone in the history of the modern public library’, according to the Twentieth Century Society. Typically, it was designed not by Cook himself but by his deputy and assistants (Ernest Ives and assistants ID Aylott and EL Ansell to give them due credit). As many of you will know, Cook went on to become Borough Architect for the newly created Camden Council (incorporating Holborn) in 1965 and here he guided and managed a team of architects that would create some of the finest council housing in the land. (14)

Chancellors Court

The Tybalds Estate itself grew further in the 1950s and 60s. Two fourteen-storey point blocks, Babington and Chancellors’ Court, were opened in 1958 – constructed by Laings, their design credited to Cook. Though probably designed by members of his team, they are a reminder that Cook was not always committed to the low-rise, high density format that became his signature in Camden. Devonshire Court, a five-storey development of shops and flats fronting Boswell Street at the edge of the estate was completed in 1962.

Devonshire Court

Returning briefly to 1949, the May local elections were catastrophic for the Holborn Labour Party which lost 23 seats and retained a single solitary councillor. The Borough would remain under solid Conservative control until its abolition in 1965. It was an awful year for Labour generally in electoral terms but in Holborn in particular the results seem to indicate the exceptionalism of 1945. However, a strong, cross-party consensus remained that councils should build homes and we’ll examine Holborn’s further efforts in this regard in the next post.

Note

My thanks to A London Inheritance for permission to use the earlier photograph of the Tybalds Estate under construction. The post ‘Building the Tybalds Close Estate’ provides a fuller and longer history of the area. The blog as a whole is a wonderful record of London past and present.

Sources

(1) Holborn Borough Council, ‘Tybalds Close: the Holborn Housing Scheme’ (Camden Local Studies and Archives Centre: 60.69 Tybalds Close Estate)

(2) Sean Creighton (Labour Heritage), Labour in Holborn in the 1930s and 1940s

(3) They are recorded on the Prefab Museum map.

(4) A transcript of Frank Dobson’s obituary of Marcousé published in The Guardian, 9 April 1990, can be found in the online archives of Woolverstone Hall School.

(5) Quoted in Sean Creighton (Labour Heritage), Labour in Holborn in the 1930s and 1940s.

(6) Holborn Borough Council, Tybalds Close: the Holborn Housing Scheme (60.69 Tybalds Close Estate)

(7) ‘Housing in Holborn: Blemendsbury House, Theobalds Road WC for the Holborn Borough Council’, The Builder, March 4 1949, pp267-270

(8) Quoted in Miles Glendinning and Stefan Muthesius, Tower Block: Modern Public Housing in England, Scotland, Wales and Northern Ireland (1993)

(9) ‘Housing for London Boroughs’, Architectural Design, vol VIII, no 11, November 1948, pp229-242

(10) Holborn Borough Council, Tybalds Close: the Holborn Housing Scheme (60.69 Tybalds Close Estate)

(11) See Nicholas Merthyr Day, The Role of the Architect in Post-War State Housing: A case study of the housing work of the London County Council 1939 – 1956, PhD, University of Warwick 1988

(12) See Sean Creighton (Labour Heritage), Labour in Holborn in the 1930s and 1940s and Holborn Borough Council, Tybalds Close: the Holborn Housing Scheme (60.69 Tybalds Close Estate)

(13) Mark Swenarton, ‘Geared to producing ideas, with the emphasis on youth: the creation of the Camden borough architect’s department under Sydney Cook’, The Journal of Architecture, Volume 16, no 3, 2011

(14) Susannah Charlton, Twentieth Century Society, ‘Holborn Library, Building of the Month, July 2013’. On Cook’s later schemes for Camden, see my posts ‘Mark Swenarton, Cook’s Camden: the Making of Modern Housing’, ‘The Whittington Estate, Camden’ and successor posts, ‘The Branch Hill Estate, Camden’ and the ‘The Alexandra Road Estate, Camden’.

Council Housing in Holborn, Part I: Early Council Housing to 1945

28 Tuesday Jan 2020

Posted by Municipal Dreams in Housing, London

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1920s, 1930s, Holborn, Pre-1914

Holborn, created in 1900, was at just 403 acres the smallest of the London boroughs. With a population to match – declining from 59,000 when established to barely 22,000 on abolition in 1965 – and an overwhelmingly Conservative council, neither was it in the forefront of council housebuilding. Still, it has a rich council housing history and after 1945, with Sydney Cook as Borough Architect (who would go on to make his name in the same office at Camden), it stood in the forefront of modernist design.

Holborn can be seen near the centre of this interwar map of the Metropolitan Boroughs. Together with St Pancras and Hampstead, it would form the London Borough of Camden from 1965.

This first post will look at its earlier history and begins with what the Survey of London describes as ‘the first council housing in England’. In fact, Corporation Buildings on Farringdon Road, completed in 1865, were built by the City of London, largely at the initiative of Alderman Sydney Waterlow, better known as the founder of the Improved Industrial Dwellings Company. For that reason and given the nature of the City of London Corporation, I place it more strongly in the Victorian tradition of philanthropic housing and, like most of these early ‘model dwellings’ and their relatively high rents, its 168 tenements housed the better-off working class and the lower middle class. The buildings were demolished in 1970. (1)

An early engraving of Corporation Buildings, Farringdon Road

The City of London built another block, Viaduct Buildings containing 40 tenements, in 1880 but it was the London County Council (LCC), created in 1889, that built most of Holborn’s council housing proper before the First World War. The LCC’s first scheme was a small one, intended to clear and improve a run-down area between Brooke Street and Leather Lane. Completed in 1897, Cranley Buildings (unusually three-storey tenements rather than the five that was the norm) comprised just twelve two- and three-roomed tenements, housing 60 people. Only 55 had been displaced by slum clearance but the usual problem of high rents ensured that these new residents too were the better-off rather than the poorest who had previously lived in the area. (2)

Cranley Buildings

The LCC’s next scheme, the Bourne Estate, south of Clerkenwell Road, was a much grander affair: eleven principally five-storey blocks containing some 763 homes: (3)

designed by the LCC Architect’s Department in a free Classical style, with Arts and Crafts touches … [of] international significance as the model for the much admired and highly influential public housing erected in Vienna immediately after the First World War.

It’s the grand arches which find their greatest echo in the later Austrian schemes but the attractive green courtyards of the Bourne Estate contain little of the communal buzz sought by Red Vienna.

The Bourne Estate

Holborn was far from alone among the metropolitan borough councils in building no council housing of its own before 1914 but its overwhelmingly Conservative membership no doubt made that decision easier. Two Labour councillors were elected in 1919 but they soon lost their seats and through most of the 1920s the Council was wholly Conservative.

The First World War and its aftermath – and specifically the promise of ‘Homes for Heroes’ – had changed much in 1919 and the celebrated Housing Act of that year required that all councils not only survey local housing needs (within three months!) but actively prepare schemes to meet them. Holborn went through the motions, going so far as to inspect four possible sites for council housing, but finally concluded that: (4)

Although from a purely public health point of view there is at present necessity existing in the Borough for better housing accommodation for the working classes, many other factors have to be taken into consideration by the Council.

To be fair, there was some truth in the factors identified: population movement from central London, cheaper and better housing in suburban districts, cheaper commuting, and Holborn’s growing significance as a business centre. But they didn’t obviate the pressing problems of the day, not least the 611 unadapted large family houses now in multiple occupation. Clearly, political opposition to public housing remained the determining factor for the Council’s Conservative majority.

The 1919 report identified a precise total of 999 LCC flats in the borough. This number was not added to in the interwar period but Holborn itself did in the end build some 92 council homes by the early 1930s – only Chelsea and Paddington Metropolitan Boroughs provided fewer in the period.

Betterton House

Holborn’s first council housing was built on Betterton Street in Covent Garden. Betterton House was opened in 1927 by Prince Arthur of Connaught, a small, five-storey infill block of 15 tenements designed by Borough Surveyor JE Parr, replacing buildings declared derelict. The arched front entrance led to a stairway providing balcony access at the rear. Fifteen further tenements were added in a 1930 extension. A small but active Labour opposition group on the council were denouncing the flats as ‘slums’ by the later 1930s. (5)

Boswell House. Richbell, a post-war block, lies to the immediate right set back from the previous street line.

The Council’s next scheme – Boswell House in Boswell Street, Bloomsbury – also designed by Parr, comprised 62 flats and was opened in 1932. There were over 400 applicants for the new homes; the lucky few selected were: (6)

Holborn residents living in unsatisfactory conditions, in a number of cases being large families in single room tenements. Many of the tenants are employed in market work, in hotels and restaurants, or other occupations where the hours of work necessitate residence near to the place of work.

The design details provided by the Medical Officer of Health suggest the Council took some pride in the scheme: (7)

All the flats will have a well-ventilated larder, sink, draining board, dresser-cupboard, gas cooker, copper-boiler, bathroom and W.C., coal bunker, cupboards, shelving, hat and coat racks, etc. … A playing yard is provided for children, and the blocks of flats have been so arranged as to provide the maximum amount of sunshine, light and air for the dwellings. The flats, balconies, staircases and the yard will be lighted at night by electric light.

This was, unusually, a seven-storey scheme (the top two floors were maisonettes), necessary to make fullest use of the restricted, one-third of an acre, site. Almost uniquely, for a council housing scheme before the 1946 special lifts subsidy, it contained two service lifts. In this, at least, Holborn was ahead of the game.

That does, however, represent the peak of its pre-war housing record. The context is important – a population that by 1937 was estimated to have fallen to 34,600 – but on other measures housing need remained severe. From 1930, housing legislation focused on slum clearance and rehousing. The 1935 Housing Act required all local authorities to undertake a survey of overcrowding in their districts. In Holborn, by the modest criteria of the day, 700 families were found to be living in overcrowded conditions, over nine percent of the local population. This placed Holborn tenth among the capital’s 28 Metropolitan Boroughs for overcrowding. Much therefore remained to be done.

Much more after the devastating impact of the Blitz. Some 650 buildings were destroyed in Holborn (one seventh of the Borough’s total) and 426 people killed. Around 282 high explosive bombs fell at the height of the Blitz in April-May 1941 and a number of V1 and V2 rockets in a second wave of attacks in 1944. Per head of population, Holborn was reckoned the worst hit administrative district in the country. (8)

Buckea's Bakers Shop, corner of Boswell Street and Theobalds Road 1945

An image of Buckea’s Bakers Shop on the corner of Boswell Street and Theobalds Road taken in 1945.

The political impact of the war seems almost as seismic. In the general election of June 1945, Irene Marcousé, elected a local councillor in 1939, stood for Labour in Holborn. She posed the all-important question of the day: (9)

Who is going to win the peace? Are you – the ordinary citizens of Holborn and Britain? Or are THEY – the privileged few who have always cheated you and the peace and plenty you have earned?

Marcousé didn’t win but she came within 925 votes of the victorious Conservative candidate on a 19-point swing in a two-horse race. This was a very creditable result in Holborn where business voters – those with a vote through ownership of business premises in the constituency – represented around 6 percent of the electorate. (Plural voting was abolished for parliamentary elections in 1948 but remained in local elections – and significant therefore in Holborn – till 1969.)

Across the country, Labour gained 239 seats to form its first (landslide) majority government. This was a harbinger of the November local elections in which Labour took control of the Borough for the first and only time, winning 24 seats to the Tories’ 18. Marcousé became leader of the Council and chair of the Housing Committee.

It’s worth a pause here to take a look at Marcousé and the new council. Marcousé was born in East Prussia in 1900 and educated in Belgium before graduating from the universities of Heidelberg and London. Frank Dobson, Labour MP for Holborn and St Pancras in later years, recalled she could sing The Internationale in English, French and German. She had married Hugh Chaplin (Principal Keeper of the Department of Printed Books at the British Museum and a fellow Labour activist) in 1938; together they lived in Russell Square. But she was, in Dobson’s words, ‘a hard-bitten, awkward and effective old socialist’. Better known as Ina Chaplin, she would represent the party on the LCC, Greater London Council and Inner London Education Authority till 1977. (10)

Under Marcousé’s leadership, in what almost might be described as the ruins of Holborn, the Council opened information and social centres in disused and bomb-damaged premises, created new children’s playgrounds, organised open-air entertainments in local squares, and published a regular council newsletter. It was a broad and cultural programme that seems in some ways to prefigure the New Left politics of later years.

But the key issue was housing and we’ll examine its record on that and the longer post-war story next week.

Sources

(1) Philip Temple (ed), Farringdon Road‘, Survey of London: Volume 46, South and East Clerkenwell, (2008)

(2) Fuller detail is provided in Martin Stilwell, Housing the Workers Early London County Council Housing 1889-1914, 10: Brooke’s Market, Holborn Scheme (pdf)

(3) Historic England, Bourne Estate (Northern Part), Denys House, Frewell House, Ledham House, Radcliffe House, Redman House, Scrope House, Skipwith House: listing details

(4) Holborn Metropolitan Borough Council, Annual Report of the Medical Officer of Health, 1919 (Wellcome Library, London’s Pulse: Medical Officer of Health reports, 1848-1972)

(5) Holborn Metropolitan Borough Council, Annual Report of the Medical Officer of Health, 1927 (Wellcome Library, London’s Pulse: Medical Officer of Health reports, 1848-1972). On Labour, see Sean Creighton (Labour Heritage), Labour in Holborn in the 1930s and 1940s.

(6) Holborn Metropolitan Borough Council, Annual Report of the Medical Officer of Health, 1933 (Wellcome Library, London’s Pulse: Medical Officer of Health reports, 1848-1972)

(7) Holborn Metropolitan Borough Council, Annual Report of the Medical Officer of Health, 1932 (Wellcome Library, London’s Pulse: Medical Officer of Health reports, 1848-1972)

(8) A Walk in History, Friday 30th May – The Blitz

(9) Quoted in Martin Pugh, Speak for Britain! A New History of the Labour Party (Random House, 2010)

(10) See Sean Creighton (Labour Heritage), Labour in Holborn in the 1930s and 1940s. A transcript of Frank Dobson’s obituary of Marcousé published in The Guardian, 9 April 1990, can be found in the online archives of Woolverstone Hall School (an out of London boarding school founded by the LCC in 1951 where she was a governor until 1986).

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